So you want to win the MoMA PS1 Young Architects Program? This year’s champs Matthias Hollwich and Marc Kushner of HollwichKushner (HWKN) shared some insight about their strategy with AN. The competition started with an invited portfolio submission from about 20 young architects. After being selected by the MoMA PS1 panel as one of three finalists, HWKN started in with rigorous research into past winners and the selection process. “We made a book about every entry,” Hollwich said. This study provided in-depth knowledge of the different approaches and forms which have won, and also those that have not been successful.
Charles Dickens would have been 200 today. Among the bicentennial celebrations of the noted Victorian writer, the Museum of London has been hosting an elaborate Dickens and London exhibition including a Dickensian street scene designed and built by set designer Simon Costin for its City Gallery. The “fantastical wintry vision of 19th century London” made entirely of cardboard and lit with hundreds of LED lights includes quite an array of Victorian buildings and winding alleyways. According to Costin, “My intention is to create a fantasy vision of London as it would have been glimpsed by Dickens on his nocturnal wanderings through the city. His essays are extremely evocative and I am using the text as my starting point and things will grow and develop from there. He has said that he felt like a child in a dream, ‘staring at the marvellousness of everything’. It is that marvellousness that I want to recreate.” The window display closes this month, but if you’re in London, the MoL’s Dickens show keeps going through June. (Via Creative Review.)
But it turns out Dickens had his own eye for design as well. Hilary Macaskill recently wrote in the Guardian that the Victorian author had quite the penchant for interior design. She cites a 6,000 word article (you can become amazingly descriptive when paid by the word) he wrote about wallpaper and other decorations, where he remarks on the design of American wallcoverings from his recent visit in 1842 along with his own designs for wallpaper. Even in his home at 48 Doughty Street, Dickens enjoyed crafting the interior spaces down to the shade of pink trim and a set of decanters he picked up for “slight bargains.” Read the entire article here and check out a slideshow of his home here.
German photographer Frank Kunert is out to challenge your sense of perception and expectation with his meticulously crafted and hilariously absurd miniature scenes. His series “Photographs of Small Worlds” presents glimpses into mundane vignettes gone awry, where doors don’t meet balconies, diving boards lead to giant toilets, or an office is eerily underwater. Each model takes weeks—and sometimes months—to build, and Kunert is a perfectionist who won’t stop until every detail is just right. The end result is well worth the wait.
Fox News featured Ed Wood and Leszek Stefanski of Radii Inc. last night, giving viewers a behind the scenes glance at a craft little known outside of architectural circles. Wood explained the relevance of architectural models in the face of advances in computer animation. He noted that there is, perhaps, a kind of dishonesty to the flat screen. “The physical model allows freedom,” he said. It was a sound bite that no doubt gelled with Fox producers, who promptly posted the video to their “Rise of Freedom” website under the subtitle “Designing Freedom.”
The cult of decay is an enthralling topic. This inevitability of time serves as the inspiration of Italian artist Daniele Del Nero‘s new project “After Effects” consisting of a series of model houses in advanced states of decay. Del Nero covered the models in flour and mold which then grew to nearly consume the models. These eerie miniatures appear strangely similar to plant-strewn ruins of many ailing rustbelt cities that have captivated public imagination as cities continue to wrestle with abandonment and revitalization. [ Via designboom. ]
Children from a school in the West Village love the High Line and they have a giant model to prove it. Carol Levitt’s second grade starchitects-in-training recently finished their wood-block coup de grâce detailing the story of the famed elevated park – past and present.
The future has let us down in so many ways—still waiting on that jet pack you promised, Hollywood!—but this sweet new gadget should tide us over for a little while, at least. Straight out of Star Trek, it was demonstrated at last month’s SPAR 2010 conference in Houston by Austin-based company Zebra Imaging. The technology produces strikingly realistic holographic models, printed on two-dimensional sheets of plastic. Each hologram is the product of thousands of still images, stored in any format from satellite photographs to (calling all architects!) CAD models. These images are then compiled and printed onto a sheet of photographic film up to two feet wide and three feet long. Read More