Alma Thomas: Moving Heaven & Earth, Paintings and Works on Paper, 1958–1978
Michael Rosenfeld Gallery
100 11th Avenue at 19th Street
New York, New York
Through May 16
Focusing on the two final decades of Alma Thomas’ life, this exhibition displays the late-blooming artist’s most vibrant paintings on the monumental canvases she became celebrated for in the 1960s and ’70s. Inspired by nature, recent discoveries in the sciences, and her observation of earthly and celestial phenomena, Thomas’ experimentations with vigorous, rhythmic colors and abstraction resulted in modern art unencumbered by political and historical intentions, and vested merely in the enjoyment of art itself. This marks the second time Thomas’ work will be exhibited at the Michael Rosenfeld Gallery. Her first show, Alma Thomas: Phantasmagoria, Major Paintings from the 1970s, was held in 2001.
When it opened in 2013, the Squibb Park Bridge that zigzagged between Brooklyn Heights and Brooklyn Bridge Park instantly became one of the most thrilling pieces of the waterfront retreat. The HNTB-designed pedestrian bridge was designed to have some bounce in it, so getting to the park was more than a typical pedestrian experience, it was a fun little adventure. At least for the humans voyaging across it—dogs hated it. The petrified, why-are-you-doing-this-to-me looks on their faces as the wood structure ebbed and flowed were haunting.
This graffiti-covered Bowery landmark is about to turn luxury, but developers plan to preserve years of spray paint on its walls
In December, AN wrote that prolific developer Aby Rosen had picked up 190 Bowery—a six-story, graffiti-covered Renaissance Revival building that had been the private home and studio of photographer Jay Maisel since 1956. Maisel purchased the building for $102,000 and repeatedly turned down offers to sell it despite its skyrocketing value. Rosen’s RFR Realty ultimately purchased the landmarked property for $55 million.
Designjunction a London-based showcase for cutting-edge design labels (including Decode, Muuto, Modus, and Another Country) and young and emerging designers will stage its first U.S. show on May 15th. The fair will take place at Art Beam (540 West 21st Street) and The Architect’s Newspaper will be there.
William Menking, AN‘s editor-in-chief, will interview SO-IL partner Jing Liu about the young Brooklyn firm’s growing portfolio of projects here and abroad. The breakfast-time conversation will begin at 9:00a.m. on May 15 at Art Beam and guests may RSVP at designjunction.
The artist whose name is linked inextricably to screen prints of Marilyn Monroe and the Campbell’s soup can also had a fruitful career in feature films, producing Andy Warhol’s Frankenstein and Chelsea Girls. As part of the Midnight Moments series, Times Square will run screen tests by Andy Warhol on its billboards to replace its million-dollar neon advertising—for a fleeting three minutes a day, anyway.
ODA recently unveiled two major New York City projects, both of which are tall and expectedly boxy. The first is a 600-foot-tall, super-skinny tower near the United Nations. The Daily News reported that the building has “six 16-foot-high gaps in the facade—each filled with a full-floor, canopied green space that will wrap around the core of the tower.”
The new Whitney Museum of American Art is opening on Friday, May 1. (Get your sneak peek inside the museum over here!) But a whopping 28,000 ton museum isn’t the only thing Renzo Piano has up his sleeve—he’s also designed the must-have fashion accessory with which to be seen browsing art at Manhattan’s newest Meatpacking District hotspot. Behold, the “Whitney Bag.”
Tribeca’s R & Company gallery at 82 Franklin Street is highlighting two Brazilian greats: Lina Bo Bardi (1914–1992) and Roberto Burle Marx (1909–1994). But act fast! Furniture by Bo Bardi and tapestries by Burle Marx are on display through the end of this week—the exhibit closes April 30.
A new tower designed by FXFowle will bring a touch of design to Long Island City’s ever-growing skyline of glassy and generic residential buildings. For starters, the 35-story luxury rental tower is differentiated by a rust-colored steel that encases the podium and runs up its sides, framing three glassy expanses.
A few weeks ago AN noted that the Norman Foster–designed 2 World Trade Center might finally rise after all these years. The New York Times was reporting that Rupert Murdoch’s News Corporation and 21st Century Fox were in talks to lease half the building for a joint headquarters. If it were to happen, wrote the Times, Murdoch’s team might bring in a new architect to update Foster’s design. Now it’s looking like that is exactly what’s going to happen—and it’s going to happen in an, ahem, BIG way.