nARCHITECTS reveals Café Pavilion for Cleveland’s revamped Public Square

Rendering of a new cafe pavilion for Cleveland's Public Square. (nARCHITECTS via James Corner Field Operations)

Rendering of a new cafe pavilion for Cleveland’s Public Square. (nARCHITECTS via James Corner Field Operations)

New renderings for one of the largest public space projects in the Midwest have been revealed, showing a new 2,500-square-foot “Café Pavilion” in Cleveland’s Public Square. Read More

Muñoz & Company Quilt with Glass and Masonry

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Multicolored glass curtain walls embody the quilt metaphor at the heart of Muñoz & Company's Billy Dade Middle School. (Courtesy Muñoz & Company)

Multicolored glass curtain walls embody the quilt metaphor at the heart of Muñoz & Company’s Billy Dade Middle School. (Courtesy Muñoz & Company)

Envelope inspired by history of Dallas’ African-American community.

For the past 20 years, San Antonio–based Muñoz & Company (former Kell Muñoz Architects) has focused primarily on what president and CEO Henry Muñoz III calls “the architecture of identity.” The bulk of that work, in turn, has been concentrated on the United States–Mexico border, where the architects collaborated with clients in majority-Latino communities. Read More

VDTA’s Taut-Skinned Godfrey Hotel

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VDTA's Godfrey Hotel features a slick skin of insulated metal panels and glass. (Steve Hall)

VDTA’s Godfrey Hotel features a slick skin of insulated metal panels and glass. (Steve Hall)

Metal and glass accentuate Chicago high-rise’s iconic form.

Given the odds stacked against it, Godfrey Hotel’s 2014 opening in Chicago counts as a major victory—even if it took more than a decade to get there. Valerio Dewalt Train Associates (VDTA) signed on to the project in 2003, after being approached by a developer affiliated with a mid-market hospitality chain.

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Mecanoo Brings Dutch Craftsmanship to Boston

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Mecanoo and Sasaki's Bruce C. Bolling Municipal Building features a curved brick and glass envelope. (Courtesy Mecanoo)

Mecanoo and Sasaki’s Bruce C. Bolling Municipal Building features a curved brick and glass envelope. (Courtesy Mecanoo)

Curving brick and glass facade heralds Roxbury’s resurgence.

By locating their new administrative building in beleaguered Roxbury, Boston Public Schools [BPS] made a powerful statement of faith in the area’s resurgence. Read More

Glass and Concrete Arts Center by Machado and Silvetti

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Machado and Silvetti crafted a new theater and studio arts center for Hamilton College in Clinton, New York. (Anton Grassl/Esto)

Hamilton College, Kennedy Center, Location: Clinton NY, Architect: Machado Silvetti Architects

Curved curtain wall and textured composite rain screen create a new focal point on the Hamilton College campus.

When a team of architects from Boston-based Machado and Silvetti Associates first visited Hamilton College several years ago, they thought they were interviewing for a single project—an art museum. But they soon found themselves talking campus officials into a second commission, for the Kennedy Center for Theatre and Studio Arts (KCTSA).

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LS3P Wraps Live Oak Bank in Cypress

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Live Oak Bank's new headquarters features cypress cladding and plentiful glazing. (Mark Herboth Photography)

Live Oak Bank’s new headquarters features cypress cladding and plentiful glazing. (Mark Herboth Photography)

Wood siding and high performance glazing invite nature into the workplace.

For their new headquarters in Wilmington, North Carolina, Live Oak Bank’s leadership sought a design that reflected the institution’s unique culture, particularly its focus on cultivating meaningful relationships with both customers and employees. “Their employees work hard,” reflected LS3P‘s Laura Miller, whose firm was selected to design the building after a small local competition. “The folks who run Live Oak Bank want to recognize that.”
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Perkins+Will Builds a Sustainability Beacon

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Perkins+Will designed UBC's Centre for Interactive Research on Sustainability to communicate net positive building strategies. (Martin Tessler / Courtesy Perkins+Will)

Perkins+Will designed UBC’s Centre for Interactive Research on Sustainability to communicate net positive building strategies. (Martin Tessler / Courtesy Perkins+Will)

Building technology research center features wood, integrated photovoltaics, and green wall.

When John Robinson began formulating a vision for the University of British Columbia‘s (UBC) Centre for Interactive Research on Sustainability (CIRS), he did not start small. Robinson, who is responsible for integrating academic and operational sustainability at the university’s Vancouver campus, dreamed of constructing the most sustainable building in North America, a monument to and testing ground for energy-generating strategies.

Continue reading after the jump.

Alpine Factory by Barkow Leibinger

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Barkow Leibinger's HAWE-Werk Kaufbeuren was inspired by Le Corbusier's concept of the "green factory." (David Franck)

Barkow Leibinger’s HAWE-Werk Kaufbeuren was inspired by Le Corbusier’s concept of the “green factory.” (David Franck)

A geometric corrugated metal and glass facade integrates industry and nature.

Barkow Leibinger‘s original scheme for HAWE-Werk Kaufbeuren, developed for a competition several years ago, was “a completely crazy origami thing,” recalled partner Frank Barkow. But upon winning the commission and learning that the factory‘s owners wished to build it in a single phase, “we had to be careful not to kill them with the budget,” he said. “We really dumbed it down.”
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A Glass Wall or a Wall of Glasses? Tre Bicchieri Restaurant Sports a Seemingly Fragile Facade

(Courtesy Carbondale)

(Courtesy Carbondale)

The newly-erected Glass Wall at São Paulo–based fine dining establishment Tre Bicchieri is one of those why-didn’t-someone-think-of-this-before feats of artistry.

Continue reading after the jump.

Ag School Update by Urbahn Architects

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Farmingdale State College's new School of Business marks its shift in focus from agriculture to science and technology. (Courtesy Urbahn Architects)

Farmingdale State College’s new School of Business marks the college’s shift in focus from agriculture to science and technology. (Courtesy Urbahn Architects)

Concrete, glass, and brick facade balances the promises of the future with respect for the past.

When Farmingdale State College administrators commissioned Urbahn Architects to design a new building for the School of Business, they positioned it as a beacon for the school’s shift in focus from agriculture to science and technology. But the architects saw a second opportunity in the project: a chance to restore some of the coherence lost during successive campus expansions. Read More

Jaklitsch/Gardner’s Three-Part Ode to Tokyo

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Jaklitsch/Gardner Architects' flagship Tokyo store for Marc Jacobs features a lantern-like, non-occupiable top story sheathed in punched aluminum. (Liao Yusheng)

Jaklitsch/Gardner Architects’ flagship Tokyo store for Marc Jacobs features a lantern-like, non-occupiable top story sheathed in punched aluminum. (Liao Yusheng)

Marc Jacobs flagship store features a tripartite facade of aluminum, tile, and glass.

Commissioned to design Marc Jacobs‘ flagship Tokyo store, Jaklitsch/Gardner Architects‘ first order of business was to rectify the desire for an iconic urban presence with strict local regulations. To make the 2,800-square-meter shop more visible from nearby Omotesando Street, the architects took advantage of a loophole in the building code that allowed them to double the height of the structure as long as the top half was not occupiable. The catch was that the code required a 500-millimeter gap between the occupiable and non-occupiable spaces. “Our first strategy was to create a louvered facade system that would disguise [the divide],” recalled principal Stephan Jaklitsch. But after an afternoon walk through the Imperial gardens, they reversed course. “We were inspired by the vernacular architecture,” said project architect Jonathan Kirk. “We wanted to somehow utilize the language of proportions, but also the materiality within that experience. Rather than trying to create something that was monolithic, we began to look at different materials for each of the building’s components.” The result, called Tōrō Ishi Ku (lantern-rock-void), makes its mark on the city with a tripartite facade in punched aluminum, bespoke tile, and glass.
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Ephemeral Field House by design/buildLAB

Architecture, East, Envelope
Wednesday, March 4, 2015
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Students enrolled in Virginia Tech's design/buildLAB designed and built Sharon Fieldhouse over the course of an academic year. (Jeff Goldberg/ESTO)

Students enrolled in Virginia Tech’s design/buildLAB designed and built Sharon Fieldhouse over the course of an academic year. (Jeff Goldberg/ESTO)

Virginia Tech students demonstrate a light touch with glass and steel pavilion.

The undergraduate architecture students enrolled in Virginia Tech‘s design/buildLAB begin each academic year with an ambitious goal: to bring a community service project from concept through completion by the end of the spring semester. In addition to the usual budget and time constraints, the 15 students taking part in the course during the 2013-2014 school year faced an additional challenge. Their project, a public pavilion for Clifton Forge Little League in the tiny hamlet of Sharon, Virginia, was entirely lacking in contextual cues. “It was interesting because our previous design-build projects have been downtown, with lots of context,” said Keith Zawistowski, who co-founded and co-directs design/buildLAB with his wife, Marie. “Instead, we had a pristine, grassy field with a view of the mountains. We joke that this is our first group of minimalists.” The students’ understated solution—three geometric volumes unified by the consistent use of a vertical sunscreen—turns the focus back to the pavilion‘s surroundings with a restrained material palette of concrete, glass, and steel.
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