Were the World Trade Center Transit Hub’s lateral struts part of the original Calatrava design?

Santiago Calatrava's World Trade Center Transit Hub. (William Menking / AN)

Santiago Calatrava’s World Trade Center Transit Hub. (William Menking / AN)

 

The World Trade Center Transportation Hub—or as its designer Santiago Calatrava likes to think of it, the “bird in flight”—is just blocks from AN‘s office, so we get to walk by and watch it try to take off regularly. But in the weeks before the holidays, odd “struts” started to be welded between the structure’s giant fins or blades.

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It’s Friday, so why not let this drone give you a birds-eye tour of New York City?

Screenshot from "Ultimate Aerial Video of NYC!"

Screenshot from “Ultimate Aerial Video of NYC!”

We know, we know, we know—the internet is being overrun with drone-photographed, time-lapse videos of cities and ruins. They are like cat videos, or BuzzFeed quizzes, or thought-pieces on Hillary Clinton’s ground game in 2016: they’re everywhere and they’re unavoidable. But sometimes they’re pretty great. This five-minute video by Victor Chu is called “Ultimate Aerial Video of NYC!,” and, well, yeah, it kind of is!

Watch the video after the jump.

Preservationists watchful as New York’s American Museum of Natural History taps Jeanne Gang for addition

Architecture, East, News, Preservation
Thursday, January 8, 2015
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The Rose Center at the American Museum of Natural History (David Sundberg/ESTO)

The Rose Center at the American Museum of Natural History (David Sundberg/ESTO)

Last year, Chicago-based Studio Gang Architects opened a New York office, and now it is clear they made a smart decision in doing so: the firm has been selected to design a six story addition to the American Museum of Natural History (AMNH) on Manhattan’s Upper West Side. The current museum complex is an eclectic jumble of architecture styles, and it’s most recent addition is the Rose Center for Earth and Space by the Polshek Partnership (now Ennead).

Continue reading after the jump.

Eavesdrop> One Rat Center

East, Eavesdroplet, Skyscrapers
Tuesday, December 23, 2014
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one-rat-center

(Michael Tapp / Flickr; Montage by AN)

 

Speaking of One World Trade, Condé Nast’s highly publicized move-in did not go entirely as planned. According to Gawker, Vogue, which is occupying floors 25 and 26, had to delay the relocation of its editorial department due to an infestation of rats. The rodent problem was evidently so dire that the fashion magazine’s editor-in-chief, a one Anna Wintour, went so far as to issue an order to her staff that they must ensure her office is a rat-free zone before she sets foot inside.

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Eavesdrop> Not My Spire: Sculptor wants no connection to World Trade topper

(Anthony Quintano / Flickr)

(Anthony Quintano / Flickr)

Sculptor Kenneth Snelson is tired of having his name all over the derided spire atop One World Trade Center. It has been widely reported that Snelson consulted with Skidmore, Owings & Merrill (SOM) on the 441-foot-tall spire that brings the tower to its highly symbolic height of 1,776 feet. But he said he was only peripherally involved in the early stages of the design and is not all that connected to what now towers above Lower Manhattan. Snelson said everyone involved in the design of the spire had the best intentions, but as for its final iteration, he’s no fan. “I don’t know why somebody doesn’t decide, ‘well, we should remove the spire,’” he said.

Councilman wants New York City offices to turn their lights off

Lighting, Sustainability, Urbanism
Tuesday, December 16, 2014
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New York City at night. (Flickr / Luke Redmond)

New York City at night. (Flickr / Luke Redmond)

As part of New York City‘s quest to cut carbon emissions by 80 percent by 2050, Queens councilman Donovan Richards has introduced legislation that would force commercial buildings to switch their lights off after their occupants head home.

COntinue reading after the jump.

“UUGGHH”: Mysterious, graffiti-covered New York City landmark likely to go condo

Architecture, Art, East, Preservation
Monday, December 15, 2014
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Screengrab of HOTTEA's work at 190 Bowery. (Screengrab from HOTTEA video)

Screengrab of HOTTEA’s work at 190 Bowery. (Screengrab from HOTTEA video)

A developer has finally gotten his hands on one of Manhattan’s most intriguing and desired properties: 190 Bowery. The six-story Renaissance Revival building opened in 1898 as a branch of the Germania Bank, but had been the private home and workspace of photographer Jay Maisel since 1966. Back then, he bought the building for $102,000 and held onto it for decades as property values skyrocketed in Nolita. For that reason, 190 Bowery has become a beloved, graffiti-covered piece of New York nostalgia, defying gentrification as everything else around it adapted with the times. But that’s about to change.

Continue reading after the jump.

This beautiful photo of Lower Manhattan won SOM’s World Trade Center photo contest

Architecture, Awards, East, Skyscrapers
Thursday, December 11, 2014
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(Gerry Padden / Courtesy SOM)

(Gerry Padden / Courtesy SOM)

While the critics sure don’t like it, many other casual observers are big fans of Lower Manhattan‘s World Trade Center. This morning, SOM announced the winner its #WelcomeOneWTC photography contest it held to mark the grand opening of New York City’s latest controversy-laden skyscraper.

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In Construction> New York City’s East Side Access tunnel dons a yellow raincoat deep underground

(Courtesy MTA Capital Construction / Rehema Trimiew)

(Courtesy MTA Capital Construction / Rehema Trimiew)

Every so often, New York City’s MTA shares a batch of construction photos to remind New Yorkers that one of its long-delayed projects is still chugging along beneath their feet. The latest photo set takes us underneath Manhattan where the MTA is busy borrowing tunnels that will one day connect the Long Island Rail Road to Grand Central. The whole project is expected to cost nearly $11 billion and won’t be wrapped up until 2023, so no need to rush through the gallery.

Check out a gallery after the jump.

SLO Architecture helps preserve New York City’s disappearing graffiti walls

Architecture, Art, East, Preservation
Monday, December 8, 2014
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The new canopy. (Courtesy SLO Architecture)

The new canopy. (Courtesy SLO Architecture)

Demolition of the graffiti mecca known as “5Pointz” in Long Island City, Queens has become a flashpoint in New York City development. The iconic arts institution was literally whitewashed by the developer last spring and has since been turned to rubble to make way for two rental towers. As the controversial project continues in Queens, the destruction of another world-renowned graffiti forum, just a few miles away in the South Bronx, has gone largely unnoticed.

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New York City to remove 96 sites from landmark consideration

The Pepsi-Cola sign in Long Island City would be "de-calendared by the Landmarks Preservation Commission.

This Pepsi-Cola sign in Queens would be “de-calendared” by the Landmarks Preservation Commission. (Flickr / Whiskeygonebad).

In an effort to supposedly streamline New York City’s landmarking process, the Landmarks Preservation Commission (LPC) will drop 96 buildings and sites from consideration for historic preservation. These sites span all five boroughs and include Union Square, Greenwood Cemetery in Brooklyn, and the Pepsi-Cola sign in Long Island City (above).

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Collective-LOK’s stunning Van Alen storefront to open next week in New York City

Architecture, East, Interiors, News, Newsletter
Thursday, December 4, 2014
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The Van Alen Institute's new street-level space. (Courtesy Cameron Blaylock)

The Van Alen Institute’s new street-level space. (Courtesy Cameron Blaylock)

To commemorate its 120th anniversary, the Van Alen Institute is opening a new street-level space in New York City next Tuesday. The space, designed by Collective–LOK and located at 30 West 22nd Street, functions as a programming hub, event space, and gallery. Collective–LOK is a collaboration between Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under). The team’s proposal, called “Screen Play,” won the Institute’s  2013 Ground/Work competition, which received over 120 design submissions.

Continue reading after the jump.

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