On View> MoMA tackles tactical urbanism with “Uneven Growth: Tactical Urbanisms for Expanding Megacities”
Uneven Growth: Tactical Urbanisms for Expanding Megacities
11 West 53rd Street, New York, New York
November 22–May 10, 2015
The population of the planet is growing quickly and an increasing number of people are living in urban areas. The resultant demographic changes, including an increase in urban poverty, pose challenges and opportunities for architects and planners in the decades ahead. How to address such a complex and global change is a question explored in the MoMA exhibition Uneven Growth: Tactical Urbanisms for Expanding Megacities.
Tonight is the opening night of the New York City exhibition that features the four finalists in the vision42design competition. The international competition was launched in April of this year, and asked designers to reimagine Manhattan’s 42nd Street as an auto-free, light-rail thoroughfare that could serve as a model for a 21st century transportation corridor. The four winning proposals will be on display through January 15 starting tonight at the Condé Nast building at 4 Times Square. Come by for a cocktail reception beginning at 6:00p.m. Hope to see you there.
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Developers use cutting-edge technology to restore Ralph Walker crown.
When JDS Development Group and Property Markets Group purchased the 1927 Ralph Walker high-rise in Manhattan’s Hell’s Kitchen neighborhood in order to transform it into the Stella Tower condominiums, they realized that something was not quite right about the roofline. “The building had a very odd, plain parapet of mismatched brick,” recalled JDS founder Michael Stern. “We were curious about why it had this funny detail that didn’t belong to the building.” The developers tracked down old photographs of the property and were pleasantly surprised by what they saw: an intricate Art Deco thin dome crown. “We were very intrigued by putting the glory back on top of the building,” said Stern. They proceeded to do just that, deploying a combination of archival research and modern-day technology to recreate a remarkable early-twentieth-century ornament.
Firetrucks, police cars, and a helicopter surrounded 1 World Trade Center this afternoon to save two window washers who became trapped near the 69th floor on the south side of the building. According to the New York Times, the machine controlling the scaffolding, to which the washers were strapped, malfunctioned. Firefighters were able to reach them by cutting a hole in a nearby window and then bringing them to safety. An official from the fire department said he believed the cause of the scaffolding failure was a snapped cable.
“They are in a difficult spot,” a fire department spokesman told the Wall Street Journal. “They are feeling the effects of hanging in there.”
Mexico has a unique architectural and artistic culture that spans generations and decades. It’s is a combination of a powerful indigenous vernacular created when the Spanish met the native peoples, sophisticated European designers immigrating to the country, and a long period when it was cut off from the international flow of capital and ideas. But now a new generation of young architects is redefining this tradition in the most creative and exciting ways. One of those young designers—Frida Escobedo—is in New York and will be presenting her work at the Swiss Institute on Saturday.
When we talk about the batch of luxury towers coming to 57th Street, we’re typically talking about very tall, very skinny, very glassy buildings. But not, of course, when it comes to W57—Bjarke Ingels‘ very pyramid-y addition to the street he calls a “court-scraper” for its combination of the European courtyard building with a New York skyscraper. Last time we checked in on Bjarke’s pyramid—sorry, Durst would prefer we all call it a “tetrahedron”—it was only a few stories high. That was back in June, and since then, the sure-looks-like-a-pyramid has topped out at 450 feet and crews have begun installing its facade.
What is New York City Mayor Bill de Blasio‘s position on design and public space? Does he care about design or think it is simply a prerogative of the city’s middle class populations? It is one the conundrums of the current administration that it wants to create 200,000 units of affordable housing but does not seem to care about the architecture of the buildings or or how they might affect their surrounding neighborhoods. There is much that is laudable in the mayor’s push for new affordable housing, but will all this new construction be a step back from the progressive attitude of the Bloomberg administration concerning the physical and spatial aspects of the city?
These issues—and others of great concern to the city’s design community—will be the topic of discussion tonight at the AIANY’s Center for Architecture on LaGuardia Place in a panel discussion called “A Changing Landscape: Public Space and the New Administration.”
Archtober Building of the Day #31
Starlight at the Museum of the City of New York
1220 Fifth Avenue
Cooper Joseph Studio
Starlight, the aptly named chandelier in the neo-Georgian rotunda of the Museum of the City of New York, was a marvelous termination to our fourth Archtober. Wendy Evans Joseph, principal at Cooper Joseph Studio, described the light fixture with meticulousness equal to the design itself.
Archtober Building of the Day #30
Sunset Park Material Recovery Facility
472 2nd Avenue, 29th Street Pier, Brooklyn
Eadaoin Quinn, the education and administrative coordinator at the SIMS Municipal Recycling Facility presented a classroom full of Archtober enthusiasts with a detailed and informative presentation of the automated process of material sorting and recovery that is recycling. Quinn told us about the machinery of sorting, starting with the “liberator shredder,” which opens the large garbage bags that recyclables arrive in by truck or barge.
Archtober Building of the Day #29> Green-Wood Cemetery Columbarium, Tranquility Gardens, and Chapel/Crematorium
Archtober Building of the Day #29
Green-Wood Cemetery Columbarium, Tranquility Gardens, and Chapel/Crematorium
500 25th Street, Brooklyn
The trend in burial at Green-Wood Cemetery is decidedly toward cremation. Built in 1838, and the final resting place of 570,000 people, it is “literally running out of space,” according to Green-Wood President Richard J. Moylan. He estimated they’ll run out of space for in-ground burials in the next five years. “We could pack them in tighter, but that would ruin it,” he said.