National Gallery of Art
4th and Constitution Avenue NW
Through June 8
Garry Winogrand (1928–1984) is best known for his photography and its portrayal of American life in the 1960s through 80s. His images depict the social issues of the day and the role of media in shaping attitudes on his subjects. Winogrand shot voraciously in the last twenty years of his life, but his editing process was far more labored. Upon his death, among his effects were discovered 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and contact sheets made from about 3,000 rolls. The National Gallery of Art showing is the first retrospective of his work in more than 25 years. A vast majority of the 160 photographs in the exhibition, and more than 350 in the accompanying catalogue, reveal for the first time the full breadth of Winogrand’s art through never-before-seen prints and proof sheets.
Building the Picture
April 30 through September 2014
At the end of April, the National Gallery will present a new exhibit spotlighting the handling of architecture in various paintings by prominent Italian renaissance artists. Building The Picture will feature works by Duccio, Botticelli, Crivelli and others chosen from the museum’s permanent collection along with paintings gathered from other institutions in the U.K. These 14th, 15th, and 16th century images will be complemented by a series of five films that offer contemporary ideas on the theme of real and imagined architecture from Peter Zumthor, filmmaker Martha Fiennes, art historian T. J. Clark, film historian John David Rhodes, and computer game cinematic director Peter Gornstein.
Now we’re really confused. Amidst reports that LA’s MOCA might be taken over by LACMA or USC, now we hear via the New York Times that the struggling institution might now join forces with the National Gallery in Washington D.C. According to John Wilmerding, the chairman of the Gallery’s board of trustees, MOCA is “close to working out a five-year agreement…to collaborate on programming, research and exhibitions.” The deal wouldn’t include fundraising assistance, but would obviously bolster MOCA’s ability to raise money with the National Gallery’s high profile assistance on programming, exhibitions, research, curation, and staffing. Oh, and guess who approached the National Gallery, according to the story: MOCA board chair Eli Broad, who has made it clear he doesn’t want to be swallowed by LACMA. Stay tuned as this saga plays out.
When you enter the lobby of the I.M. Pei-designed East Wing of the National Gallery of Art, the building’s credits are prominently etched in stone. Why do you think Pei’s name has been rubbed to the point of illegibility? Are visitors paying homage or expressing disapproval? Perhaps it has something to do with those pesky panels? Whatever the case, it’s not pretty.