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Dynamic steel and PVDF structures shelter campers in style.
In South Korea, glamping—or “glamorous camping”—is all the rage. The practice combines conventional camping’s affinity for the outdoors with hotel amenities, including comfortable bedding and fine food. Seoul firm ArchiWorkshop’s prefabricated, semi-permanent glamping structures are a design-minded twist on the traditional platform tent. “We [set out to] create a glamping [tent] that gives people a chance to experience nature very close, while also providing a uniquely designed architectural experience,” said partner Hee Jun Sim. “There are many glamping sites in Korea, but they’re actually not so high-end. We were able to bring up the level of glamping in Korea.” Read More
Urban Visions: American Works on Paper, 1900-1950
Indianapolis Museum of Art
4000 Michigan Road
Through September 30
An upcoming exhibition at The Indianapolis Museum of Art’s Alliance Gallery will explore the ways in which artists dealt with the rise of industrial modernization and urbanity. In the first half of the 20th century, rapidly changing cities served as inspiration for new portrayals of human expression within these new environments. “The spectacle of metropolitan life” is presented through 25 works from IMA’s print collection, including lithographs, etchings, and engravings from well-known artists such as George Bellows, Childe Hassam, Edward Hopper, Reginald Marsh, and Isabel Bishop. The exhibition will display the art alongside vintage construction photos from the Chicago and New York skyscraper boom, providing context for these early interpretations of the city. Pieces from lesser-known artist and architect Gerald Kenneth Geerlings, whose aquatinted technical drawings of the emerging cityscape highlight the juxtaposition of emotional romanticism and technological progress, will be on display at IMA for the first time since 1970.
Carlo Scarpa: The Architect at Work
The Arthur A. Houghton Jr. Gallery
The Cooper Union
7 E. 7th Street
Through April 21
A collection of hand drawings and photographs of work by renowned postwar Italian architect Carlo Scarpa is on view for the first time in New York. The exhibition depicts the conception and realization of two major works, the renowned Villa Ottolenghi (Bardolino, Verona, 1974–79) and the Il Palazzetto series of imagined interventions in a 17th-century villa (Monselice, Padua, 1969–78).
Not so Clean. White brick buildings, once favored in the 50s and 60s for their shiny glaze and supposed waterproofing and self-cleaning benefits, are now a costly headache for New York City, reported the NY Times. The glaze, it turns out, actually traps moisture and causes cracks and deterioration, with repairs climbing into the millions of dollars.
Back to Basics. While architects nowadays can get away with their shaky doodles (of the physically impossible buildings and cartoonish people with disproportionate heads) as long as they prove their CAD proficiency, the just-launched Beaux-Arts Atelier feels differently– only when you master the basics can you be freer to do crazier, modern things with more creative control. More on The Wall Street Journal.
The Digitals. Architecture historian and journalist critic Alexandra Lange critically compares the content and design of four new digital interior design magazines and discusses the merits of blogs. Read her thoughts on Arch Record.
Juried Judge. The NY Times ran a story about Supreme Court Justice Stephen Breyer’s selection to join the Pritzker Prize jury, citing AN‘s report from September. The move looks to be a good one for architecture, as Breyer, a fan of Gothic and Beaux-Arts architecture, has pushed for better design of federal buildings.