More in Milan: Rem Koolhaas’ arts complex for Prada brings together old and new—with gold

OMA-.-fondazione-prada-.-milan-(19)

(Courtesy OMA)

Should you be looking for yet another reason to add Milan to your architectural travel itinerary, the Prada Foundation is scheduled to open its many doors to the public on May 9. Designed by Rem Koolhaas/OMA, the campus—part new construction, part rehabbed structures—will include 120,000 square feet of exhibition space, a theater, a children’s area, a restaurant, and library.

And Rem plans to wrap another building in gold leaf.

Separated at birth: A reader spots the Whitney’s carbon copy predecessor

whitney-copy

This “separated at birth” image came to us via architect Ken Saylor who noticed a quirky doppelganger for Renzo Piano‘s about-to-open Whitney Museum. Anyone have other Whitney comparisons? Leave them in the comments below.

Biomimicry guides the design of Shanghai’s new nautilus-shaped museum of natural history

Shanghai Natural History Museum (©Steinkamp Photography)

Shanghai Natural History Museum. (Steinkamp Photography)

This weekend a Shanghai museum got a new home, and its design takes a major cue from nature. The Shanghai Natural History Museum wraps 479,180 square feet of exhibition space with facades inspired by the elements, natural phenomena, and the biological structure of cells.

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Olson Kundig Merges Western History and Modern Art

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Olson Kundig's extension to the Tacoma Art Museum comprises a new entrance canopy and a Richlite-clad gallery wing. (Benjamin Benschneider)

Olson Kundig’s extension to the Tacoma Art Museum comprises a new entrance canopy and a Richlite-clad gallery wing. (Benjamin Benschneider)

Richlite-clad museum expansion inspired by industrial context and Old West art collection.

Commissioned to craft an extension to the Antoine Predock–designed Tacoma Art Museum, Olson Kundig Architects sought inspiration in both the history of the site and the art collection itself. Located in the city’s Union Depot/Warehouse historic district, the museum is surrounded by brick buildings formerly dedicated to industry and transportation. “The new addition needed to respond to both the neighborhood context as well as the existing building,” explained design principal Tom Kundig. “It has clean lines that recall the existing structure but recalls more directly the natural, earthy materials found in the neighborhood.” In contrast to the stainless steel-clad original wing, which houses the museum’s modern art collection, the new wing—dedicated to the art of the American West—is wrapped in layers of Richlite sunscreens. “The addition’s use of exterior shutters references symbols of the American West—fences, filtered barn light, and railroad box cars,” said Kundig. “It’s fitting that the Haub Family’s Western American Art collection now sits at the westernmost terminus of the rail line established by President Lincoln.”

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Peter Zumthor “reins it in” with updates to his Los Angeles art museum proposal

Architecture, News, West
Wednesday, March 25, 2015
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(Atelier Peter Zumthor & Partner)

(Atelier Peter Zumthor & Partner)

Peter Zumthor’s $ 600 million plan for the Los Angeles County Museum of Art (LACMA) is changing. Again. According to a piece in the Los Angeles Times, the sprawling and curving black form has been angled off, weighted to the south, and outfitted with greyish, double-height galleries poking up above the main mass’ roofline.

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Chicago’s Field Museum becomes just second such building to get Gold under LEED EB O+M

Chicago's Field Museum (GoCal83 via Flickr)

Chicago’s Field Museum (GoCal83 via Flickr)

Chicago‘s natural history museum, the Field Museum, announced Monday it has earned a Gold rating from the U.S. Green Building Council under the LEED for Existing Buildings Operations and Maintenance (EB O+M) program, becoming just the second museum in the nation to do so. (The Madison Children’s Museum is the other.)

Continue reading after the jump.

After a year-long search, the Met chooses David Chipperfield to design the museum’s new wing

The Met. (Flickr / Andrew Mace)

The Met. (Flickr / Andrew Mace)

The Metropolitan Museum of Art has announced that David Chipperfield has been selected to “develop a new design for the Southwest Wing for modern and contemporary art, and potentially for adjacent galleries for the Arts of Africa, Oceania, and the Americas, as well as additional operational spaces.”

Continue reading after the jump.

Comment> The Met Plaza redesign undermines the institution’s civic grandeur

The old Met plaza. (Courtesy Paul Gunther)

The old Met plaza. (Courtesy Paul Gunther)

In February of the year 2012, when the Metropolitan Museum of Art first announced the redesign of the City-owned Fifth Avenue-fronted plaza along its grand McKim, Mead & White Beaux-Arts facade, there was little opposition from preservationists. A $65 million underwriting pledge from museum trustee, David H. Koch, catalyzed the selected competitive plan from Philadelphia-based OLIN. It proceeded through the approval process with relative dispatch.

Continue reading after the jump.

MCA Chicago unveils new logo, plans for image overhaul with help from Johnston Marklee

Architecture, Art, Midwest
Friday, February 20, 2015
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MCA Chicago, 220 E. Chicago Ave. (Peter McCullough)

MCA Chicago, 220 E. Chicago Ave. (Peter McCullough)

Change is underway at Chicago‘s Museum of Contemporary Art. At a press conference Friday MCA officials revealed that the institution is working on a new image, new programming and even a new master plan for the museum’s space led by Los Angeles–based design firm Johnston Marklee.

Continue reading after the jump.

Winning Designs for World’s First Sci-Fi Museum on View at Brooklyn Public Library

Architecture, Awards, East, On View, Unveiled
Friday, February 20, 2015
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Architectural Design Jury Awarded First Place - Schrodinger’s Box, submitted by Emily Yen, USA

Architectural Design Jury Awarded First Place – Schrodinger’s Box, submitted by Emily Yen, USA

 

Science fiction’s outlandish imaginings are set to become reality, with  the top 10 designs for the world’s first sci-fi museum on display at the Brooklyn Public Library through May 31. Naturally, the first-of-its-kind project warrants no less than a high-tech, out-of-this-world edifice worthy of Star Trek. The winning design by graduate student Emily Yen, titled Schrödinger’s Box, proposes a 3,990 square foot modular museum comprised of a trapezoid frame with infilled planes at various heights (think staggered wall shelving).

COntinue reading after the jump.

Letter to the Editor> A Bright Future for the Frick

RUSSELL PAGE'S GARDEN AT THE FRICK COLLECTION. (WALLY GOBETZ / FLICKR)

RUSSELL PAGE’S GARDEN AT THE FRICK COLLECTION. (WALLY GOBETZ / FLICKR)

[Editor’s Note: Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I am delighted with the recent Crit’s praise for the beautifully renovated Cooper Hewitt (AN 01_01.14.2015), but I am puzzled by the inconsistency with regard to the Frick Collection’s expansion plans.

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Eavesdrop> Breaking the Bank: Price of Kengo Kuma’s Dundee V&A Museum soars sky high

(Courtesy Kengo Kuma)

(Courtesy Kengo Kuma)

Kengo Kuma’s Victoria & Albert Museum of Design in Dundee, Scotland, hasn’t even broken ground yet, but it has already racked up a pretty substantial bill. In fact, the museum project is expected to cost roughly $80 million, a whopping $35 million more than initially projected. Kuma won the commission back in 2012 and has supposedly already tweaked the design to cut down costs.

Continue reading after the jump.

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