Lauretta Vinciarelli was a quiet but powerful presence on the New York architecture scene since the 1980s when she began producing “imaginary architectural settings” of buildings and landscapes. I considered it a great honor to be invited to her Soho loft to look and talk about her latest work 10 years before her death in 2011. It’s too easy as an architectural journalist covering the daily rough and tumble of urban architecture to get jaundiced about the profession, but Vinciarelli’s extraordinarily beautiful and quiet drawings and paintings remind me why we still believe in the power and hope of great architecture.
Lauretta Vinciarelli, an artist, architect, and professor, whose water color paintings were deeply rooted in architecture, died Thursday in New York City. In the forward to her book Not Architecture: But Evidence That It Exists Brooke Hodge wrote of how “Vinciarelli’s work shows, indeed, how inextricably bound together art and architecture are for her and should be for more of us.” Her art crossed borders architectural form and space with an interest in light. “The paintings are of spaces I know that look nothing like what I paint,” Vinciarelli told Hodge.