A woman sits alone and thinks to herself.
A painting converses with a room. The room talks back.
So says Barbara Bloom, whose installation of selections from the Jewish Museum’s collection, create a dialogue with architect C.P.H. Gilbert’s French Renaissance Warburg mansion—the building that houses the museum—real and imagined visitors, and the objects themselves. Architect Ken Saylor, who worked closely with Bloom on the spatialization and design of the exhibition, said, “we tried to ask ourselves ‘What does it mean to inhabit an exhibition?’ where things are simultaneously absent and present, masked and revealed, teased and assaulted, subject and context, museum and house.”
Inspired by the design of the Talmud, the central text of Rabbinic Judaism, where the original text is framed by annotated scholarly debates across generations, the exhibition is entitled As it were…So to speak. That suggests “what you are about to hear … Is not exactly what it appears to be.” The exhibition is a narrative but without beginning, middle, and end, which harmoniously surfs the practices of art, architecture, and design.
Daniel Libeskind’s second contribution to the Jewish Museum Berlin since 2001, the Academy of the Jewish Museum Berlin, will open this Saturday, November 17. The 25,000 square foot Academy is located just across from the original museum and now houses the museum library, a growing archive, and will also house lectures, workshops, and seminars.
Starchitect Richard Meier is now in the Judaica business, sort of. He recently designed a limited edition menorah and series of mezuzahs for The Jewish Museum in New York. The menorah is based on the Meier Lamp, a piece that was originally commissioned by the Israel Museum in 1985. And just in time for Hanukkah (which begins December 1st), this limited edition menorah can be purchased through The Jewish Museum Shop.