After hosting the Olympic Games in 1932 and 1984, Los Angeles is in the hunt to be the Unites States’ candidate to host them again in 2024. Earlier this week the city made a presentation to the U.S. Olympic Committee, followed by pitches from Boston, San Francisco and Washington, D.C.
Forget “home is where the heart is.” Home is where the art is—or so argues the latest show from the El Segundo Museum of Art (ESMoA). HOME isn’t your typical art exhibition, just as ESMoA isn’t your typical art museum. (In fact, ESMoA prefers the terms “experience” and “laboratory,” respectively. ) The experience, which runs through February 1, 2015, invites visitors to re-evaluate their personal definitions of art, the home, and—most especially—art in the home.
Michael Maltzan is getting into the bridge business. He’s already part of the HNTB-led Sixth Street Bridge team in Los Angeles, he’s finishing up a bridge in Chengdu, China, and parts of his One Santa Fe (which we will profile in a future issue of AN) in the city’s Arts District themselves form a bridge, extending over the ground plane and allowing peeks toward the L.A. River.
Now he’s been tapped by the Hammer Museum to design the John V. Tunney pedestrian bridge, above the institution’s large garden courtyard, finally connecting its 2nd floor western permanent galleries to its eastern ones. Read More
It’s such a shame that we live in areas so full of secrecy. Why won’t Hollywood stars in Los Angeles or tech moguls in San Francisco let architects spread the word about their million dollar houses? Sure we hear dribs and drabs. For instance that Sergei Brin and a major executive at Yahoo! have both commissioned San Francisco architect Olle Lundberg to design their new abodes. But these tidbits are far too infrequent. So we at Eavesdrop are making a plea for you to share gossip on who is designing for the most famous people you can think of. We promise, we won’t divulge our sources. And we won’t partner with Us Weekly. Probably.
The Los Angeles Board of Supervisors yesterday approved the contribution of $125 million in bond funds to LACMA’s $600 million makeover, which, under the guidance of Peter Zumthor, would tear down most of the campus and snake over Wilshire Boulevard. The new 410,000 square foot building would open in 2023, with the remaining funding coming from private donations. According to the LA Times, LACMA director Michael Govan told the Board of Supervisors that the museum’s older buildings “are really ailing. They are not worth saving. The new building will be much more energy efficient and accessible to a broad public.”
It’s no AECOM and URS, but NAC Architecture, which has offices in Spokane, WA, Seattle, Denver, and Los Angeles has merged with Southern California firm Osborn, and are moving their LA operations into new offices in the city’s Chinatown neighborhood. NAC’s 13,000 square foot LA office, to be located on the third floor of a historic building at 837 North Spring Street, will consist of 40 people, including all of Osborn and NAC’s current LA staffs.
In one of the more surprising analyses of his tenure as architecture critic for the Los Angeles Times, Christopher Hawthorne recently came out with breathless praise for The Vermont, a green glass residential tower by Jerde Partnership on Wilshire Boulevard and Vermont Avenue. According to Hawthorne, the building’s “sleek steel-and-glass profile is a reminder that new apartment buildings in Los Angeles can be something other than bland, stucco-covered, stick-built neo-dingbats.” Eavesdrop is no architecture critic, but let’s just say we do not totally agree.