Mexico has a unique architectural and artistic culture that spans generations and decades. It’s is a combination of a powerful indigenous vernacular created when the Spanish met the native peoples, sophisticated European designers immigrating to the country, and a long period when it was cut off from the international flow of capital and ideas. But now a new generation of young architects is redefining this tradition in the most creative and exciting ways. One of those young designers—Frida Escobedo—is in New York and will be presenting her work at the Swiss Institute on Saturday.
It’s a battle of the starchitects in Mexico City—and the Brits are leading the pack. Out of the seven finalists short-listed to design an expansion for the capital city’s airport, Benito Juarez International, four hail from the UK: Zaha Hadid, Norman Foster, Richard Rogers, and Pascall+Watson.
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Francisco Saavedra fabricates a template to scale with large-format, Designjet printers from HP.
Founded in 2002, Rojkind Arquitectos is leaving an imprint across its native Mexico through a combination of civic, retail, residential, and hospitality projects. Its innovative design and production methods have garnered international recognition, particularly for projects like Nestlé’s Chocolate Museum is in Toluca and innovation lab in Querétaro, and Mexico City’s Tori Tori Japanese restaurant, but the firm also engages in smaller projects and creative diversions that explore new avenues of the design/build process.
Casa del Arbol is one such example. Conceived as an add-on for a venerable client, the project is a tree house for the family’s three young daughters. “There was a bird’s nest in the garden when we visited the site,” said Gerardo Salinas, partner at Rojkind. “And a 2-meter space between two trees in the yard was an ideal location that wouldn’t damage the existing trees.” Read More
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On View> “Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico” Opens August 24
Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico
HGA Gallery Rapson Hall, Goldstein Museum of Design, University of Minnesota
89 Church Street SE, Minneapolis, MN
August 24, 2013 to October 13, 2013
Sixteenth century Mexico was home to buildings of extraordinary construction quality erected for the thousands of people converting to Christianity. Indigenous craftsmen utilized the most sophisticated technology and their profound understanding of locally accessible materials in an intricate system of symbiosis to collaborate with Spanish architects who were experienced with the architecture of the ribbed vault. Employing Mixtecan masonry techniques and European geometry, they collaborated to construct three churches in the Mixteca region of southern Mexico with sophisticated geometrical vaults unique to 16th century America. Through digitally scanning San Pablo Teposcolula, Santa Domingo Yanhuitlán, and San Juan Bautista Coixtlahuaca, researcher and guest curator Benjamin Ibarra-Sevilla, Assistant Professor of Architecture at the University of Minnesota’s College of Design, was able to produce scale replicas of each gothic dome.
Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico, on view from August 24 to October 13, 2013, reveals the complex digital scanning, documentation, and three-dimensional modeling that facilitated the research and replication of the rib vaults in the late 20th century.
Architectural photographer, Adrian Wilson, shared this photo with AN that he snapped during a photo shoot in Mexico City today. The routine work day, this time at Casa Palacio for Jeffrey Hutchison & Associates, was abruptly interrupted by a magnitude 6.1 earthquake epicentered some 250 miles outside the Mexican capital. It was once instance, the usually-steady Wilson said, when he “couldn’t avoid camera shake…” According to news reports there was no major damage or injuries reported from the tremor.
The U.S. Department of State has announced that Tod Williams Billie Tsien Architects and Davis Body Bond will team up to design a new Embassy Compound in Mexico City. The husband and wife team has been riding an enormous wave of praise for their recently opened Barnes Foundation Museum in Philadelphia, but just when you thought the last of the praise was proffered, in comes Martin Filler’s rave in this week’s New York Review of Books (“wholly unexpected,” “ravishing,” “dazzling”).
That should give critics a breather till the duo’s University of Chicago Logan Center opens this fall. In the mean time, the next twenty months will be focused on working with Davis Body Bond designing the new embassy, with a construction contract to be awarded in 2015. The selection is the first under the State Department’s new Design Excellence program.
TEN Arquitectos have shared renderings of a museum project that Enrique Norten is working on in the historic center of Puebla, Mexico. The Amparo Museum sits in the heart a colonial quarter and though building envelope will retain its old world charm, a very new world facility will emerge inside.
Mexico City’s new Museo Soumaya (named after the deceased wife of Carlos Slim, the Mexican billionaire who owns the museum) was finally unveiled to the public late last month. The museum houses 60,000-square-feet of continuous exhibition space spread over six levels and containing over 6,200 pieces from Slim’s art collection.
Designed by Fernando Romero of the firm FREE, the building is shaped like a woman’s bustier with a cinched waist. The amorphous structure is built with 28 curved steel columns of varying diameters, each with its own contoured geometry. While the exterior mass resembles a singular object, the skin is comprised of thousands of hexagonal aluminum modules.
While the building itself is almost opaque–it has no windows–the roof of the top floor is suspended from a cantilever, letting in natural light. The result is a monumental parametric design offering a dramatic sculptural addition to the city once celebrated for its tradition and hand-painted, colorful architecture.