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Amuneal Manufacturing fabricates a “breathing” sculpture for a North Carolina plaza.
For a public plaza in downtown Chapel Hill, North Carolina, landscape architecture firm Mikyoung Kim Design designed a unique sculptural installation that doubles as a stormwater management system. The 70-foot linear form is centrally located to engage the town’s residents with a looped, 10-minute light show. A misting sequence, drawn from a subgrade cistern, emanates through the perforated metal skin of the sculpture, giving the impression that “Exhale” is actually a living, breathing object.
The original concept for the piece incorporated hydrological elements of the site in an engaging and transparent way, but the form was less defined. Over the course of nine months, designer Mikyoung Kim said her team designed countless rock-like shapes from clay, carving each from the inside out to achieve a thin, amorphous shape that consistently collapsed in on itself. Then, one night at home, Kim had a breakthrough when her idling hands picked up a few sheets of trace paper in the early morning hours. “I started folding a piece of trace paper and kept folding, and folding,” she recalled. “It was yellow and easy and beautiful; I fell in love with that.” The sheets also helped Kim balance her aim for delicacy with function and helped define Exhale’s fan-like corrugation. Read More
It has been several years in the making, but now the industrial strip along Brooklyn’s polluted Gowanus Canal will finally be transformed into a lush and porous green space aptly named The Gowanus Canal Sponge Park that will soak up and filter rainwater to help improve the overall water quality along the waterway. This $1.5 million project, a collaboration between the Gowanus Canal Conservancy and landscape architecture firm dlandstudio, will finally get off the ground with the help of city, state, and federal funding.
Lake Shore Drive could look a lot different if a local design alliance gets its way.
The “Our Lakefront” plan, commissioned by 15 different organizations including the Active Transportation Alliance, the Alliance for the Great Lakes, the Center for Neighborhood Technology, and the Chicago Architecture Foundation, would reduce the speed limit on the north branch of Lake Shore Drive from 40 to 35 miles per hour; carve out lanes for bicycles and either bus rapid transit or rail; and replace parking spaces with greenery.
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Seven design variations are applied across 17 custom wooden benches, fabricated by Mark Richey Woodworking.
Sited above a vehicular tunnel and therefore bereft of old growth trees, the Plaza at Harvard University, with its aggregate porcelain paving and curvaceous, sculptural benches, stands in stark visual contrast to the school’s notably shady yard and north campus. Designed by Stoss Landscape Urbanism, the plaza serves as a multi-functional space for staff, students, and the local community. A large part of accomplishing this goal fell to the unique seating solution, a collection of custom-designed, wooden slat benches that aim to increase the function and user comfort of the public space. Some of the benches are meant for lounging with no back and a low seat height, while others are higher with full seat backs. Some twist in the manner of a Victorian tete-a-tete settee, while still others support a touchdown working posture.
Stoss’s design for the benches, sliced like a loaf of bread, was achieved in Rhino with a Grasshopper plugin. The parametric modeling tool was instrumental in defining the benches’ complex geometries. “At every change, the curves meet two general sections so there’s a morphology of that form work,” said Erik Prince, an associate at Stoss who worked on the plaza. “The wooden slats are an incremental radial splay of the overall geometry so every rib has a unique angle to it.” The design team produced a 3D model for each of the 17 benches. Since the benches were manufactured based on information contained in the digital files, a substantial portion of time was spent developing accurate models that could be extrapolated for the fabrication process. Read More
An 18-foot, bright red “B” plucked from St. Louis’ Anheuser-Busch brewery will find a permanent home in the beer conglomerate’s first U.S. “biergarten.” The “B” is a relic of the neon Budweiser sign replaced by LEDs in February.
Located adjacent to the brewery’s tour center at 12th and Lynch streets, the beer garden joins what is already one of the region’s largest tourist attractions, drawing 350,000 visitors annually. Five of the dozen U.S. breweries are owned by A-B, which itself is a wholly-owned subsidiary of Belgium-based A-B InBev, but the St. Louis location is so far the only one with a beer garden on tap.
Starting Memorial Day, Chicago’s Millennium Park will host the U.S. debut of a bright array of public design projects, many of which appeared at the 2012 Venice Biennale. Spontaneous Interventions: Design Actions for the Common Good will feature 84 works, including more than a dozen for Chicago and several that also appeared in Venice.
As Chicago gears up for an overhaul of the city’s Riverwalk, Mayor Rahm Emanuel has touted his architectural cause célèbre as a way for the city to reengage with its “second shoreline.” The renderings by Sasaki Associates show six new blocks of riverfront parks, effectively connecting the shore of Lake Michigan with a small park at the foot of the three massive towers planned for Wolf Point, at the confluence of the Chicago River’s three branches.
The University of Pennsylvania’s School of Design has announced that Australian Richard Weller has been appointed Chair of the Department of Landscape Architecture. Penn Dean Marilyn Jordan Taylor believes that Weller is just the person to build on the department’s well known legacy of research and teaching since it was founded over 50 years ago by the legendary Ian McHarg. The department has been directed by Field Operation’s James Corner since 2000 who asserts that Weller is a “leading edge figure in our field.” Weller has been teaching at the University of Western Australia and was director of both the Australian Urban Design Research Centre and the design firm Room 4.1.3. His current research concerns ways of “conceptualizing, representing and designing cities a mega-regional scale.” In March of this year Weller will release his latest book, Made in Australia, that focuses on the long term future of cities.
Washington, D.C., is often admired for its monuments. Now there is another part of our nation’s capital that its 19 million annual visitors can tour and enjoy. The American Society of Landscape Architects (ASLA) has recently announced the launch of an online mobile-friendly guide meant to give not only tourist, but also locals a new perspective on the historic, modern, and contemporary landscapes in Washington, D.C. and Arlington, VA.
After nine years of fundraising, a transformed park in downtown Cleveland seems to personify the spirit of reinvention that has recently overtaken the city. Perk Park, originally built in 1972, was first conceived by I.M. Pei as a small piece of the 200-acre Urban Renewal District. It was once called Chester Commons (for its location at East 12th Street and Chester Avenue), but was renamed in 1996 for 1970s Mayor Ralph Perk.
Cincinnati’s Over-the-Rhine neighborhood is surging back from disrepair, becoming the poster-child for Porkopolis’ return to progressive urbanism. After two years of construction, the historic neighborhood’s Washington Park reopened to the public Friday.
The $48-million renovation is the latest investment by Cincinnati in its urban character—much was made of Washington Park’s likelihood to attract and sustain investment nearby. A number of amenities were added, including a children’s playground, a dog park, a fountain, an event plaza and a stage for live performances.