The Noguchi Museum in Queens, New York has bestowed its second annual Isamu Noguchi Award to designer Jasper Morrison and architect Yoshio Taniguchi. This eponymous accolade is given to professionals who, like Noguchi, are leaders in the fields of design and architecture, and “kindred spirits in innovation, global consciousness, and Japanese/American exchange,” the museum said in a statement.
The planned giant Ferris wheel in Staten Island—one of kookier of the Bloomberg-era megaprojects—is apparently still happening. Eavesdrop always thought the step-Borough deserved more than a tourist trap wheel and a giant outlet mall, but hey, apparently Amanda Burden thought differently. According to the Associated Press, New York Wheel CEO Rich Marin said the project will include a thrill ride that will “simulate a ride in a subway car.” Here’s a better idea: buy a MetroCard.
Despite concerns that New York City’s high-end housing bubble is about to burst, the supertall towers that have come to symbolize that upper-echelon of the market keep coming, one after the other. Now, with One57 open, and 432 Park topped off, SHoP’s 111 W. 57th Street—widely seen as the most attractive of the bunch—is preparing to head skyward. As the tower begins its roughly 1,400-foot climb, new renderings and details of the project have surfaced.
On View> MoMA tackles tactical urbanism with “Uneven Growth: Tactical Urbanisms for Expanding Megacities”
Uneven Growth: Tactical Urbanisms for Expanding Megacities
11 West 53rd Street, New York, New York
November 22–May 10, 2015
The population of the planet is growing quickly and an increasing number of people are living in urban areas. The resultant demographic changes, including an increase in urban poverty, pose challenges and opportunities for architects and planners in the decades ahead. How to address such a complex and global change is a question explored in the MoMA exhibition Uneven Growth: Tactical Urbanisms for Expanding Megacities.
Tonight is the opening night of the New York City exhibition that features the four finalists in the vision42design competition. The international competition was launched in April of this year, and asked designers to reimagine Manhattan’s 42nd Street as an auto-free, light-rail thoroughfare that could serve as a model for a 21st century transportation corridor. The four winning proposals will be on display through January 15 starting tonight at the Condé Nast building at 4 Times Square. Come by for a cocktail reception beginning at 6:00p.m. Hope to see you there.
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Developers use cutting-edge technology to restore Ralph Walker crown.
When JDS Development Group and Property Markets Group purchased the 1927 Ralph Walker high-rise in Manhattan’s Hell’s Kitchen neighborhood in order to transform it into the Stella Tower condominiums, they realized that something was not quite right about the roofline. “The building had a very odd, plain parapet of mismatched brick,” recalled JDS founder Michael Stern. “We were curious about why it had this funny detail that didn’t belong to the building.” The developers tracked down old photographs of the property and were pleasantly surprised by what they saw: an intricate Art Deco thin dome crown. “We were very intrigued by putting the glory back on top of the building,” said Stern. They proceeded to do just that, deploying a combination of archival research and modern-day technology to recreate a remarkable early-twentieth-century ornament.
Firetrucks, police cars, and a helicopter surrounded 1 World Trade Center this afternoon to save two window washers who became trapped near the 69th floor on the south side of the building. According to the New York Times, the machine controlling the scaffolding, to which the washers were strapped, malfunctioned. Firefighters were able to reach them by cutting a hole in a nearby window and then bringing them to safety. An official from the fire department said he believed the cause of the scaffolding failure was a snapped cable.
“They are in a difficult spot,” a fire department spokesman told the Wall Street Journal. “They are feeling the effects of hanging in there.”
Mexico has a unique architectural and artistic culture that spans generations and decades. It’s is a combination of a powerful indigenous vernacular created when the Spanish met the native peoples, sophisticated European designers immigrating to the country, and a long period when it was cut off from the international flow of capital and ideas. But now a new generation of young architects is redefining this tradition in the most creative and exciting ways. One of those young designers—Frida Escobedo—is in New York and will be presenting her work at the Swiss Institute on Saturday.
When we talk about the batch of luxury towers coming to 57th Street, we’re typically talking about very tall, very skinny, very glassy buildings. But not, of course, when it comes to W57—Bjarke Ingels‘ very pyramid-y addition to the street he calls a “court-scraper” for its combination of the European courtyard building with a New York skyscraper. Last time we checked in on Bjarke’s pyramid—sorry, Durst would prefer we all call it a “tetrahedron”—it was only a few stories high. That was back in June, and since then, the sure-looks-like-a-pyramid has topped out at 450 feet and crews have begun installing its facade.