Almost 2 million Minnesotans poured through the gates of St. Paul‘s state fair grounds this year, and many are attributing that record-breaking attendance number to a redesigned West End Market. Local designers at Cuningham Group Architecture led the largest Fair expansion since the 1930s, replacing an array of nondescript vendor booths with 15 new buildings. Read More
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Slate-clad addition to the American Swedish Institute evokes contemporary Scandinavian design.
Minneapolis-based architecture, engineering, and planning firm HGA faced a tall order when the American Swedish Institute asked them to design an addition to the building known locally as “The Castle.” The turreted Turnblad Mansion, constructed in Minneapolis’ Phillips West neighborhood in 1908 and home of ASI since 1929, lacked the kinds of multi-purpose spaces required by ASI’s cultural and educational programming—and was suffering wear and tear from a steady stream of visitors. “The project was about creating a front door that was more welcoming and inviting than the existing building, that can help protect the mansion and allow it to be used as a house museum,” said project architect Andy Weyenberg. At the same time, “the mansion remained the focal point,” he explained. “It will always be the identity of ASI. Everything we did, we wanted to respect the mansion and keep it as a centerpiece.” HGA’s intervention honors the primacy of the Turnblad Mansion while updating ASI’s image with a contemporary facade inspired by Swedish building methods and materials.
Earlier this month, workers broke ground on the largest Twin Cities real estate development project in two decades. Budding off a new stadium for the Minnesota Vikings, designed by HKS, locally based Ryan Companies saw an opportunity to redefine the Minneapolis neighborhood of Downtown East.
The AIA’s Committee on the Environment (COTE) has announced the winners of its annual sustainability awards program. Now in its 18th year, the COTE awards celebrate green architecture, design, and technology. According to a press release, the winning projects must “make a positive contribution to their communities, improve comfort for building occupants and reduce environmental impacts.”
Each of the ten winners will be officially honored at the AIA’s National Convention and Design Exhibition in Chicago later this year, but, in the meantime, here’s a closer look at the 10 winners.
As a team of designers gear up for an overhaul of Nicollet Mall, dubbed Minneapolis’ main street, civic leaders there have cheered on the project in an op-ed in the StarTribune. Read More
One of the country’s most prominent female-led firms has named a new co-principal. Julie Snow Architects will now go by Snow Kreilich Architects. Matthew Kreilich, one of Minneapolis/St. Paul Business Journal’s “40 Under 40” in 2013, is now a partner and design principal of the Twin Cities-based firm. Kreilich has worked at Julie Snow Architects for 10 years. Read More
Josh Lewandowski, Minnesota-based architect and founder of furniture design firm Nordeast Industries, is on a mission to create beautifully complex, yet utterly meaningless architectural diagrams. He has started a blog where he will post one meaningless diagram each day for a year. On September 7th, he launched Pointless Diagrams, where he publishes his most eccentric sketches inspired by his own perceptions of architecture, furniture, engineering, Legos, cereal boxes, and more.
Minneapolis’ Peavey Plaza, a classic but poorly maintained “park plaza” (to borrow the term its designer, landscape architect M. Paul Friedberg, coined to describe it), has escaped demolition, preservationists announced Friday.
The Cultural Landscape Foundation said they’d reached a settlement to preserve the 1975 public space, ending a lawsuit brought by TCLF and the Preservation Alliance of Minnesota in June 2012. It awaits the signature of Mayor R.T. Rybak. Read More
In St. Paul, Minnesota, public art is valued as more than just decoration. Susannah Schouweiler of Walker Magazine reported that the city has been proactive in the encouragement of artist-city government collaboration for nearly three decades, long before initiatives like ArtPlace became popular. City Artist in Residence positions exist on the government council, City Art Collaboratory puts artists in conversation with scientists to embed themselves in the “ecology” of the city, and art start-ups are encouraging business growth on “Central Corridor.” This cross-disciplinary relationship is only expanding in what Schouweiler calls St. Paul’s “quiet revolution in public art” and the city is reaping the benefits.