Whitney Museum of American Art
99 Gansevoort Street, Manhattan
Renzo Piano Building Workshop in collaboration with Cooper Robertson
When the Whitney Museum made the move from its iconic Breuer Building to a new location in Manhattan‘s Meatpacking District, the institution was “returning to our downtown roots,” Larissa Gentile, New Building Project Director for the Whitney, told today’s Archtober Building of the Day Tour attendees.
Theatre for a New Audience at Polonsky Shakespeare Center
262 Ashland Place, Brooklyn
H3 Hardy Collaboration Architecture
“All the world’s a stage, and all men and women merely players.” At today’s Archtober tour of the Theatre for a New Audience at the Polonsky Shakespeare Center, H3 Hardy Collaboration Architecture‘s Geoff Lynch and David Haakenson explained how the firm took the Bard’s oft-quoted lines to their logical architectural conclusion.
Tribeca’s 12 Warren Street is finally stripping down with the public now getting a glimpse of the building’s distinguished facade. Development and design firm DDG is bucking the trend of the usual glass luxury building that are commonplace all over Manhattan, instead opting for the naturalistic texture of rough stone.
An assemblage of Archtoberites and Open House New Yorkers explored the General Society of Mechanics & Tradesman today with Victoria Dengel, executive director of the organization. She was joined by two of her tenants, Lisa Easton, AIA, a partner at Easton Architects, and Seth Weine, a Fellow of the Institute of Classical Architecture & Art (ICAA). Read More
Christoph Bartmann, director of the Goethe-Institut New York, began today’s Archtober tour with a history of its time in the city. After many years on the Upper East Side, the organization had to relocate to a temporary space in Soho to comply with German fire safety regulations. After viewing dozens of potential spaces throughout Lower Manhattan, it found its new home on Irving Place. The 3,000 square foot 1st floor, formerly occupied by a mystical religious community, was in bad shape when the new tenants first arrived—it was truly bare-bones.
Staten Island Museum at Snug Harbor
1000 Richmond Terrace, Snug Harbor Campus, Building A Staten Island
Gluckman Tang Architects
The recently reopened Staten Island Museum at Snug Harbor, housed in a former dormitory for aged and decrepit sailors, has a renewed vitality in a historic setting. “When restoring historic buildings, make interventions as quietly as you can,” Richard Gluckman told Archtober enthusiasts gathered at the museum today.
On October 7, the New York Landmarks Preservation Foundation hosted its annual “Lunch at a Landmark” at the top of the Hearst Tower. Guests, New York’s elite architectural, design, and preservation cognoscenti, were offered a rare insight into the building—one from Norman Foster himself.
175 Fifth Avenue, Manhattan
D. H. Burnham & Co. (1902)
A fantastic crowd of Archtober enthusiasts joined us for the outdoor history lesson from Alice Sparberg Alexiou—not only the author of The Flatiron: The New York Landmark and the Incomparable City that Arose With It—but also a descendant of a post-war Transylvanian real estate developer who owned, along with Harry Helmsley and another investor, the Flatiron Building for fifty years.
Please be Seated: New York City expands its CityBench program and grows ‘Street Seat’ parklets in Brooklyn
If there’s one thing New Yorker’s won’t stand for, it’s a lack of benches. After unveiling the 1,500th addition to its CityBench program, the New York City Department of Transportation (NYC DOT) has revealed that a federal award package of $1.5 million will be used to develop the CityBench scheme further. In addition to this The Downtown Brooklyn Partnership has initiated a colorful “Street Seats” program as seating projects gain popularity in the city.