Groundswell: Guerilla Architecture in Response to the Great East Japan Earthquake
835 North Kings Road
West Hollywood, California
Through January 4, 2015
The Great East Japan Earthquake of 2011 devastated the island nation, setting off a tsunami that destroyed over 300 miles of coastline, causing the failure of the Fukushima Daiichi Nuclear Power Plant, and leaving more than 20,000 people dead and 470,000 without homes. The severe damage from the catastrophe propelled architects to take action, swiftly and creatively, as illustrated in a new exhibit, Groundswell: Guerilla Architecture in Response to the Great East Japan Earthquake.
Speaking of controversy, Zaha Hadid can’t catch a break! Since her stadium design for the 2020 Tokyo Olympics was unveiled, complaints have arisen about the scale and height of the project. Then two of Japan’s biggest architects—Toyo Ito and Fumihiko Maki—signed on to a petition calling for a revised design. As of press time more than 26,500 people have signed on to protest the design. Is someone’s star beginning to dim?
On the Thresholds of Space-Making
Sam Fox School, Washington University
One Brookings Drive
St. Louis, Missouri
Through April 20
The work of Shinohara Kazuo (1925–2006), one of Japan’s most influential architects of the postwar generation, is surveyed in On the Thresholds of Space-Making. Shinohara gained popularity as an architect with his series of sublime purist houses designed over a thirty-year period that went through the 1980s. Shinohara scrutinized and reframed fundamental architectural conventions, such as public/private, body/space, and openness/enclosure.
Designer Naoya Matsumoto and her peers at Seian University of Art and Design have created a unique meeting space for students on the Japanese campus. Their creation, a pop-up bar, is created from six panels of locally-sourced reeds called Yoshi. The chaotic construction resembles a traditional gabled roof structure in abstract form. Each year, students of the design school are challenged to create objects from the Yoshi reeds which grow freely around Lake Biwa, an area close to the university campus.
Situated on the fringes of Tokyo’s dense urban fabric, House K—designed by Hiroyuki Shinozaki Architects—provides an innovative take on the traditional duplex home. The architects were posed with the challenge of creating a joint-living arrangement for two families on a very narrow piece of land. While the structure may look small and narrow from the outside, the thoughtful design demonstrates that a building’s allocated footprint need not be a limiting factor in achieving a feeling of wide, open spaces.
Placed within Tokyo’s Daikanayama district, architect Arthur Casas has designed a flagship store to appear completely as an opaque box. As fashion trends change, so does the store’s appearance. The exterior walls boast a bold graphic design that will surely be swapped out for the next season’s trends.
Since long before Adolf Loos published his seminal Principles of Cladding, architects have pondered the relationship between the surfaces of our environment and the secrets that lie beneath them. With his new installation at the Rokko Meets Art festival in Japan, street artist Jun Kitagawa has playfully un-zipped our curiosity.
Zaha Hadid wins again! Following a star-studded design competition, the Japanese Sports Council has announced Hadid as the winner of the New National Stadium in Japan, beating out Toyo Ito, SANAA, Populous, UN Studio among others and taking home a $250,000 prize. All-star designer of London’s 2012 Aquatics Center for the summer Olympics and the first female to ever win the Pritzker Architecture prize, Hadid continues her legacy with this new stadium in Tokyo. Estimated to cost around $1.6 billion, the venue will seat 80,000 visitors and sport a retractable roof.
Eleven finalists including Zaha Hadid, Toyo Ito, SANAA, and UN Studio have been announced for a major new stadium project in Japan. Tadao Ando, jury chair for the Japan Sports Council competition, revealed the contending designs for the New National Stadium, narrowing the field from the original 46 entries. First, second, and third place prizes were secretly selected on Wednesday, November 7th, but the winners won’t be named until a ceremony is held later this month. While we anxiously await the final announcement, take a look at the proposed stadium designs by each team.
Scheduled for completion in 2018, the stadium is already slated to host the 2019 Rugby World Cup and will also be offered as a site for the FIFA World Cup, the IAAF World Championships, and a range of entertainment events. The stadium could even play host to the 2020 Olympics and Paralympics if Japan is chosen as their location.
Open to the Elements. A recent collaboration between architect Ryue Nishizawa and artist Rei Naito produced an elegantly curved open-air art museum. Located in Takamatsu, Japan, the Teshima Art Museum is built from concrete and gently mirrors the hilly topography it sits upon. More info at ArchDaily.
Printed Organs. Three-dimensional printing sure is popular. We recently spotlighted the use of printing technology to create chocolates and solar cells, and now, 3D printing is crossing into the realm of medicine. The Wall Street Journal highlights technology that may soon enable printing of self-derived organs—think kidneys. While medical researchers have successfully “grown” organs through 3D printing, they are only structural and not yet functional, but scientists believe a breakthrough is nigh.
Olfactory Aisles. In a strange effort to boost sales, Brooklyn supermarket chain, NetCost Market, is now infusing its store aisles with food scents, such as strawberry in the fruit section and smoky bacon in the meat section, according to PSFK. While scenting clothing stores and movie theaters has been commonplace for a little while now, NetCost’s “food perfume” is taking olfactory branding to the next level.
Transport without Oil. The upcoming issue of Colors, a magazine published by clothing retailer, United Colors of Benetton, will center on transportation in a future without oil. Opening up submissions to the public, the Benetton website Colors Lab invited web users to upload artwork, photography, designs, and stories, envisioning new possibilities for transportation.