ODA recently unveiled two major New York City projects, both of which are tall and expectedly boxy. The first is a 600-foot-tall, super-skinny tower near the United Nations. The Daily News reported that the building has “six 16-foot-high gaps in the facade—each filled with a full-floor, canopied green space that will wrap around the core of the tower.”
The new Whitney Museum of American Art is opening on Friday, May 1. (Get your sneak peek inside the museum over here!) But a whopping 28,000 ton museum isn’t the only thing Renzo Piano has up his sleeve—he’s also designed the must-have fashion accessory with which to be seen browsing art at Manhattan’s newest Meatpacking District hotspot. Behold, the “Whitney Bag.”
Tribeca’s R & Company gallery at 82 Franklin Street is highlighting two Brazilian greats: Lina Bo Bardi (1914–1992) and Roberto Burle Marx (1909–1994). But act fast! Furniture by Bo Bardi and tapestries by Burle Marx are on display through the end of this week—the exhibit closes April 30.
A few weeks ago AN noted that the Norman Foster–designed 2 World Trade Center might finally rise after all these years. The New York Times was reporting that Rupert Murdoch’s News Corporation and 21st Century Fox were in talks to lease half the building for a joint headquarters. If it were to happen, wrote the Times, Murdoch’s team might bring in a new architect to update Foster’s design. Now it’s looking like that is exactly what’s going to happen—and it’s going to happen in an, ahem, BIG way.
A few blocks south of City Hall in Manhattan is 5 Beekman—one of New York City’s most intriguing historic landmarks. Behind the building’s brick facade is an ornate, nine-story, glass-pyramid-topped atrium that has been off limits for more than a decade. The Architect’s Newspaper took a behind-the-scenes tour of the building with the architect who is bringing it back to life as a boutique hotel.
What do you do if you have an array of 26 show-worthy Italian motorcycles? Hopefully what designer, artist manager, and film producer Stuart Parr did. He paired up with real estate magnate Aby Rosen—no stranger to art and relatively fresh off his kerfuffle with the Picasso tapestry, L’Affaire Tricorne. Together they are using an empty space—the ground floor at 285 Madison Avenue—to display the high-design bikes publicly.
The artist JR described his latest gargantuan artwork best in a Tweet sent out this morning, “People walked on him all day without noticing him…now he is on the cover and everyone else is in the shadow.” That cover is the new special issue of The New York Times Magazine, which features the larger-than-life pedestrian completely filling up the Flatiron pedestrian plaza next to Madison Square Park.
In addition to being AN‘s Midwest Editor, I was the special media correspondent for the Council on Tall Buildings and Urban Habitat in 2014, interviewing tall building designers, developers, and other experts at the skyscraper think tank’s Shanghai conference, and its annual CTBUH Awards ceremony in Chicago.
As this angular copper facade ages, its reddish brown skin will settle into a weathered green. It’s a sort of physical embodiment of the changes playing out in Manhattan’s Lower East Side and Chinatown as the city’s voracious luxury residence market continually searches for a new frontier.