Tigerman’s Epiphany: New photomontage update of “Titanic” unveiled at the Chicago Architecture Biennial
On October 22nd, marking the 130th anniversary of the Chicago Architecture Club and as part of the ongoing Chicago Architecture Foundation‘s Currencies of Architecture exhibition, Stanley Tigerman unveiled a follow up to his 1978 “Titanic” photomontage. Entitled “The Epiphany,” the new image, somewhat ironically, is a protest against what Tigerman sees as a contemporary infatuation with icons.
At the Chicago Architecture Biennial, the role of the horizon in architectural display and setting for events was noticeable—both in the biennial’s discussions held at the Illinois Institute of Technology (IIT) Chicago during the opening as well in the main exhibition in the Chicago Cultural Center. Here is what made instant impressions. When the dust settles, various other things will emerge, that I am sure.
Performance has been the breakout surprise of the Chicago Architecture Biennial. While many of the works inside the Chicago Cultural Center grapple with issues of urbanism, politics, and the resonances of Modernism (especially Mies’ oversized presence in the city) in contemporary culture, the three performances included in the opening weekend program address and embody what is at stake. Read More
In the wake of a slew of criticisms on numerous glass skyscrapers’ over-reflective properties, some architects and critics are asking if it’s time to reassess our view on using glass facades in the future.
Endless House: Intersections of Art and Architecture
Museum of Modern Art
The Robert Menschel Architecture and Design Gallery
11 West 53rd Street, New York
Through March 6, 2016
The Museum of Modern Art pays homage to the single-family home in Endless House: Intersections of Art and Architecture, a rich exhibition comprised of photographs, drawings, video, installations, and architectural models from MoMA’s collection.
Ludwig Mies van der Rohe’s archetypal modernist home, the Farnsworth House, is drowning. The banks of the Fox River served as an idyllic setting for the building’s white steel and glass when it landed in Plano, Illinois. But lately the Fox has gone rabid, spilling over its banks three times in the past 18 years. So what to do? Preservationists are looking at installing hydraulic jacks to lift the house during floods, to the tune of about $3 million. Call it the Three Million Dollar Modernist. Ironically Mies put the house on stilts to prevent such flooding; I guess you can’t outwit a wily Fox.
A group of North Carolina preservationists is trying to protect a local piece of modernist history from the impending wrecking ball. The News & Observer reported that a group called North Carolina Modernist Houses (NCMH) has started a campaign to save the former Raleigh Orthopaedic Clinic building, which was designed by Raleigh architect G. Milton Small over 50 years ago.
“The building is really Raleigh’s finest example of international architecture,” said George Smart, the head of NCMH, who noted that Small studied under Mies van der Rohe at IIT.
Earlier this year, the Washington, D.C. Public Library announced that Martinez+Johnson and Mecanoo had won their competition to design the next phase of the city’s Martin Luther King Jr. Memorial Library. Check out AN‘s coverage of the winning design here. The firm beat out two other finalists to revamp van der Rohe‘s iconic work. Here’s AN’s guide to the competition and the runners-up.