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Rotterdam Centraal Station’s relationship to the existing urban fabric called for different treatments of its north and south facades.
To call the commission for a new central railway station in Rotterdam complicated would be an understatement. The project had multiple clients, including the city council and the railway company ProRail. The program was complex, encompassing the north and south station halls, train platforms, concourse, commercial space, offices, outdoor public space, and more. Finally, there was the station’s relationship to Rotterdam itself: while city leaders envisioned the south entrance as a monumental gateway to the city, the proximity of an historic neighborhood to the north necessitated a more temperate approach. Team CS, a collaboration among Benthem Crouwel Architekten, MVSA Meyer en Van Schooten Architecten, and West 8, achieved a balancing act with a multipart facade conceived over the project’s decade-long gestation. On the south, Rotterdam Centraal Station trumpets its presence with a swooping triangular stainless steel and glass entryway, while to the north a delicate glass-house exterior defers to the surrounding urban fabric. Read More
First proposed in 2011, Brooklyn’s Silent Light installation has finally become a reality. Located at the intersection of Park Avenue and Navy Street under the Brooklyn-Queens Expressway (BQE) in Red Hook, the series of gates frames a pedestrian walkway that passes through an area of heavy vehicular traffic. The structures are covered in LED lights activated by surrounding noise from cars to create fleeting light shows of various colors and patterns.
The other day, AN revealed details of Fentress Architects’ new Tom Bradley International Terminal at LAX, with its arched, light-infused spaces and fancy new retail offerings. Variety takes a closer look at LA- and Montreal-based media company Moment Factory’s contribution: a series of interactive displays, including an 80-foot LED “Welcome Wall” that greets visitors, two “Concourse Portals” consisting of 10 video columns that respond to movement, and the 72-foot “Time Tower,” a four-sided LED experience surrounding the terminal’s main elevator. The system, which can be updated and adapted, is the most sophisticated of any in the country. And the production, as you can see from the video above, rivaled that of many motion pictures.
In other airport news, we plan to head over to Long Beach to see the renovation of several of its airport concourses, part of a $140 modernization plan. We’ll keep you posted.
Beginning on January 22, Pelli Clarke Pelli’s glass Winter Garden at Manhattan’s World Financial Center will be twinkling with strands of LED lights. Lighting artist and theater designer Anne Militello designed the Light Cycles installation, inspired by the jewel-tone color of lights found in nature such as the Aurora Borealis. LED lights will be attached to strings of mirrored discs hanging from the ten-story barrel-vaulted ceiling. The lights will feature “shifting movements and patterns” programmed by the artist. According to the World Financial Center, “Like charms on a bracelet, the jeweled discs entrance through a softly evolving manipulation of color and texture.” The installation runs through March 30, 2013.
On Monday, December 3, the “Jewel of Park Avenue” at 230 Park, aka The Helmsley Building, really began to sparkle as building-owner Monday Properties unveiled a new LED lighting display to a crowd huddled at the base of the building, staring upward with anticipation as rush hour traffic swirled around. Monday Properties President and CEO Anthony Westreich and Manhattan Borough President Scott Stringer stood together to push a giant red button, officially triggering the light show, which flickered into action, turning heads of passers by for blocks around as a live violinist provided musical accompaniment.
Cecil Balmond, who famously left ARUP to start his own firm, Cecil Balmond Studio, a couple years ago, has a mesmerizing new project. The ethereal light sculpture, dubbed Snow Words, stretches out towards the Alaskan sky and illuminates the lobby of the new Crime Detection Laboratory in Anchorage. Suspended between a glazed skylight and a mirrored floor, the 30-foot-high beacon, which opened last month, seems to float within its laser-cut cylindrical shell. Made of LED-lit rods calibrated to a unique sequence, the installation commemorates the officers who have lost their lives in the line of duty.
They’re being phased out in Europe and in many other countries around the world (but not in the U.S.), but there’s no denying that the soft, yellow glow from incandescent light bulbs—especially the low-Wattage Edison original that’s a staple in any Brooklyn-chic bar or restaurant—hasn’t been matched by fluorescent or LED alternatives. Until now. Lancaster, PA-based artist Luke Anderson partneres with a ceramicist and a glass blower to create a larger-than-life modern version of the Edison bulb called Alva—the famous inventor’s middle name—built with modern LED technology but with the nostalgic glow of the original.
With the High Line getting the lion’s share of attention lately, Hudson River Park feels more neighborhoody then ever. Last night’s opening of public art installation by artist/performer Jon Morris of Windmill Factory felt pretty down home with everyone sprawling out on the grass around Morris, who explained the inspiration for his light show which sits out in the water.
Growing up in Beria, Kentucky, Morris could see the stars, but in New York light pollution made the experience impossible. His idea was to sprinkle a little stardust onto the Hudson in the form of solar powered LEDs attached to the tops of pilings from a long departed pier.
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Frankfurt’s Zeil gets another facelift with an ever-changing media installation
The Zeil is Frankfurt’s main shopping district, a pedestrian-only street bordered by two large plazas. In 2009, Massimiliano Fuksas’ vortex-clad Mab Zeil mixed-use center brought a new face to the street. Not to be outdone by its neighbor, the Zeilgalerie shopping mall began its own facelift the same year. Designed by Wiesbaden, Germany-based interdisciplinary collective 3deluxe, its LED-illuminated black facade brings a new sense of unity to the street and was recently given the Red Dot 2011 design award in the category of Information Design/Public Space.
Digital Clay. Last week at the SIGGRAPH technology conference, a prototype input device called “Recompose” made its debut. TechNewsDaily says that this “marriage of a keyboard and a 3-D tiled surface could be the future of computer interfaces.” Developed by the MIT Media Lab, Recompose will give users the ability to “sculpt” data.
LED Lettuce. The Dutch have amped up hydroponic agriculture with the use of LEDs, notes Good magazine. Scientists in the Netherlands have found that using the red and blue versions of the lights maximizes the effects of sunlight and minimizes dehydration. A bonus result? Greenhouses with rave-like ambiance.
Flat out Platonic. Core 77 alerted us to the thought-provoking carpet designs of Luís Porém, which are based on deconstructed Plato’s beloved polyhedrons.
Biker Rights. A group of NYC lawyers ride to the aid of cyclists disputing NYPD tickets for bell, helmet, and lane violations, reports The New York Times. The law firm of Rankin & Taylor is preparing a class action suit against the city on behalf of bikers.