Playful op-art beats out fifty shades of gray in competition to design new Los Angeles Convention Center
Call it a win for color. A bright-hued design for the renovation and expansion of the Los Angeles Convention Center by Populous and HMC Architects beat out the gray proposals by the other two finalists—Gensler and Lehrer Architects and AC Martin and LMN Architects—in a city-led competition.
On View> Arik Levy reflects on design with his new exhibit at Los Angeles’ Please Do Not Enter gallery
How do you coax city slickers to really take notice of air pollution? Start selling meringues, of course. At this year’s Ideas City festival in New York City, the Center for Genomic Gastronomy set up a “Smog Tasting” food cart introducing aeroir (a play on terroir for the atmospheric taste of place) meringues infused with recreated urban smog from four cities.
One of Los Angeles‘ most influential architects, Jon Jerde, who recently passed away, was known for the ebullience and animation of his designs. So it was only fitting that his funeral be held at LA’s stunning Union Station, inside the Grand Concourse, accompanied by nothing less than a full Mariachi band. When Eavesdrop finally goes to the Page Six in the sky, this is exactly how we would like to go out.
Here are three bold designs from winning teams that completely reimagine the Los Angeles Convention Center
The Los Angeles Convention Center is desperately in need of an overhaul. Architect Charles Luckman designed the original boxy structure in 1971 and James Ingo Freed added the glassy Annex in 1997. Today, both buildings lack the square footage and amenities to add up to a competitive venue. Centers in Las Vegas or Chicago eclipse LA’s meager 870,000 square feet by double or triple square footage. Indeed, in the decades since the venue was constructed the whole approach to convention center design has changed.
When hackers broke into Sony Pictures Entertainment’s email server in November 2014 and released stolen messages, the first stories to come out were Hollywood fodder. But buried inside the glut of toxic gossip, star salaries, and Emma Stone’s junior high school pictures are emails that tie together Sony CEO Michael Lynton, Los Angeles County Museum of Art (LACMA) director Michael Govan, LA County Supervisor Mark Ridley-Thomas, and Peter Zumthor’s proposed design for the LACMA campus.
AN has been covering Hodgetts + Fung‘s efforts to update Los Angeles’ Norms Diner for the 21st century, but another of the firm’s projects will rigorously update a less known—and perhaps more impressive—modernist structure nearby: Culver City High School’s Frost Memorial Auditorium in Culver City.
We’ve been collecting dribs and drabs about the next phase of development along the already booming Los Angeles River, and the next is that the LA River Revitalization Corporation—the non-profit created to oversee development around the changing waterway—is hoping to put together a dream team of architects and planners to do something ambitious. The group won’t comment on the specifics (though their last board meeting did discuss “projects, infrastructure, and investment, according to the agenda), but we’re very curious to learn more about this.
Earlier this year AN‘s Eavesdrop column predicted the shortlist for Wilshire Boulevard Temple’s “Gathering Place,” a 55,000-square-foot event space across the street from the institution’s sanctuary. The final list has been revealed and includes big hitters such as OMA, Kengo Kuma & Associates, Morphosis Architects, and Steven Holl Architects.
Austin Kelly, truly one of Los Angeles’ most talented young architects, sadly passed away last month. He was only 49, and the cause of death was cancer. Kelly studied architecture at Yale and worked for Frank Israel, Frank Gehry, Eric Owen Moss, and DMJM/Keating before founding XTEN Architecture with his wife Monika Haefelfinger in 2000.
Silver Lake’s so-called Bates Motel—it’s actually the soon-to-be-demolished Sunset Pacific Motel—is in the process of getting whitewashed with lime wash as part of French artist Vincent Lamouroux’s installation, Projection. The undertaking, which opens to the public on Sunday and lasts for two weeks, was sponsored and organized by downtown LA gallery Please Do Not Enter. AN West Coast Editor Sam Lubell talked with Lamouroux to get the scoop on his ambitious urban piece.