Over the weekend, we headed out to Brooklyn Bridge Park to check out the light show of Jane’s Carousel. We had been told that silhouettes of horses were to be projected onto a ceiling scrim until 1AM. We even held ambitions of traipsing across the Brooklyn Bridge to get a better view. But after watching a spectacular sunset reflect off of Jean Nouvel’s acrylic cube, the show was over. We were told that the lights for the magic lantern were much too hot for the recently restored horses. No matter, it’s hard to surpass the carousel’s bulbs reflected in the acrylic, with a glittering Manhattan serving as backdrop.
It’s been a couple of week’s since Jane’s Carousel opened to the public on the Brooklyn Waterfront, allowing us time to reflect on the rainy opening day and see just how the new attraction is being received. It’s seems Jean Nouvel’s pavilion is a study in contrasts, particularly on cold gloom of the opening ceremony when we first stopped by. We made a short impressionistic collage of our observations including the carnivalesque merriment going on inside the pavilion set against the sober geometry outside. (You might also spot Nouvel himself taking a ride or an overly-excited Marty Markowitz astride one of the wooden horses.)
The season got off to wet and windy start with the launch of Urban Design Week. We started in Brooklyn and while the opening of Brooklyn Bridge Park’s Jane’s Carousel wasn’t on the official agenda, there were plenty architecture world heavyweights in attendance. AN‘s Julie Iovine got there early to chat with the architect of the carousel’s pavilion, Jean Nouvel. Later, we popped over to the BMW Guggenheim Lab and with minutes to spare even got to hear a lecture over at the Neighborhood Preservation Center.
The man in black designing a Merry-Go-Round seems a jarring fit. But out on the Brooklyn waterfront buffeted by winds on a raw point between the muscular grandeur of the Brooklyn and Manhattan bridges, Nouvel seems just the right man to insinuate something as delicate as a life-size interactive music box into a setting as tough as the Brooklyn waterfront. Read More
Jean Nouvel feels like his MoMA Tower has been put under the guillotine. The starchitect behind the lopped-off Midtown Manhattan proposal told CBS News this weekend that “It’s very French to cut the head, eh?” His 75-story tower would have rivaled the Empire State Building for supremacy over the New York skyline, standing 1,250 feet tall, but met significant opposition from neighbors worried the tower would drown their street in shadow.
City Planning Commission officials voted earlier this year to allow a shortened version of the tower – chopping off 200 feet of the Pritzker Prize winner’s design. Nouvel’s vision has been sent back to the drawing boards, but he says it’s “not in his character” to feel discouraged. Be sure to check out AN‘s cameo appearance at the end of the interview.
Increasingly, the architects chosen each year to design the Serpentine Gallery Pavilion in London hail from a pool of the usual suspects. This past summer, it was Jean Nouvel. SANAA, and Frank Gehry ran up the mast in 2009 and 2008 respectively. The 2011 pavilion, we hear, will be by Swiss mystic architect, Peter Zumthor.
There’s certainly abiding fascination in a series of heavyweights forced to design a lightweight structure on the double-quick (about six months) but the young and restless might actually have more to explore and certainly more to gain than the big names. Then again, more than most, Zumthor has maintained his mystique as an architect. Lightweight he is not: For the 2002 Venice architecture biennale, he submitted a six ton concrete model of his Cologne museum that was too hefty to be contained in the vast Arsenale.
Fresh from landing the commission for the Serpentine Gallery’s annual summer pavilion in London, French architect Jean Nouvel was in New York yesterday for the official unveiling of the new National Museum in Doha, Qatar. Designed as a ring of low-lying, interlocking pavilions encircling a large courtyard, the 430,000-square-foot structure is created from sand-colored disks that define floors, walls, and roofs, almost as if growing out of the desert landscape. Read More
A group of Midtown residents and concerned citizens, many from the West 54th/55th Street Block Association, have been the leading opponents of Jean Nouvel’s MoMA tower. They have been very vocal during hearings at Landmarks and, just a few weeks ago, City Planning Commission. Now, The Coalition for Responsible Midtown Development, as the group is calling itself, have launched a website, no2moma.com. There, they succinctly recast their previous opposition to the project–light & shadows, traffic & congestion, out-sized & ugly–as well as presenting a six minute documentary that makes the group’s best case yet. Our favorite part is the clip above, where the Nouvel tower rises, Frankenstein-like, from “a lot no bigger than a McDonald’s drive-thru.” The full video is after the jump, but, given statements made by some commissioners during a meeting Monday, all this flash and frustration may be too little too late. Read More
After both impressing and frustrating the Landmarks Preservation Commission last year, Jean Nouvel’s Torre de Verre is making its way through the public review process in order to secure a few zoning variance to allow the funky Moma-ttached tower to be built. Curbed reports the tower was panned by the local community board (it’s a largely symbolic vote, however), but the most striking thing to us was this new rendering, which shows how the now-1,250-foot tower would look from Central Park. Quelle horror!