Five projects have been short-listed in the 2015 European Union Prize for Contemporary Architecture—Mies van der Rohe Award. Over the next few weeks, jury members will visit each of the five buildings and a winner will be announced on May 8th at the Mies van der Rohe Pavilion in Barcelona. You can take a look at the five finalists below.
Bernard Tschumi’s first project in Italy appears to be on hold—if it is not dead altogether. The regional Superintendence for Architecture and Landscape Heritage has blocked plans for the architect’s cultural center, called “ANIMA”, which was scheduled to open in Grottammare in 2017. The announcement about the plan’s fate was made the same day a retrospective on Tschumi’s work opened at the Pompidou Center in Paris—a retrospective that includes ANIMA, which stands for arts, nature, music, action.
It’s easy to get overwhelmed at the Salone del Mobile and the dozens of related events during Milan Design Week. Luckily there are plenty of visual palate cleansers in form of immersive environments, from new showrooms by Pritzker Prize–winning architects to dazzling installations by up-and-coming designers. There is more to Milan Design Week than just great looking furniture! At the Triennale design museum, for instance, Paris-based DGT architects created a light-catching installation for Citizen watches called Light is Time (above), featuring space dividing curtains made of tens of thousands of watch plates.
The Italian classicist architect Pier Carlo Bontempi has been named the 2014 Driehaus Laureate. A native of Parma, Bontempi’s work in Italy and France re-imagines the traditional city with projects like a master-planned block in Parma and the Quartier du Lac outside Paris.
“His buildings, seamlessly woven into their urban environments, demonstrate principles of the new classicism and urbanism,” said Michael Lykoudis, dean of the school of architecture at the University of Notre Dame, in a statement. “Their durable construction, adaptive interior spaces and sensitive siting make them exemplars of architecture as an art of conservation and investment as opposed to consumption and waste.”
Review> LOT-EK Designs the Exhibition, Erasmus Effect, On the Past and Future of Italian Architecture
The Erasmus Effect: Italian Architect’s Abroad
Through April 6, 2014
The architecture and urbanism of Italy has long been an inspiration to architects from other parts of the world. From the grand tours of Lord Burlington and Thomas Jefferson to the establishment of the American, French, and British Academies, Robert Venturi’s lessons learned from Rome, and the enormous influence of Manfredo Tafuri, Italy has been important to how we view architecture and livable cities. But now an exhibition, The Erasmus Effect: Italian Architect’s Abroad, opening today at Rome’s MAXXI Museum details how the world is enriched when Italian born and educated architects emigrate and find success abroad.
UNESCOitalia: Italy’s World Heritage Sites in the Works of 14 Photographers
Mueso Italo Americano
Fort Mason Center, Building C
December 6 to January 26, 2014
In celebration of 2013: The Year of Italian Culture in the United States, the Museo Italo Americano, in partnership with the Italian Cultural Institute and the Consulate General of Italy in San Francisco, will be showcasing a collection of images of Italy’s UNESCO World Heritage sites as seen through the lenses of 14 prominent Italian photographers.
The current Milan Triennale exhibition, running through December 2013, is on view in the city’s Palace of Art building, part of Parco Sempione, the park grounds adjacent to Castello Sforzesco. Nancy Goldring visited the exhibit for AN and reports back on the highlights of the exhibit.
When you enter the Milan Triennale, there is a line-up of fanciful chairs—rather a small version of Lucas Samaras’ great show at the Whitney. But the exhibition itself promises a much more serious consideration of the world of design. The Association for Industrial Design (ADI) added a new category to its 2010 Trienniale Design: Service Design. This year in Design for Living, Luisa Bocchietto and the Triennale committee have added yet another new section—Social Design—those who have offered examples of responsible design, an attempt to get away from simply the design of beautiful objects and to focus on the activities of designers who are trying to make a contribution to the way we live and change the systems themselves.
You might know Renzo Piano as the architect behind many of the world’s leading museums, but get ready to meet Renzo Piano, wind-turbine expert. Testing has commenced on Renzo Piano’s small-scale wind-turbine blade at the Molinetto Test Field near Pisa, Italy. Piano’s turbine blade resembles a dragonfly’s wing and incorporates elements from the insect that promote stability in flight in order to allow the turbine to tolerate gale-force winds.
Stefano Boeri—the talented architect, politician, and former editor of Domus—was summarily dismissed this week from his position as Councillor for Culture, Fashion, and Design for the city of Milan. Boeri, who for several years has tried to bring architecture and design into official decision making process, has apparently butted heads with Milan’s Mayor Giuliano Pisapia and has been pushed out the door.
He has, according to one observer of Italian politics, clashed with the mayor “over how much he spent on an exhibition,” who may be using the country’s budget woes as an excuse to sack a potential political opponent.
Boeri was coordinating the upcoming Milan Year of Culture and is not gong without a fight. A petition signed by host of major architects, artists, and cultural workers is being distributed to the press to put pressure on the mayor to bring Boeri back into government.
Hadrian’s Villa—the real one, the 2nd century site of pilgrimages by architects, classicists, and any human interested in the origins of culture—has been selected as the site of a new garbage dump by a Berlusconi-appointed sanitation minister. That stinks!