Clive Wilkinson Architects Makes a Superdesk

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Clive Wilkinson Architects designed a continuous work surface dubbed the Superdesk for New York advertisers the Barbarian Group. (Michael Moran)

Clive Wilkinson Architects designed a continuous work surface dubbed the Superdesk for New York advertisers the Barbarian Group. (Michael Moran)

Endless table materializes intra-office connectivity in plywood, MDF, and epoxy.

When Culver City-based Clive Wilkinson Architects (CWA) sat down with representatives of the Barbarian Group to discuss renovating the advertising agency’s new 20,000-square-foot office, one word kept coming up: connection. “Before, they were all in offices designed for one person, but crammed five in each, and scattered,” recalled associate principal Chester Nielsen. “It was a pain. Bringing everyone into the open, and having them feel like they were all connected was super important.” The architects elected to “surgically gut” the leased New York Garment District loft to create a central workspace for between 125-175 employees. To materialize the theme of connection, they zeroed in on the idea of a single work surface, an endless table later christened the Superdesk. With 4,400 square feet of epoxy-coated surface atop a support structure comprising 870 unique laser-cut plywood panels, the Superdesk is a triumph of programmatic creativity. “Building a big table was not an obvious solution,” said Nielsen, “but it’s a simple one.”
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Brooklyn’s 56 Bogart is at the center of the New York City art world

Art, East, On View
Wednesday, February 25, 2015
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Henry Khudyakov's Environmental Motif, 1985-1994. (Courtesy Henry Khudyakov)

Henry Khudyakov’s Environmental Motif, 1985-1994. (Courtesy Henry Khudyakov)

 

If the address 56 Bogart in Brooklyn means nothing to you then you’re missing the center of the art world in New York City in 2015. Forget about Chelsea and the Bowery, Bushwick and East Williamsburg are the most exciting exhibition outposts in the city and maybe in the country. It’s Soho 40 years ago as any Saturday afternoon stroll along Bogart Street will make clear with its cafes, bars, restaurants and working artists lofts on every block.

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Mind the Gender Gap: Findings of gender equity in architecture survey this Friday in New York

Architecture, East, National, On View
Monday, February 23, 2015
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missing32-report-04

A number of advocacy organizations questioning the ethics of architecture practice in the United States have received a flurry of attention recently. The New York Times commented recently on the San Francisco–based Architects/Designers/Planners for Social Responsibility’s petition to revise the AIA’s stance on solitary confinement and torture. The New York–based Architecture Lobby made waves in 2014 with protests denouncing the continued prevalence of unpaid labor among architects. Before that, Harvard’s Women in Design provoked top figures in the field to take a stance on the failure of the industry’s awards to adequately acknowledge collaboration in 2013.

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With slight alterations, controversial Brooklyn Bridge Park development to start back up

Architecture, Development, East
Friday, February 20, 2015
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The Pierhouse in January. (Courtesy Field Condition)

The Pierhouse in January. (Courtesy Field Condition)

In our recent story about the current development surge happening in and around Dumbo, we touched on the controversy surrounding the Pierhouse—an under-construction hotel and condo complex next to the Brooklyn Bridge. The Marvel Architects–designed building, which will help cover Brooklyn Bridge Park‘s maintenance costs, has riled up local residents who say it is blocking their views of the iconic bridge.

Continue reading after the jump.

Winning Designs for World’s First Sci-Fi Museum on View at Brooklyn Public Library

Architecture, Awards, East, On View, Unveiled
Friday, February 20, 2015
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Architectural Design Jury Awarded First Place - Schrodinger’s Box, submitted by Emily Yen, USA

Architectural Design Jury Awarded First Place – Schrodinger’s Box, submitted by Emily Yen, USA

 

Science fiction’s outlandish imaginings are set to become reality, with  the top 10 designs for the world’s first sci-fi museum on display at the Brooklyn Public Library through May 31. Naturally, the first-of-its-kind project warrants no less than a high-tech, out-of-this-world edifice worthy of Star Trek. The winning design by graduate student Emily Yen, titled Schrödinger’s Box, proposes a 3,990 square foot modular museum comprised of a trapezoid frame with infilled planes at various heights (think staggered wall shelving).

COntinue reading after the jump.

The Principals Make Music with Mylar

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Ancient Chaos, a sound reactive installation designed by The Principals with musician Dev Hynes, debuted at Neuehouse last fall. (Bryan Derballa)

Ancient Chaos, a sound reactive installation designed by The Principals with musician Dev Hynes, debuted at Neuehouse last fall. (Bryan Derballa)

Collaborative installation translates sound into motion.

When Brooklyn-based design and fabrication studio The Principals began collaborating with musician Dev Hynes on Ancient Chaos, a sound reactive installation commissioned by speaker company Sonos, they had only a vague sense of the project’s goals. “The general concept was that we wanted to create an architecture that was fluid like sound, and to create sounds that were architectural,” said co-founder Seskunas. “We wanted to have an installation that was both of those things but neither—a very ephemeral, nebulous concept of what sound and architecture could be.” Then Seskunas went surfing with a friend, and, in between sets, found himself mesmerized by the ever-changing play of sunlight on the ocean. “Could we create an architecture that had this quality to it?” he questioned. Constructed from 6,000 individual pieces of Mylar set in motion by high-powered stepper motors, Ancient Chaos answers Seskunas’ question in the affirmative. The installation, which debuted at New York’s Neuehouse last year, is a moving meditation on the relationship between sound and space.
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On View> Catch “Times Square, 1984: The Postmodern Moment” before February 15

Architecture, East, Newsletter, On View, Skyscrapers
Wednesday, February 11, 2015
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Courtesy Skyscraper Museum

Courtesy Skyscraper Museum

Times Square, 1984: The Postmodern Moment
The Skyscraper Museum
39 Battery Place, New York
Through February 15

Once a seedy, crime-ridden corridor, Times Square has since been transformed into a vibrant and safe, neon-lit entertainment hub for theatergoers. But in 1984, the future of The Great White Way was uncertain.

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Facades+ is Coming to NYC in April

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The premier conference on high-performance building enclosures is coming to NYC this April. (Sean Davis/Flickr)

The premier conference on high-performance building enclosures is coming to NYC this April. (Sean Davis/Flickr)

As building envelopes become more complex, it is imperative that AEC professionals exit their specialist silos and come together to share lessons learned. Facades+, the premier conference on high-performance building enclosures, offers a unique opportunity to interact with the movers and shakers of the AEC industry. Fresh off successful runs in Los Angeles, Dallas, and Chicago, Facades+ is coming next to New York, April 16-17, 2015.

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Rem Koolhaas is the latest starchitect to join the High Line scene

Rem Koolhaas.

Rem Koolhaas.

It was always a question of when—not if—Rem Koolhaas would join the starchitect party alongside New York City’s High Line. With the third phase of the popular park open, and multiple splashy projects rising alongside it, the New York Post is reporting that Koolhaas’ time has come: he has been hired by The Related Companies to design a building on West 18th Street.

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Pictorial> Facade rising at Bjarke Ingels’ Manhattan “courtscraper”

(Courtesy Field Condition)

(Courtesy Field Condition)

One of the most interesting buildings to ever rise in New York City is getting closer and closer to the finish line. We are of course talking about W57Bjarke Ingels‘ pyramid, or rather, “courtscraper,” on Manhattan‘s Far West Side.

Take a look at construction progress after the jump.

Letter to the Editor> A Bright Future for the Frick

RUSSELL PAGE'S GARDEN AT THE FRICK COLLECTION. (WALLY GOBETZ / FLICKR)

RUSSELL PAGE’S GARDEN AT THE FRICK COLLECTION. (WALLY GOBETZ / FLICKR)

[Editor’s Note: Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I am delighted with the recent Crit’s praise for the beautifully renovated Cooper Hewitt (AN 01_01.14.2015), but I am puzzled by the inconsistency with regard to the Frick Collection’s expansion plans.

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Save the date! Here’s your first sneak peek of NYCxDESIGN 2015

Design, East, News
Friday, February 6, 2015
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WantedDesign Brooklyn will take place in Industry City, in Sunset Park.  (Courtesy NYCxDESIGN)

WantedDesign Brooklyn will take place in Industry City, in Sunset Park. (Courtesy NYCxDESIGN)

We might be in the thick of winter, but planning is already underway for the third annual NYCxDESIGN coming up in the Spring. On Thursday morning, organizers—NYC & Company and the NYC Economic Development Corporation—invited members of the design community, fittingly, to the newly opened and revamped Cooper Hewitt Smithsonian Design Museum to kick off the week-long, citywide design festivities taking place May 8–19.

Continue reading after the jump.

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