Asymmetrical, 3D-printed chandelier by Matter Design defies laws of gravity

(Courtesy Matter Design)

(Courtesy Matter Design)

While a chandelier is typically a balancing act between its various arms, Boston-based Matter Design has debunked the typology with a 3D-printed, asymmetrical brass chandelier. Founders of the award-winning design studio, Brandon Clifford and Wes McGee, both professors at MIT, based their design on two calculations to reposition the light fixture’s center of gravity and offset the lack of symmetry.

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Digital Incan Masonry by Matter Design

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Matter Design's Round Room was inspired by the Incan wedge method of masonry construction. (Courtesy Matter Design)

Matter Design’s Round Room was inspired by the Incan wedge method of masonry construction. (Courtesy Matter Design)

Architects update pre-Columbian building method with modern tools and materials.

Matter Design‘s latest installation, Round Room (on display at MIT‘s Keller Gallery last fall) was born of a “marriage” between two of the firm’s ongoing interests, explained co-founder Brandon Clifford. First, Clifford and partner Wes McGee had long hoped to work with Autoclaved Aerated Concrete (AAC). Clifford, moreover, had been impressed during a trip to Cuzco by the Incan wedge method of masonry construction, in which precisely-carved stones are aligned on their front face, then backfilled with mortar. “This seemed like a tremendously rational way of building,” he said. “Ever since then we had been wanting to do a project that translates that process into digital design.” With Round Room, designed and fabricated in cooperation with Quarra Stone, Matter Design did just that. Though inspired by pre-Columbian building practices, the installation firmly situates the wedge method in the digital age.
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La Voûte de LeFevre, a study in stereotomy

Fabrikator
Friday, September 7, 2012
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LaVoutedeLeFevre

New modeling software enables experimental volumetric design

In a revolt against the realm of the 3D renderings they feel contemporary architects are confined to working within, Matter Design‘s principals Brandon Clifford and Wes McGee founded a studio grounded in digital design that addresses the realities of materials, loads and physicality. Clifford in particular mourns the loss of our “ability to work with volume,” so much so that he spent his year as the 2011-12 LeFevre Emerging Practitioner Fellow at Ohio State University Knowlton School of Architecture researching volume in building with a special focus on stereotomy, the art of precisely carving solids. It was this research that led him to design La Voûte de LeFevre, a vaulted wooden structure that soars thanks to weight and mass, not in spite of it.

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