When the discussion for Los Angeles Recreation & Parks to give Live Nation the contract to manage The Greek Theatre were scuttled earlier this year, it was unclear what would come of the proposed modernization of the 5,900-seat venue by Rios Clementi Hale Studios. Word from inside the office says the project is moving forward with new designs to come, even as Pennsylvania-based SMG looks poised to win the event management contract.
Architect Tom Wiscombe and developer Tom Gilmore have been spotted on more than one occasion imbibing at Redbird, the restaurant located in the former rectory of the cathedral of the Roman Catholic Archdiocese of Los Angeles. (Gilmore is the landlord.) Does this mean that the pair’s plans for Old Bank District Museum, a futuristic art venue designed by Wiscombe, is on track for a 2017 opening? Only the bartender knows.
Park(ing) Day, the annual tradition of making micro-parks out of parking spots, calls attention to the need for public space in cities. A pop-up park by Rios Clementi Hale Studios in Los Angeles takes the educational imperative further with a parking space that teaches the benefits of stormwater capture—just in time for this winter’s predicted El Niño.
Hennessey + Ingalls is a rarity in an age when bookstores that survived the rise of Amazon are often indistinctive superstores or exercises in hipster curation. Los Angeles’ long-established mecca for art and architecture is neither. Fans were nervous when the store shuttered its Hollywood annex in Space Fifteen Twenty last spring. While the Santa Monica store on Wilshire and 2nd will close at the end of the year, it will reopen in a new space at One Santa Fe, the mixed-use development complex designed by Michael Maltzan Architecture.
When The Broad opens to the public on September 20, Angelenos will finally get to see how Diller Scofidio + Renfro’s design compliments philanthropists Eli and Edythe Broad’s powerhouse collection of 2,000 pieces of contemporary art in their eponymous museum. Works by Ed Ruscha and Cindy Sherman will hang in the 35,000-square-foot, column-free gallery space lit by some 300 skylights.
The bust, the sculptural counterpart of the portrait that dates back to classical antiquity, immortalizes not only the likeness of a person from the chest upwards, but the values of both the sculptor and the era in their concepts of beauty and nobility. An object no bigger than a head and a pair of shoulders, centuries later, is a relic embedded with cultural meaning—the preference towards an aquiline nose, for example, or a fixation with youth. With BUST, a group show on view at Jai & Jai in Los Angeles, curator William O’Brien, Jr. asked designers to apply the titular sculptural form to architecture.
Ricardo Legorreta’s much maligned design for Pershing Square is getting a makeover. The day after the Los Angeles City Council voted to support a public-private partnership to overhaul the five-acre urban park, councilmember José Huizar and Pershing Square Renew announced an international design competition geared to rethink the open space that now sits ingloriously on top of an underground parking garage.
“This is not a master plan,” said Omar Brownson, executive director of the Los Angeles River Revitalization Corporation (LARRC) at an event to introduce members of the press to the work underway by Gehry Partners on the Los Angeles River. The news earlier this month that Frank Gehry was spearheading a new master plan for the river drew surprised and mixed responses from design, development, and landscape communities near and far. Read More
What appears to be an explosive invasion of tiny black orbs is actually one small part of the solution to Los Angeles’ four-year drought. Colloquially called “shade balls,” these 36 cent buoyant spheres are a part of a $34.5 million water quality protection project by the Los Angeles Department of Water and Power (LADWP).
Meet the architect behind Kanye West’s 50-foot volcano, Los Angeles mansion, and design-savvy baby-proofing
Ironically, there are few surer ways to emerge from obscurity than to be hired by Kanye West. For Romanian architect Oana Stanescu, who designed a 50-foot stage-prop volcano for the rapper’s Yeezus tour, it meant finding a way to reconcile pop culture with utilitarian design.