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Endless table materializes intra-office connectivity in plywood, MDF, and epoxy.
When Culver City-based Clive Wilkinson Architects (CWA) sat down with representatives of the Barbarian Group to discuss renovating the advertising agency’s new 20,000-square-foot office, one word kept coming up: connection. “Before, they were all in offices designed for one person, but crammed five in each, and scattered,” recalled associate principal Chester Nielsen. “It was a pain. Bringing everyone into the open, and having them feel like they were all connected was super important.” The architects elected to “surgically gut” the leased New York Garment District loft to create a central workspace for between 125-175 employees. To materialize the theme of connection, they zeroed in on the idea of a single work surface, an endless table later christened the Superdesk. With 4,400 square feet of epoxy-coated surface atop a support structure comprising 870 unique laser-cut plywood panels, the Superdesk is a triumph of programmatic creativity. “Building a big table was not an obvious solution,” said Nielsen, “but it’s a simple one.”
Named M&O Designer of the Year, Nendo is contributing a Chocolatexture Lounge to the Maison et Object exposition in Paris later this month. Dubbed “a deliciously regressive space,” it houses a selection of chairs created by Oki Sato (aka Nendo) for such manufacturers as Moroso, Emeco, and Cappellini—all upholstered in cocoa brown textiles. They will be set among an array of 2,000 aluminum pipes, which, the designer said, will be painted and installed to evoke “a rippling, large molten-chocolate wave.”
But there is more to the lounge than confectionary allusions: There’s an actual chocolate creation that will be available.
Vitra—Design, Architecture, Communication: A European Project with American Roots
Philadelphia Museum of Art, Perelman Building, Collab Gallery
2525 Pennsylvania Avenue, Philadelphia, PA
Through April 26, 2015
In its new exhibition, Vitra—Design, Architecture, Communication: A European Project with American Roots, the Philadelphia Museum of Art explores the history of the famous Swiss furniture company from its early licensing partnership with Herman Miller to new collaborations with world-renowned contemporary designers, such as Verner Panton, Antonio Citterio, and Jasper Morrison.
At the recent Design Miami fest, artist Naihan Li exhibited her work-of-art wardrobe, which is helpfully—or confusingly—titled I AM A MONUMENT. (Apologies, and a tip of the chapeau, to Robert Venturi, Denise Scott Brown, and Steven Izenour.) The monument in question is, of course, Rem Koolhaas‘ CCTV building.
The Noguchi Museum in Queens, New York has bestowed its second annual Isamu Noguchi Award to designer Jasper Morrison and architect Yoshio Taniguchi. This eponymous accolade is given to professionals who, like Noguchi, are leaders in the fields of design and architecture, and “kindred spirits in innovation, global consciousness, and Japanese/American exchange,” the museum said in a statement.
Architect Daniel Libeskind has collaborated with artist Marina Abramovic on the design of furniture for her upcoming event, “Counting the Rice,” which will be staged December 4–7 during Miami Art Basel. The integrated table/bench will be fabricated in concrete by Moroso in a limited edition of 30 pieces. Plywood versions were created for previous performances in Geneva and Milan.
MOD, the newly-created furniture wing from San Francisco architecture firm Min | Day, will be unveiling three new pieces at ICFF next week. By making use of the human inclinations to rearrange and reconfigure, the pieces grow through a simple geometry of addition and subtraction. All three styles utilize playfulness and improvisation to create topological terrains. Read More
While much of the work introduced at Milan this year played it safe—distinctly conservative colors, forms familiar from the 1950s, cautious use of materials—some architects’ designs took, shall we say, a bolder stance. But: Was it a better one? You, ever-opinionated reader, shall and no doubt will be the judge of that. Among the boldest of the bold designs this year were four pieces presented by Zaha Hadid.
It’s easy to get overwhelmed at the Salone del Mobile and the dozens of related events during Milan Design Week. Luckily there are plenty of visual palate cleansers in form of immersive environments, from new showrooms by Pritzker Prize–winning architects to dazzling installations by up-and-coming designers. There is more to Milan Design Week than just great looking furniture! At the Triennale design museum, for instance, Paris-based DGT architects created a light-catching installation for Citizen watches called Light is Time (above), featuring space dividing curtains made of tens of thousands of watch plates.
AN editors swept and tweeted through the exhibit halls of the venerable Salone del Mobile last week, as well as the myriad satellite design events, exhibits, and installations that popped up around Milan. Footsore but aesthetically satiated, the AN team has reassembled stateside to share some of the best finds from the fair.
A lacquered, digital print enlivens the interior of the shelves, which are constructed of humble MDF. Designed by Garth Roberts.
Nearly three decades after he was launched into design stardom by his biomorphic, aluminum Lockhead Lounge (above), famed Australian industrial designer Marc Newson will soon receive his first solo museum exhibition in the United States. Presented by the Philadelphia Museum of Art, “Marc Newson: At Home” will collect furniture, clothing, appliances, and Newsons’ 021C Ford concept car within a mock, six-room home in the museum’s Collab Gallery. Gathered from collections across Europe, Japan, and the United States, in addition to Newson’s personal cache, the objects on display will highlight the various facets of the designer’s distinctive style of flowing lines, bulbous forms, bright colors, and industrial references which helped to define an era of industrial design. The exhibition opens November 23rd and runs until April 20, 2014.
Zaha Hadid has once again expanded her curvilinear design prospects. From wine bottles to superyachts, the starchitect has been quite productive in her recent development of a variety of non-architecture products, and none with right angles.
Her latest endeavor is in the world of furniture. For the current exhibition, Liquid Glacial, at David Gill Galleries in London, Hadid has unveiled a new piece in her ongoing series of ice-influenced tables. Inspired by the unique geometry of glaciers, “Prototype Liquid Glacial Table” is an evolution of the previous tables, but all explore a seemingly contradictory existence of two simultaneous states of water.