While the world has been discussing how much Drake’s “Hotline Bling” music video borrowed from James Turrell’s installations (Hint: a lot*), ARoS Aarhus Art Museum in Denmark announced that the artist is collaborating with Danish architecture firm Schmidt Hammer Lassen on the museum’s new expansion.
Analysis shows rapper (and urban planning enthusiast?), Drake, loves cities, is really sad about suburban sprawl
Brentin Mock at CityLab has produced an absolutely insane and brilliant interpretation of Drake’s 2015 single, “Hotline Bling.” It turns out, according to Mock, that Drake is not signaling an appreciation for James Turrell, nor is he sad about an ex-girlfriend. Instead, Mock’s line-by-line exegesis reveals that Drake is “sad about poor city planning.”
For the second year, San Francisco Travel (the city’s marketing organization) is organizing Illuminate SF, a two-month series of light art installations around the metropolis. This year’s version, taking place now through the end of the year, features 16 glowing pieces—11 of them permanent—including works by James Turrell, Ned Kahn,Vito Acconci, and James Carpenter. Many are integrated into San Francisco buildings, such as Morphosis’ San Francisco Federal Building, KMD’s SF Public Utilities Commission, the grain elevator at Pier 92, and various terminals at SFO. Cities like Cleveland and New York have held similar festivals in recent years.
Tomorrow, June 21, is the summer solstice. On the occasion, the Solomon R. Guggenheim Museum will open the doors on a major solo show of the work of James Turrell, called simply James Turrell. It’s a fitting day to open an exhibition on the American artist. Since the 1960s, Turrell has developed a diverse body of work that uses light as material and medium. The centerpiece of the show is Aten Reign, a site-specific installation that fills Frank Lloyd Wright’s famous rotunda. Made from a series of interlocking fabric cones that relate to the Guggenheim’s interior ramps, Aten Reign interlaces the prevailing daylight with subtly changing color fields produced by concealed LED fixtures. Viewed from below, on reclining benches or lying flat on the floor, with the gentle bubbling of the Guggenheim’s fountain providing aural accompaniment, the installation provides a meditative, perception altering experience.