Hoosiers, if you didn’t get a gift for Indiana on the occasion of its 200th birthday next year, don’t fret—state and local governments have pledged tens of millions in infrastructure investments and new buildings for the Bicentennial. The state’s share carries a total value of more than $55 million, inviting criticism from fiscal conservatives.
“The city is on throes of launching something unique,” Foxx said in April while touring the proposed system’s first leg, the 28-mile, $100 million electric bus route known as the Red Line. “Transit can be the difference between someone having a shot and not having one in the 21st-century economy.” Read More
Union Station Technology Center (USTC) in South Bend, Indiana began its life as a train station. Now it’s a data center and the state’s second largest carrier hotel. As a piece of internet infrastructure, it’s high tech. With the help of Adrian Smith + Gordon Gill Architecture, the building owners are aiming for a design to suit.
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Folded aluminum panels deliver the illusion of movement to passersby.
During their recent expansion, Eskenazi Hospital in Indianapolis approached Urbana Studio with an unusual request. The hospital wanted the Los Angeles-based art and architecture firm to design an interactive facade for a recently completed parking structure. “With Indianapolis’ really extreme weather patterns, we gave a lot of thought to: how can we make something that’s interactive but won’t be broken in a year?” said Urbana principal Rob Ley. “Unfortunately, the history of kinetic facades teaches us that that they can become a maintenance nightmare.” Urbana’s solution was to turn the relationship between movement and the object on its head. Though the aluminum facade, titled May September, is itself static, it appears to morph and change color as the viewer walks or drives by.
Indianapolis’ public parks system, Indy Parks, is looking for third parties interested in privatizing some or all of the city’s parks and recreation holdings. The move follows last year’s survey seeking ways to upgrade the city’s 207 parks properties.
Maybe You Lost My Number: Eavesdrop wants to know why we weren’t invited to your Kentucky Derby party, De Leon and Primmer. You guys are practically the only cool architecture firm in the River City! We were down in Louisville the weekend of the Derby and wandered (hungover, naturally) past your office on Sunday morning.
AI WEIWEI: ACCORDING TO WHAT?
Indianapolis Museum of Art
Allen Whitehill Clowes Special Exhibition Gallery
4000 Michigan Road
Through July 21
Ai Weiwei is internationally recognized as one of China’s most controversial and influential contemporary artists. In his exhibition Ai Weiwei: According to What?, the artist, through various media (sculpture, photography, architectural installations, and video), boldly addresses issues of human rights in China and comments on the nation’s history, traditions, and politics. The exhibit features more than 30 works spanning more than 20 years. One is an early work, Forever (2003), in which Ai arranged 42 Forever brand bicycles into a circle, to honor China’s most popular, and reliable (the bicycles were made of heavy-duty steel), mode of transportation during the mid-1900s. The exhibit is also devoted to Ai’s more provocative pieces, such as a 38-ton steel carpet entitled Straight (2008). The artist used rusted steel rebar taken from the remains of a poorly-built school that collapsed during the 2008 Sichuan earthquake that tragically killed more than 5,000 schoolchildren. The piece commemorates the thousands of lost lives while openly condemning the Chinese government’s stance on human rights.
Alyson Shotz: The Geometry of Light
Indianapolis Museum of Art
4000 Michigan Rd.
Through January 6, 2013
Following the U.S premiere of her animated Fluid State, which visualizes the creation of matter in a fictional landscape, artist Alyson Shotz has adapted her installation The Geometry of Light for the Indianapolis Museum of Art’s Efroymson Family Entrance Pavilion Series. Shotz—who is recognized for exploring the physical world by engaging with concepts of light, gravity, and space—uses industrial materials such as stainless steel wire, silvered glass beads, and cut Fresnel lens sheets to form a sculpture that considers the duality of light as both particle and wave. During daylight hours, natural light filters through the lens sheets, and the varying angles bring life to the piece as the position of the sun changes throughout the day. By moving through the room, visitors perceive how light and motion shape the experience of space.
Last month in this column, we conjured up a fake rivalry between Cincinnati, Cleveland, and East Lansing, MI, as they all have high profile projects opening this fall. Of all the blabber we’ve scattered across these pages, that piece stirred up the most voices. One fan wanted to know, “What about Indianapolis?” In our opinion, it’s a classic quantity versus quality situation. There’s a lot of development going on in Indianapolis right now, including City Way, along with a lot of forgettable architecture. There was the opening of the JW Marriott, with its nifty, curved blue glass curtain wall, design by HOK and CSO Architects. But does a convention hotel really stand up against starchitect designed museums and boutique art hotels? Not in this case.