[ Editor’s Note: The following letter is an excerpt of a comment left on archpaper.com. It pertains to the new Museum of Contemporary Art (MOCA) Cleveland designed by Farshid Moussavi, which Stephanie Murg critiqued for AN‘s Midwest edition last November. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
MOCA’s form is a simple game of extruded geometry. The base form shifts from a hexagon as it rises to a square at its top. A third year architecture student would have been given a C- and asked, “Is that all you could come up with?” The exterior is clad in black stainless steel panels that are already streaking at the corners. They also present a range of colors that indicate the material selection and/or production was not up to the task of producing uniformity.
Kate Gilmore: Body of Work
11400 Euclid Avenue
Through June 9
Through performance-based art, Kate Gilmore presents her body battling through strenuous physical absurdities while wearing whimsical feminine outfits, like fitted dresses and high heels. Her clothing makes the chaotic and messy actions all the more uncomfortable and comical. Gilmore’s performances reexamine the feminist performance art that became popular in the 1970s. By injecting humor into her work alongside visible awkwardness and distress, she explores the female identity while breaking down accepted masculine art practices found in modernist history. Her aggressive movements against feminine tones make the performance visually interesting. For her first solo show, the artist will display ten years of video works. The exhibition will also feature a recently commissioned performance in the form of a sculpture and video.
If you read this column, you know Eaves loves a party. You also know we self-deprecatingly speak of mediocre Midwestern cities (we’re from Louisville). Even with summer winding down, there’s no need to stick out that lower lip. A slew of—well, ok, three–high profile openings will tickle even the slightest art and architecture enthusiast as Cleveland, East Lansing, and Cincinnati compete for the title of Bilbao of the Midwest. First up, the Museum of Contemporary Art Cleveland, designed by Farshid Moussavi Architecture, opens on October 6. Will the Mistake-on-the-Lake become the Rust Belt Riviera? On MOCA’s heels comes the Eli and Edythe Broad Museum on November 9. OK, we don’t know anything about East Lansing other than a school’s there, but—hey!—now they have a Zaha Hadid.
And finally, Cincinnati, home to America’s first Hadid, will welcome 21c Museum Hotel by Deborah Berke & Partners. Their website says it will open late 2012. Which project will be an urban game-changer? We could be swayed by opening night invites, but right now my money’s on Cincy.
If Foreign Office Architects’ first project, the huge Yokohama International Port Terminal in Japan, was the vast scale of rolling dunes, the Museum of Contemporary Art Cleveland—begun when the firm was still known as FOA and carried to completion by Farshid Moussavi Architecture—is compact as a cube. And size has made all the difference in keeping on track through the economic downturn with the $27.2 million building poised for opening in October.
The new home of Cleveland’s Museum of Contemporary Art is rapidly taking shape. Designed by Farshid Moussavi, the faceted design is both iconic and responsive to its wedge-shaped site, packing a lot of visual and programmatic punch within a small envelope and with a small budget. The Museum has been keeping a video record of the building going up. Read More
Last night in a presentation at Hunter College, Farshid Moussavi revealed more details about her design for the new Museum of Contemporary Art Cleveland, including a first look at the plaza designed by Field Operations. Rows of trees will seperate the mirroed black museum from an adjacent development site, and geometrically patterned pavement will pick up on the forms of the building. Read More