The Chicago Design Museum, our resident pop-up pantheon of graphic aesthetics, is looking for your help to mount the first exhibition in its new permanent home. They’re planning a centennial show for the American Institute of Graphic Arts (hey, AIGA’s as old as Wrigley!), and they’ve launched a Kickstarter campaign to get it funded (and time is really running out!). Eavesdrop’s been known to drop in on ChiDM’s shows since its inception, so we could be persuaded to part with some cash.
It looks like design history is in the air here in Chicago. The Chicago Design Museum is in the middle of a Kickstarter campaign to launch an exhibition looking back at 100 years of graphic arts. Chicagoisms just opened at The Art Institute—a meditation on Chicago’s architectural history and mythology that builds off a previous exhibition of unbuilt work reviewed here.
Now another exhibit glances at Chicago’s design history to better assess its present and future.
Since 2010, New York–based artists and theorists Gregory Sholette and Olga Kopenkina have invited people around the world to imagine “a past whose future never arrived.” Through their ambitious installation, Imaginary Archive, participants can interact with both real and fictional “printed matter, small objects, artist’s books and self-published narratives” to envision alternative political and cultural histories.
Despite what your takeout dinner delivery person may have you believe, electric bikes are, in fact, a fine-able offense in New York City. Nonetheless, Manhattan resident Jeff Guida is hoping to make these outlawed vehicles much more common by selling a small, portable device that motorizes Citi Bikes, the city’s popular bike-share network. The Shareroller is housed in an 8-inch-by-11-inch-by-3-inch box that, once mounted, turns share-bikes into e-bikes.
Miles Kemp, the brains behind a new virtual-reality visualization software for architects, has been around architects and builders for as long as he can remember. The son of a contractor, Kemp took his first job with an architect at the age of 14. By age 21, he was on a team at SOM. Kemp eventually made his way to SCI-Arc, where he completed an M.Arch2 in 2006 with a thesis on robotics. Since then, Kemp, the founder and president of Variate Labs, has worked on over 100 interactive media projects. “I’ve always been into this idea of user-experience design, of being able to create almost like a conversation between people and the built environment,” Kemp said.
In a hybrid of LEGO and origami, Paper Punk has created their first boxed set of punch-and-fold, customizable paper building blocks. Urban Fold is the California-based company’s newest creation by founder Grace Hawthorne, a designer, author, and artist from San Francisco who currently teaches at Stanford University’s d.school (Institute of Design). The set gives builders the opportunity to create a paper city in punchy colors and patterns, inspired by Berlin graffiti and the photography of Matthias Heiderich.
Another day, another Kickstarter campaign. On the heels of several successful museum and gallery exhibition campaigns, Woodbury University Hollywood Gallery (WUHO) has decided to start a campaign for an upcoming exhibition celebrating the groundbreaking visual communication work of Los Angeles–based designer Deborah Sussman. Entitled Deborah Sussman Loves Los Angeles!, the exhibition, which is set to open in December, will be the first retrospective of her early environmental graphic design work, honing in on projects from her days at the Eames Office up to the 1984 Olympics.
The project turned a 120-year-old mortuary in Flint’s historic Carriage Town neighborhood into an alternative space for artists, designers, and engineers. It’s a gut rehab and then some, but the project has attracted the full force of Flint’s artistic community.
Marina Abramović owes 4,765 hugs to the supporters of her successfully funded $600,000 Kickstarter. Last month, the artist launched the online campaign to fund her own Marina Abramović Institute (MAI) in upstate New York, a performance center conceptualized as a laboratory that will be dedicated to the practice of long-durational performance art and the “Marina Abramović Method.” Project donations ranged from $1 to $10,000 and all donors are invited to receive a personal hug from the artist in a future performance event called “The Embrace.” With help from social media, celebrity interest, and a few encouragements from Abramović herself, the center surpassed its goal by more than $60,000 before the end of its month-long funding period this past Sunday.