AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the second half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the first section of our roundup here.
In conjunction with its collaboration with Konstantin Grcic on the mobile interiors of the new Parrish Art Museum, Emeco released the Parrish Collection of modular indoor–outdoor chairs and tables. Chairs are available with three recycled aluminum frame designs that can be combined into four seat options, including one made of locally sourced wood from Lancaster, Pennsylvania.
Design Miami is all about furnishings as art, parties, being someplace warm in December, and more parties. It’s not so much about architecture, except that the most riveting eye-grabber is often an installation by an architect. In 2006, Zaha Hadid, named Designer of the Year, created a plasticene web of wonder that ensorcelled the interior atrium of the Moore Building in the Design District. More recently ArandaLasch created tents set up closer to the action and directly in front of the convention center where Art Basel Miami Beach is located.
Konstantin Grcic: Decisive Design currently on view in The Art Institute of Chicago’s new Modern wing marks the first stateside showcase of the Munich-born, London-trained designer. Curated by Zoe Ryan, the exhibition is the fifth installment of the museum’s A+D Series that previously featured Chicago architect Douglas Garofalo and graphic design firm Graphic Thought Facility.
It’s also the first show with a subtitle. Although delightfully alliterative, “Decisive Design” is a misnomer. It sets up Grcic, a craftsman who studied at the Royal College of Art and came of age under the sly wit of designers Jasper Morrison and Ettore Sottsass, as an exacting decider. Sure, the 100 plus objects in the gallery reveal that Grcic is always searching logical production methods and that he takes an honest approach to materials, but the products themselves tell stories richer than pure functionalism. Read More