In MoMA’s Applied Design exhibition, which opened over the weekend in The Phillip Johnson Architecture and Design Galleries, celebrity curator Paola Antonelli brings us a diverse sampling of recent and contemporary design, from old school video games like Tetris and Pac-Man to 3D printed furniture and energy efficient medical equipment. As in last year’s Talk to Me exhibition, museum guests get the opportunity to interact with the objects on display, including playing the video games. While the connections between the different pieces may be tenuous and visitors may struggle to identify the relationship between Ido Bruno’s Earthquake Proof Table and The Sims, Applied Design allows viewer to see items that have been churning up quite a bit of hype around the blogosphere, such as Massoud Hassani’s wind-powered mine detonator, pairing them with modern relics from the MoMA archives, including drawings from Lebbeus Woods and Douglas Darden. While disjointed, Applied Design does afford a glimpse of the wide varieties of methods, technologies, and materials utilized by today’s design vanguard. The exhibition is on view through January 14, 2014.
Here in New York, we’re excited to see CODA’s massive Party Wall installation made of scrap from skateboard manufacturing rise at MoMA PS1 for this year’s Young Architects Program (YAP). But the annual YAP, which recognizes emerging architects and invites them to design and build a temporary installation, has gone global. MoMA has announced the third installment of YAP at Rome’s MAXXI museum designed by bam! bottega di architettura metropolitan and has launched a new program in Istanbul won by SO? Architecture and Ideas.
Decon Artists: Wigley, Tschumi, Eisenman Reflect on MoMA’s Landmark “Deconstructivist Architecture” Exhibit
On January 22, Mark Wigley, Bernard Tschumi, and Peter Eisenman took the stage in MoMA’s theater to reflect upon Deconstructivist Architecture, the landmark 1988 exhibit curated by Wigley and Philip Johnson. The press release at the time described the featured architects—including Coop Himmelblau, Frank Gehry, Zaha Hadid, Rem Koolhaas, and Daniel Libeskind, along with Tschumi and Eisenman—as “obsessed with diagonals, arcs, and warped plans.”
In a where-are-they-now moment, Wigley said, “It occurred to me that only Daniel Libeskind thought the show was about the future, and he still seems to be designing for the show, and that seems to be not a good idea.” And the sniping didn’t stop there. Eisenman, despite refusing to hold the microphone to his mouth, could be overheard saying what kind of exhibit he would—or rather, wouldn’t—do, if given the chance: “Well, it wouldn’t be like the biennale of last fall, which was sort of a discount supermarket of everything that was going.” “Including you,” zinged Wigley.
‘Tis the season for bestowing “Best Ofs”, and this edition of SHFT+ALT+DEL includes some of the recent laurels laid upon architects and designers by business and consumer press…
Across the pond, David Adjaye is at the tippy-top of the 2013 Power List, ranked number one in the annual publication’s list of the most influential black people of the UK.
Congratulations to them all! Meanwhile, back in the salt mines…
9 + 1 Ways of Being Political
Museum of Modern Art
11 West 53 Street
Through March 25, 2013
In the early part of the last century, political engagement and social uplift were central goals of modern architecture and design. By midcentury those ideals were largely lost, as modern architecture became associated with the very power structures avant-gardists had long critiqued. A new exhibition at MoMA, 9 + 1 Ways of Being Political, drawn from the Museum’s current collection, examines the neo-avant-garde of the 1960s and 1970s (such as Jason Crum’s Project for a Painted Wall, 1969, above), which sought to revive progressive practice, as well as contemporary examples that continue that project today.
The MoMA’s Senior Art Curator of Architecture and Design, Paola Antonelli, was named Director of Research & Development this week by the museum’s Director Glenn D. Lowry. This new role is a mix of curatorial, design, and research, and was created as part of an effort to discover new prospects in the rapidly developing digital world.
Century of the Child
Museum of Modern Art
11 West 53rd Street
Through November 5
Is design for grown ups? Hardly. While a child’s own designs might be limited to block towers or crayon masterpieces, design touches nearly every part of early life. Children use toys, wear clothing, play in playgrounds, use furniture, and sit in classrooms, all of which are created specifically for them. Opening at the Museum of Modern Art, Century of the Child: Growing by Design, 1900–2000 surveys the material world constructed for the child over the 20th Century. Visions of children and how design has followed or shaped their perceptions over the past century are considered in the exhibition. Take Frederich Froebel, whose famous toys (a gift box edition, pictured below) were favorites of Frank Lloyd Wright as a child. Froebel designed his blocks to be given in a sequence, educating children as they learned and matured over time. The exhibition identifies and merges the many facets of design that consider children, presenting these products together and revealing the ideas and ambitions of the designers who created them.
Quentin Bajac will become the chief curator of photography at MoMA in January 2013. Bajac is currently at Centre Pompidou, Musée Nationale d’art moderne in Paris, where he has led the photography department since 2007. He will succeed Peter Galassi, who retired from MoMA as chief photography curator in 2011.
Mason Currey joined Print magazine as executive editor. Previously, he was managing editor at Metropolis.
Trinity Simons has been named director of the Mayors’ Institute on City Design (MICD), an organization that helps mayors prepare for the role as chief urban designers of their cities. Simons previously was a program officer in the Wellesley, Massachusetts office of Enterprise Community Partners.
If your interested in how many people viewed Christian Marclay’s The Clock exhibition at the Centre Pompidou (6,996 for its three day run) in 2011 then The Art Newspaper‘s yearly round up of the top exhibitions makes great reading. This year the list breaks out Architecture and Design exhibitions and New York’s MoMA is the clear winner.
John Gourlay is tapped to be executive publisher of Metropolis magazine. Gourlay’s previous magazine publishing creds include Harvard Business Review, Foreign Affairs, Utne Reader, Audubon, and American Craft.
SB Architects appoints Emilio Perez as head of its Miami office. Specializing in hospitality and mixed-use projects, Perez worked with Gensler, Portman Associates, Cap Cana Resorts, and Royal Caribbean before joining SB.
So you want to win the MoMA PS1 Young Architects Program? This year’s champs Matthias Hollwich and Marc Kushner of HollwichKushner (HWKN) shared some insight about their strategy with AN. The competition started with an invited portfolio submission from about 20 young architects. After being selected by the MoMA PS1 panel as one of three finalists, HWKN started in with rigorous research into past winners and the selection process. “We made a book about every entry,” Hollwich said. This study provided in-depth knowledge of the different approaches and forms which have won, and also those that have not been successful.