Fernando Romero has a plan to green Mexico City with the Cultural Corridor Chapultepec, a park-like linear thoroughfare
Avenida Chapultepec in Mexico City began as a road for Aztec emperors. Over the years the broad boulevard, which leads from the old Colonia Centro to Chapultepec Park, hosted an aqueduct and the city’s first electric tram. But the 20th century wasn’t particularly kind to the thoroughfare.
Leave it to a pair of Brazilian architects to use reinforced concrete to reinvent small-scale urbanism. While North American designers turn to plywood and recycled palettes to create curbside seating, architects Fernando Falcón and Rodrigo Cerviño of the São Paulo–based practice TACOA Arquitetos shopped for rebar.
It’s a battle of the starchitects in Mexico City—and the Brits are leading the pack. Out of the seven finalists short-listed to design an expansion for the capital city’s airport, Benito Juarez International, four hail from the UK: Zaha Hadid, Norman Foster, Richard Rogers, and Pascall+Watson.
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Francisco Saavedra fabricates a template to scale with large-format, Designjet printers from HP.
Founded in 2002, Rojkind Arquitectos is leaving an imprint across its native Mexico through a combination of civic, retail, residential, and hospitality projects. Its innovative design and production methods have garnered international recognition, particularly for projects like Nestlé’s Chocolate Museum is in Toluca and innovation lab in Querétaro, and Mexico City’s Tori Tori Japanese restaurant, but the firm also engages in smaller projects and creative diversions that explore new avenues of the design/build process.
Casa del Arbol is one such example. Conceived as an add-on for a venerable client, the project is a tree house for the family’s three young daughters. “There was a bird’s nest in the garden when we visited the site,” said Gerardo Salinas, partner at Rojkind. “And a 2-meter space between two trees in the yard was an ideal location that wouldn’t damage the existing trees.” Read More
With only one month remaining before Facades+ PERFORMANCE opens in Chicago, our exciting lineup of the industry’s leading innovators is gearing up for an electrifying array of symposia, panels, and workshops. Be there for this groundbreaking, two-day convergence of design and construction professionals, presented by AN and Enclos, coming to Chicago, October 24-25th.
Join Chris O’Hara, founding Principal of Boulder-based Studio NYL, for his day-one symposium, “Ludicrous Speed: the Design and Delivery of Non-traditional Facades on a Fast Track,” and learn first-hand from the experts the technologies and fabrication techniques that are revolutionizing the next generation of high performance facades. Register today to redefine performance for 21st century architecture, only at Facades+ PERFORMANCE.
Architectural photographer, Adrian Wilson, shared this photo with AN that he snapped during a photo shoot in Mexico City today. The routine work day, this time at Casa Palacio for Jeffrey Hutchison & Associates, was abruptly interrupted by a magnitude 6.1 earthquake epicentered some 250 miles outside the Mexican capital. It was once instance, the usually-steady Wilson said, when he “couldn’t avoid camera shake…” According to news reports there was no major damage or injuries reported from the tremor.
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A double-layer steel lattice transforms a former residence into a Japanese eatery’s new home in Mexico City
When Mexico City-based architect Michel Rojkind was chosen as one of the Architectural League’s Emerging Voices lecturers in 2010, he already had a lot of work under his belt. His firm, Rojkind Arquitectos, had recently completed Nestlé’s factory and chocolate museum in Querétaro and was beginning work on a 54-story mixed-use tower on Mexico City’s chic Paseo Reforma. But in spite of big-name projects, the architect who started out as a rock-and-roll drummer maintained a connection to the fabrication of his projects, collaborating with local workers and using simple components instead of employing more complicated techniques. “I joke with my Swiss architect friends that I wouldn’t know how to work in Switzerland, where everything is perfect,” he told AN in a May 2010 interview. “You have to figure out ways to make things happen here, and it inspires me.” A testament to that inspiration, Rojkind’s new Tori-Tori restaurant employs a double-layer steel lattice to transform an existing residential structure in Mexico City’s rapidly changing Polanco neighborhood.
Mexico City’s new Museo Soumaya (named after the deceased wife of Carlos Slim, the Mexican billionaire who owns the museum) was finally unveiled to the public late last month. The museum houses 60,000-square-feet of continuous exhibition space spread over six levels and containing over 6,200 pieces from Slim’s art collection.
Designed by Fernando Romero of the firm FREE, the building is shaped like a woman’s bustier with a cinched waist. The amorphous structure is built with 28 curved steel columns of varying diameters, each with its own contoured geometry. While the exterior mass resembles a singular object, the skin is comprised of thousands of hexagonal aluminum modules.
While the building itself is almost opaque–it has no windows–the roof of the top floor is suspended from a cantilever, letting in natural light. The result is a monumental parametric design offering a dramatic sculptural addition to the city once celebrated for its tradition and hand-painted, colorful architecture.
The restaurant La Superior in Williamsburg, Brooklyn is small place with very high standards. Not only does it have the best tacos and salsa in the five boroughs, but its low-cost décor features design elements by Mexican engineer/designer Ricardo Cid that are as exciting as the food. Cid, from Mexico City, claims he always wanted to be an artist but one that used “different and more complicated tools and calculations,” so he studied engineering at Mexico City’s UNAM. The university gave Cid a research grant, and he used the money to move to New York City and begin an independent research practice focusing on “old and lost methods of Mexican manufacturing,” and adapting them to new materials when the old ones could not be found. Read More