Art installation wraps up Cleveland Public Library garden with 15,000 feet of rope

Art, Midwest, News, On View
Wednesday, June 11, 2014
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"drawing lines" by Mexican arhitect Ivan Juarez is the fifth installation in the Cleveland Public Library's "See Also" public art series. (Cleveland Public Library)

“drawing lines” by Mexican architect Ivan Juarez is the fifth installation in the Cleveland Public Library’s “See Also” public art series. (Cleveland Public Library)

June brought good weather to Cleveland, and those who rang in summer with a visit to the Cleveland Public Library encountered an airy installation of white frames and threads crisscrossing the Eastman Reading Garden.

It’s not the first piece of public art to active the space outside the Cleveland Public Library. Last year a giant reading nest designed by LAND Studio and New York artist Mark Reigelman took wing in the library’s Eastman Reading Garden.

Continue reading after the jump.

On View> Dan Graham’s Rooftop Pavilion at the Metropolitan Museum Reflects on Public Space

(Courtesy Metropolitan Museum)

(Courtesy Metropolitan Museum)

Hedge Two-Way Mirror Walkabout
Metropolitan Museum of Art
1000 5th Avenue, New York
Through November 2. 2014

One of the great gifts bestowed on New York in the summer is the Metropolitan Museum of Art’s roof garden. You are thrust into Olmsted’s Central Park from a promontory surrounded by the perimeter skyline on all sides. The trick with the rooftop art commissions is to play with the space, the views, and the interrelationships between the two. The goal is to make the viewer see them differently—you want to feel like the rooftop is your personal terrace in the sky while sharing it with others in a magnificent secret shared space.

COntinue reading after the jump.

On View> “Soto: The Houston Penetrable” Suspends 24,000 Tubes in Kinetic Display

Art, Interiors, On View, Southwest
Wednesday, May 28, 2014
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(Courtesy Museum of Fine Arts, Houston)

(Courtesy Museum of Fine Arts, Houston)

Soto: The Houston Penetrable
Museum of Fine Arts, Houston
1001 Bissonnet
Through September 1, 2014

The final installation in Jesús Rafael Soto’s Penetrables series—Houston Penetrable—will be on view at The Museum of Fine Arts, Houston, as of May 8. An interactive display of 24,000 PVC tubes, each hand painted and tied, will hang from the second story of the museum’s Cullinan Hall.

More after the jump.

Jamie Carpenter Dresses up Dallas’ Cotton Bowl in Disco Fashion

Southwest
Tuesday, May 20, 2014
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(Courtesy Jamie Carpenter Design Associates)

Jamie Carpenter, the world-renowned architect who has left his mark on projects like New York City’s Millennium Tower, Brooklyn Bridge Park, and others, recently revealed his latest work, Light Veil, at Dallas’ Cotton Bowl Stadium. The Cotton Bowl Public Art Project, a $25.5 million endeavor aimed at revamping the stadium, included a contest that Carpenter won out for equipping the stadium with a new facade.

Continue reading after the jump.

Friday> Freecell & Pulitzer Foundation turn a vacant lot in St. Louis into a parade of public programs

Conceptual rendering of Lots at the PXSTL site  Image. (Freecell Architecture via Pulitzer Foundation)

Conceptual rendering of Lots at the PXSTL site. (Freecell Architecture via Pulitzer Foundation)

Last year, a vacant lot across the street from the Pulitzer Foundation in St. Louis became the site of a design competition for a temporary built-environment installation. New York’s Freecell Architecture won PXSTL’s $50,000 project budget and $10,000 honorarium for a proposal to erect an adjustable canopy for performances and gatherings—an idea Kristina Van Dyke, director of the Pulitzer Foundation, called “both monumental and ephemeral at the same time.”

Continue reading after the jump.

On View> Cage Dancing At Los Angeles’ Materials & Applications Gallery

Art, On View, West
Thursday, April 24, 2014
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La Cage Aux Folles (Sam Lubell/ AN)

La Cage Aux Folles (Sam Lubell / AN)

The latest installation at Silver Lake gallery Materials & Applications, Warren Techentin’s La Cage Aux Folles, truly brought out the inner monkey in Los Angeles’ architecture community this weekend. The cage-like structure is made of a vast series of curved structural steel tubes, which simultaneously rigidify the piece and create unique spaces in and around it.

Continue reading after the jump.

UT Student Installation Takes SXSW

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Undergraduates at UT designed Caret 6 as a backdrop for TEX-FAB's annual competition exhibition. (Casey Dunn)

Undergraduates at UT designed Caret 6 as a backdrop for TEX-FAB’s annual competition exhibition. (Casey Dunn)

A room-filling parametric design makes its way from the classroom to Austin’s famous music festival.

When Kory Bieg and his students at The University of Texas at Austin School of Architecture began working on Caret 6, they had no idea that it would wind up at this year’s South by Southwest (SXSW) music and arts festival. But the rippling, room-filling installation soon took on a life of its own. Within months, Bieg’s undergraduates—who had little previous exposure to digital design—had designed and fabricated Caret 6, and assembled and disassembled it twice, first at the TEX-FAB SKIN: Digital Assemblies Symposium in February, and then at Austin’s most famous annual gathering in March. Read More

Architect Elena Manferdini Completes the Colorful, Laser-Cut “Nembi” Installation in South Los Angeles

Architecture, West
Thursday, December 12, 2013
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(Atelier Manferdini)

(Atelier Manferdini)

Until recently, talented Los Angeles–based architect Elena Manferdini had practiced all over the world, but barely  in her own city. That has definitely changed. Earlier this year she worked on two shops in Venice, and her latest project is an art installation at the entry way of the Hubert H. Humphrey Comprehensive Health Center in South Los Angeles. The colorful project is part of the LA County Art Commission’s Civic Art project, a one percent program for county facilities.

Read more after the jump.

Architecture Assemblages in Texas Create Curious Houses

Southwest
Monday, September 23, 2013
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Fifth Ward Jam (Courtesy Ed Schipul / Flickr)

Fifth Ward Jam. 2010. (Ed Schipul / Flickr)

Artists Dan Havel and Dean Ruck of Havel Ruck Projects have garnered attention for some interesting installation pieces in Houston, blurring the lines between art and architecture. Over the last eight years, the collaboration has constructed temporary artworks using old, wooden homes, bizarre shows of simultaneous deconstruction and reconstruction of architecture.

Inversion from 2005 recreates two wood bungalows, donated to the artists by Art League Houston, into a vortex of white wooden planks. In 2010, the Houston Art Alliance sponsored Havel Ruck Projects’s creation of Fifth Ward Jam. A wooden home doomed for refuse in Houston’s 5th Ward became an imaginative community stage of vertically spewed boards.

View the Gallery After the Jump

Pictorial> Tribute in Light Shines Bright Over Lower Manhattan

East
Thursday, September 12, 2013
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(Branden Klayko / AN)

(Branden Klayko / AN)

As dusk shrouded Lower Manhattan in darkness last night, the National September 11 Memorial & Museum extended an 88-cannon salute to those whose lives were indelibly-changed by the events of September 11, 2001. Now in its 12th year, the Tribute in Light sent two high-intensity beams of light four miles up into the night sky in a poignant memorial marking the absence of the original Twin Towers. Several dozen onlookers including victims’ family members and city officials watched the beams emanate from the top of a parking structure just blocks from Ground Zero in a solemn expression of remembrance.

Continue reading after the jump.

Ball-Nogues Hangs San Francisco’s Transamerica Pyramid From the Nevada Art Museum’s Ceiling

West
Friday, July 19, 2013
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(Daniel Berlin)

A portion of the giant hanging installation. (Daniel Berlin)

Things didn’t work out for installation experts Ball-Nogues Studio at MOCA’s New Sculpturalism show, but the firm has rebounded nicely. They’ve  just completed mounting one of their most ambitious works yet: a 70-foot-tall upside-down replica of William Pereira’s Transamerica Pyramid, for the show Modernist Maverick: The Architecture of William Pereira, on view at the Nevada Art Museum in Reno, NV. The installation, made out of chain link and stainless steel plates, hangs from the ceiling via steel cables attached to the museum building’s structure.

“We distilled it to its barest essentials. It looks like the ghost of the building,” said Ball-Nogues principal Gaston Nogues.  Each chain could only be attached at a specific point, so the hardest part was fine tuning the model, stretching and moving each possible iteration, added Nogues. “It’s quite labor intensive to make sure it looked flat, and that each chain had the right tension,” he said. The show, which opens next week, runs from through October 13. It  looks at many other noted Pereira projects, including the Los Angeles County Museum of Art; the University of California, San Diego Geisel Library, and the Theme Building at LAX.

 

Karlis Rekevic’s Sculpture Celebrates Staten Island’s Architectural History

East, Newsletter
Monday, July 8, 2013
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IMAGE COURTESY OF CITY OF NEW YORK PARKS AND RECREATION

(COURTESY NYC PARKS AND RECREATION)

The more we are accustomed to seeing something the less likely we are to appreciate its beauty. But not Karlis Rekevics, an emerging New York-based artist who creates complex white plaster sculptures that engage with the built environment and capture an often-overlooked urban landscape.

Rekevics was selected as this year’s winner of the annual Clare Weiss Emerging Artist Award. Clare Weiss, the former Public Art Curator for Parks, curated over 100 outdoor public art installations throughout the city. After her death in 2010 the Clare Weiss Emerging Artist Award was established to honor her memory. The $10,000 award is granted annually to one emerging artist who practices in a neighborhood typically underserved by public art.

COntinue reading after the jump.

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