Planetizen published an interesting piece over the weekend looking at the relative disconnect between sustainability and starchitecture, or how form may have gotten futuristic of late, but not with the future in mind. The article’s a little plodding at times, though the argument is valid and clear:
Many contemporary buildings embody the age-old conflict between individual expression and the common good, while some appear almost antagonistic towards the environment. Frank Gehry’s aluminum billows and Daniel Libeskind’s tilted spires are largely aesthetic accents that use computer-aided design to create forms unbuildable, if not unimaginable, even a decade ago. The sheer expense of iconic libraries, concert halls, and corporate headquarters contradicts environmentalism’s drive for efficiency.