On May 1, the southern terminus of the High Line will have a true anchor tenant. Renzo Piano‘s towering new Whitney Museum for American Art will throw open its glass doors—or at least unlock the revolving ones—as tourists and eager New Yorkers alike throng in for a look around the highly anticipated gallery spaces. Until then, here’s a peek at the the museum, inside and out, from a press junket on Thursday.
What do you do if you have an array of 26 show-worthy Italian motorcycles? Hopefully what designer, artist manager, and film producer Stuart Parr did. He paired up with real estate magnate Aby Rosen—no stranger to art and relatively fresh off his kerfuffle with the Picasso tapestry, L’Affaire Tricorne. Together they are using an empty space—the ground floor at 285 Madison Avenue—to display the high-design bikes publicly.
The artist JR described his latest gargantuan artwork best in a Tweet sent out this morning, “People walked on him all day without noticing him…now he is on the cover and everyone else is in the shadow.” That cover is the new special issue of The New York Times Magazine, which features the larger-than-life pedestrian completely filling up the Flatiron pedestrian plaza next to Madison Square Park.
As this angular copper facade ages, its reddish brown skin will settle into a weathered green. It’s a sort of physical embodiment of the changes playing out in Manhattan’s Lower East Side and Chinatown as the city’s voracious luxury residence market continually searches for a new frontier.
In just a few years, this tower by Adrian Smith + Gordon Gill will be the tallest residential building on Planet Earth
On View> This might be your only chance to see this rare Le Corbusier tapestry commissioned by Jørn Utzon
In mid May, New York City will be over run with fairs, exhibitions, and trade shows dedicated to design and art. The big events are the International Contract Furniture Fair (ICFF) and the Frieze Art Fair, but there will be literally scores of smaller spin-off events taking place that will be of interest to the architecture community.
You’ll want to stop by the Dia in New York City to see LaMonte Young’s “truly immersive” Dream House
In New York in the 1960s and ’70s, a movement against pictorial, illusionistic, or fictive art began to favor more direct and literal figurations. This movement—now called Minimalism by many—was often spatial in nature as it was drawn on flat surfaces, sculpted, and displayed in white box galleries.
Thomas Balsley’s geometric pedestrian plaza reclaims roadway for neighbors in Clinton Hill, Brooklyn
After years of planning and workshops, Brooklyn‘s Community Board 2 recently approved a redesign of Putnam Triangle Plaza in Clinton Hill. The $3.75 million project, led by Thomas Balsley Associates, will significantly upgrade and expand the existing plaza that opened in 2011.