Wine supplier to the British royal family unveils enchanting new cellar by MJP Architects and Short & Associates
Britain’s oldest wine merchant, Berry Bros. & Rudd, has unveiled its new subterranean Sussex Cellar, an enchanting juxtaposition of classic and modern by Short & Associates and MJP Architects. Wine suppliers to the British royal family since the reign of King George III in the early 19th century, the brand named its new cellar after the duke of Sussex, one of seven royal dukes who were regular customers during that era.
London skyline as battleground: Designers render 3D-printed chess pieces in the shape of iconic architecture
Richard Rogers to lead parliamentary inquiry into how design of the built environment affects behavior
Riding on a wave of psychographic research indicating positive correlations between productivity and the work environment, architect Richard Rogers has launched an ambitious parliamentary inquiry into how design overall affects behavior.
The founder of Rogers Stirk Harbor + Partners kicked off the eight-month Design Commission inquiry this June before the Houses of Parliament in London. The cross-party investigation led by Rogers will explore how design in planning of the built environment creates a tendency towards positive behaviors within local communities. The inquiry was lodged the same week as newly-released research which supports the long-held view that cities which promote physical activity benefit from economic productivity gains.
The clock is ticking yet again for East London’s Robin Hood Gardens, the 1972 Brutalist public housing complex designed by Alison and Peter Smithson. In a call to arms, Lord Richard Rogers and Simon Smithson, the son of the architects, have written a letter to over 300 members of the architecture and construction industries in support of the 20th Century Society’s campaign to protect the iconic “streets in the sky” buildings from being demolished.
How do you coax city slickers to really take notice of air pollution? Start selling meringues, of course. At this year’s Ideas City festival in New York City, the Center for Genomic Gastronomy set up a “Smog Tasting” food cart introducing aeroir (a play on terroir for the atmospheric taste of place) meringues infused with recreated urban smog from four cities.
The final touches have been put on London’s now-infamous Garden Bridge, designed by Heatherwick Studio with Arup and landscape designer Dan Pearson. The most recent renderings, released early this week, show exactly what the spaces on the bridge will look like by offering an up-close look at the garden-like landscaping. The Garden Bridge Trust (GBT) describes it as an “oasis of escapism.”
The Serpentine Galleries has unveiled renderings for its 15th summer pavilion which it described as an “amorphous, double-skinned, polygonal structure.” The interactive and certainly bright installation is designed by the Madrid-based SelgasCano and comprises translucent, rainbow-colored panels woven into a webbing system. Visitors are encouraged to enter the pavilion and explore its “secret corridor” and “stained glass-effect interior.”
What do the English have against works produced by members of the Independent Group? The loose post–World War II group of artists, architects, writers, and critics produced public art, gallery installations, and even architecture. On this side of the Atlantic we always think the Brits save their landmarks—unlike the American tendency to tear them down before they can be landmarked.