In 2005, the doors to the New South China Mall first opened, promising a new age of Chinese consumerism and signaling the rise of the middle class. Located outside Dongguan, an industrial city located in the rapidly-growing Pearl River Delta with a population comparable to New York’s, the nearly 10 million-square-foot mall was the largest in the world in terms of leasable space. The developer, Chinese instant noodle tycoon Alex Hu, expected 100,000 daily shoppers, but the crash-strapped factory workers who populate the nearby metropolis never bothered to make the 2.5-hour trek to the overgrown shopping center, and so 8 years later 99 percent of the mall’s 2,350 retail outlets are still vacant. In the wake of this failure, a new developer, the Dongguan Minying Real Estate Development Company, has hired California-based architecture firms 5+Design and SWA to design yet another mega-sized mall in the rapidly growing city, this time with a few important adjustments that the team hopes will make their project a success.
Archi-docs (TM) seem to have become an ever-more popular film form, from My Architect to Sketches of Frank Gehry and Snakebit. Starting tonight, the National Buildings Museum in D.C. is hosting an entire film festival dedicated to the archi-doc. The festivities kick off tonight with a screening of Moving Midway, about one relatives plans to move the family’s plantation home away from the sprawl encompassing it while at the same time selling the land to developers while others—including some former slaves—try to stop the move. On Monday, there is the debut of A Necessary Ruin, the work of LA-based filmmaker Evan Mather about the destruction of Fuller’s Union Tank Car Dome, the largest free-span structure in the world at the time of its completion in 1958 with a diameter of 384 feet (trailer above). And a week from tonight, Read More