Welcome to The Architect's Newspaper Blog! It looks like you're new here, so you may want to consider joining the discussion on our Facebook page or on Twitter. Stay up to date with the latest blog stories by subscribing to the AN Blog RSS feed. Thanks for visiting!
After an earthquake and tsunami devastated the Sendai region of Japan on March 11, 2011, a lengthy recovery and rebuilding is underway. This is the basis for Nanako Umemoto and Jesse Reiser’s “SUPERJURY,” a collaboration between Princeton University, Tokyo University, Osaka Sangyo University, California College of the Arts, Tsinghua University, and Nagoya Institute of Technology. It explores large-scale reconstruction solutions which mediate between occasionally conflicting political interests of infrastructure construction, economic redevelopment, and memorialization of the site. Serving as inspiration was the utopian planning of Japanese Metabolism that addressed the destruction of WWII Japan, a situation similar to the devastation of the Sendai region. All parties convened at Princeton’s School of Architecture on Tuesday, May 15 for a “science fair” of their research findings and proposals.
Rem Koolhaas at the New York Public Library. (Jori Klein)
Rem Koolhaas cut the interviewer short when asked if he had any regrets: “That’s a private matter and therefore not one I will answer.” And yet the entire hour-long conversation provided what seemed to be almost shockingly intimate glimpses into the architect’s state of mind, where feelings of being lonely, isolated, ineffectual, nostalgic, and even old seemed simmering.