Everyone may be a critic, but none moreso than Roger Ebert. While film has long been the Chicagoan’s preferred medium, he has increasingly cast his eyes and pen elsewhere on his Sun-Times blog (begun after a bout of thyroid cancer). Yesterday, he fixed his attention—and mostly scorn—on modern architecture. It’s a highly opinionated piece, one in which Ebert openly admits his increasingly “reactionary” preferences:
It was not always so. My first girlfriend when I moved to Chicago was Tal Gilat, an architect from Israel. She was an admirer of Mies. Together we explored his campus of the Illinois Institute of Technology. She showed me his four adjacent apartment buildings on Lake Shore Drive and said they looked as new today as when they were built. It is now 40 years later, and they still look that new. Then I was impressed. Now I think of it as the problem. They will never grow old. They will never speak of history. No naive eye will look at them and think they represent the past. They seem helplessly captive of the present.
Photographers and videographers William Zbaren and Robert Sharoff interviewed architect Ron Krueck about his firm’s restoration of Mies van der Rohe’s towers at 860-880 Lake Shore Drive, better known as the Lake Shore Drive apartments. Krueck, a principal at Krueck + Sexton Architects, calls the towers “revolutionary” for their time for their delicacy and lightness. The video is accompanied by beautiful photographs of the exteriors and grounds.
Economic uncertainty has done little to dampen enthusiasm at the Yves Saint Laurent and Pierre Bergé Collection auction at Christie’s in Paris. Multiple sales records have been broken, including the highest price for a piece of 20th Century design, Eileen Gray’s Art Deco “dragon chair” from 1917-1919, which fetched $28,341,909, far surpassing the high estimate of $3,833,040. Read More