Hennessey + Ingalls is a rarity in an age when bookstores that survived the rise of Amazon are often indistinctive superstores or exercises in hipster curation. Los Angeles’ long-established mecca for art and architecture is neither. Fans were nervous when the store shuttered its Hollywood annex in Space Fifteen Twenty last spring. While the Santa Monica store on Wilshire and 2nd will close at the end of the year, it will reopen in a new space at One Santa Fe, the mixed-use development complex designed by Michael Maltzan Architecture.
Rumor has it that Michael Maltzan Architecture (MMA) is hard at work on a triangle-shaped Malibu home for one of Hollywood’s biggest names. The MMA crew is keeping mum on the client, but we’ve heard it’s not an actor. Geometric coastal living for a director or producer, perhaps?
Michael Maltzan is getting into the bridge business. He’s already part of the HNTB-led Sixth Street Bridge team in Los Angeles, he’s finishing up a bridge in Chengdu, China, and parts of his One Santa Fe (which we will profile in a future issue of AN) in the city’s Arts District themselves form a bridge, extending over the ground plane and allowing peeks toward the L.A. River.
Now he’s been tapped by the Hammer Museum to design the John V. Tunney pedestrian bridge, above the institution’s large garden courtyard, finally connecting its 2nd floor western permanent galleries to its eastern ones. Read More
Last January, Florida welcomed Michael Maltzan Architecture’s stunning proposal for the St.Petersburg Pier, featuring a new tidal reef, a civic green, raised walking paths, a waterpark and many other attractions. Recently however, local marine scientists have concluded that the tidal reef element of the design is simply too good to be true, according to a report in the Tampa Bay Times. Named “The Lens,” Maltzan’s scheme calls for a figure-8 spatial organization, in which a loop provides a view into the clear water below. But Tampa Bay’s estuary waters are murky—not because of pollution but simply because of sediment—making the water too foggy for any kind of tidal viewing. Maltzan’s ideal emerald waters are expected to remain a fantasy, but scientist and architects are still trying to find others ways to provide an underwater view in the Lens.