Gaetano Pesce is a designer who works between art and architecture and wants his designs to attack or argue against the results of standardized commercial design. He uses poetry, sometimes humor, color, and texture (in foam, resin, and urethane ) to create whimsical chairs, couches, and domestic art for gallery spaces.
This year’s Folly installation in New York City bends and twists spheres into an innovative plywood pavilion
The winning proposal for this year’s Folly installation at New York City’s Socrates Sculpture Park rethinks social interaction in public spaces with a sculptural installation resembling cross-sections of basketballs protruding from a horizontal plane. Torquing Spheres comprises sculpted, intertwined forms whose voluminous curves represent new feats in material techniques: bending plywood in a way that has been common in bending plastic panels.
As AN wrote in January, New York City’s FIGMENT selected not one but two projects for this year’s annual art installation at Governors Island. But here’s the thing, neither of these pavilions are going to be realized without significant funds being raised. So, naturally, Kickstarter campaigns have been launched for the Billion Oyster Pavilion and the Organic Growth Pavilion.
This roadway in New York City’s Washington Heights is being replaced by a pedestrian plaza with playfully meandering paving
New York City recently broke ground on a 14,000-square-foot public plaza in Washington Heights with a very wavy paving design. The Plaza de Las Americas is intended to reference town squares found in the Caribbean, Central and South America. It was designed for the city by the RBA Group, a landscape architecture and engineering consulting firm.
ODA has unveiled renderings for a massive new residential complex in Bushwick, Brooklyn—and it certainly reminds us of Bjarke Ingels’ 8 House in Copenhagen with its doughnut-like shape and landscaped roof that dips toward the street. At nearly 400,000 square feet, ODA’s 10 Montieth Street will become a major piece in the redevelopment of the Rheingold Brewery site.
Many of the new condominiums erected in Brooklyn during the last building boom are not aging well. The New York Times reported that “[w]hen the housing market collapsed in 2007 and coffers ran dry, many developers were left scrambling to complete projects. Some cut corners or abandoned developments, leaving others to finish the work.” This led to poorly constructed buildings and angry residents who are stuck dealing with mold, cracking balconies, and flooding. One such building even saw part of its facade fall off. Now many of the developers behind the shoddy buildings are breaking ground on new projects, hopefully with more attention to quality.
On View> New York’s landmarked interiors get their own show at the New York School of Interior Design
Rescued, Restored, Reimagined: New York’s Landmark Interiors
New York School of Interior Design Gallery
161 East 69th Street, New York City
Through April 24
There are 117 landmarked public interior spaces in New York City. That seems like a fair number until you realize that the city is home to more than 1,300 building exteriors that have been granted landmark status. Rescued, Restored, Reimagined, an exhibition currently on show at the New York School of Interior Design Gallery (NYSID), seeks to strike a balance by making the argument that historic interiors are just as important as the edifices that enclose them.