Calatrava says he’s been treated “like a dog,” but hey George Clooney is still a fan

Calatrava's city of arts and sciences seen in Tomorrowland.

Calatrava’s city of arts and sciences seen in Tomorrowland.

Santiago Calatrava really wants you to stop blaming him for the very delayed and very over budget World Trade Center Transit Hub. All of your snark and rude comments have really gotten to him, which he recently revealed to the Wall Street Journal. “It has not been easy for me,” he said“I have been treated like a dog.” But there’s now some good news that should help cheer up the Spanish starchitect: famous person George Clooney is staunchly on his side.

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This Friday, catch the world premiere of “Modern Ruin” all about the New York State Pavilion from the 1964 World’s Fair

Architecture, East, Review
Wednesday, May 20, 2015
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The New York State Pavilion. (Marco-Catini)

The New York State Pavilion. (Marco-Catini)

World Premiere of Modern Ruin: A World’s Fair Pavilion
Friday, May 22nd, 2015
Cocktails 7:00–8:00p.m., Screening 8:00–9:30p.m.
Queens Theatre, 14 United Nations Avenue South
Flushing Meadows Corona Park, Queens

Philip Johnson and Lev Zetlin’s New York State Pavilion for the 1964 World’s Fair in Queens’ Flushing Meadows Corona Park should be more than an eyebrow raiser as those curious, disc-on-pole structures seen when driving to JFK airport. It was Munchkinland, the starting place for Dorothy’s journey to Manhattan—correction, Oz—in the 1978 film The Wiz. It was an alien spacecraft tower in the original 1997 Men in Black which crashes into the nearby Unisphere. And it was the site of Tony Stark/Ironman’s confrontation with his adversaries in Iron Man 2 on the grounds of Stark Expo 2010, a digitally updated 1964 World’s Fair grounds (director Jon Favreau’s childhood home overlooked the park). And it will appear in the new film Tomorrowland starring George Clooney that opens May 22.

Continue reading after the jump.

Architecture takes a front seet on this new film centered on Borromini’s architecture

Saint Yves at La Sapienza, Rome, Italy. (Courtesy Kino Lorber)

Saint Yves at La Sapienza, Rome, Italy. (Courtesy Kino Lorber)

The word “sapienza” means “wisdom” in Italian. It also refers to the Church of Saint Yves at La Sapienza, 1642–1660, designed by Baroque architect Francesco Borromini. In Eugene Green’s film, La Sapienza, Borromini is a hero of the protagonist, architect Alexandre Schmid (played by Fabrizio Rongione). Borromini incorporated the remains of a 14th century church, rather than razing it, a touchstone for Schmid. Geometry reigns throughout: the building is capped by a corkscrew lantern, and triangles and semi-circles are combined with figurative elements.

Continue reading after the jump.

This year’s architecturally inspired films at the 2015 Slamdance and Sundance film festivals

Still from Concrete Love. (Courtesy respective directors)

Still from Concrete Love. (Maurizius Staerkle Drux)

This year’s Park City offerings at the Sundance and Slamdance film festivals ranged from portraits of architects, a mayor with architectural dreams, a victim of the foreclosure crisis, those trapped in physical and dreamed spaces, and individuals exploring the cultural landscape. Always a harbinger of what is coming up, look out for these films and media projects coming to a screen near you.

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Inaugural Chicago architecture biennial has a name, and a show by Iwan Baan

Chicago, photographed by Iwan Baan.

Chicago, photographed by Iwan Baan.

Mayor Rahm Emanuel‘s announcement that Chicago would launch an international festival of art and architecture—its own take on the famous Venice biennale—drew jeers and cheers from the design community both near and far from The Second City. AN called for the show aspiring to be North America’s largest architectural exhibition to go beyond tourism bromides.

Now the upstart expo has a name, as well as its first show. Read More

On View> Architecture & Design Film Festival lights up New York

Architecture, East, On View
Tuesday, October 14, 2014
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Still from Cathedrals of Culture. (Courtesy ADFF)

Still from Cathedrals of Culture. (Courtesy ADFF)

Architecture & Design Film Festival
Tribeca Cinemas
54 Varick Street, New York
212.941.2001

It’s that time of year again, when the Architecture & Design Film Festival brings a bouquet of moving image portraits about the built environment and the creators behind them to New York. From October 5–19 at Tribeca Cinemas, you can catch the U.S. premiere of the much-anticipated series masterminded by Wim Wenders, Cathedrals of Culture. Made by six directors—Wenders, Robert Redford, Michael Glawogger, Michael Madsen, Margreth Olin and Karim Aïnouz—about six buildings: Berlin Philharmonic, the National Library of Russia, Halden Prison, the Salk Institute, the Oslo Opera House, and the Centre Pompidou, all in 3-D.

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Review> 2014 Tribeca Film Festival Addresses Multiple Levels of Displacement

East, Review
Wednesday, May 21, 2014
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Scene from Love is Strange, directed by Ira Sachs.

Scene from Love is Strange, directed by Ira Sachs.

The recent 2014 Tribeca Film Festival screened a remarkable number of films on displacement. People were displaced from their homes—often forced but sometimes voluntary—for financial reasons, discrimination, landlord harassment (or irritation), and natural disasters. In the film Below Dreams, which takes place in New Orleans, a character says “Everybody needs a room.” Here are a few seekers.

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Review> Engineering and Design Common Themes in Films at SXSW 2014

Art, National, Review
Tuesday, April 29, 2014
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Still from DamNation. (Courtesy DamNation)

Still from DamNation. (Courtesy DamNation)

At this year’s SXSW Festival, engineering took center stage in the documentary DamNation (directors Travis Rummel & Ben Knight), which won the Documentary Spotlight Audience Award. It begins with America’s rash of dam-building under FDR when these mammoth structures were considered man-made wonders. Hoover and Grand Coulee are the large-scale examples, but there were about 80,000 smaller dams built across the country.

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Rahm Emanuel looks to lure George Lucas museum to Chicago

Midwest, News
Wednesday, April 23, 2014
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With his wife Mellody Hobson, who heads a Chicago investment firm, film mogul George Lucas serves as Grand Marshall of the 2013 Modesto American Graffiti Car Show and Festival parade. (hharryus / Flickr)

With his wife Mellody Hobson, who heads a Chicago investment firm, film mogul George Lucas serves as Grand Marshall of the 2013 Modesto American Graffiti Car Show and Festival parade. (hharryus / Flickr)

A short time from now in a neighborhood not far, far away… filmmaker extraordinaire George Lucas may land his art and film museum in Chicago. The move comes after the filmmaker’s bid to build the museum in San Francisco fell through last year. Read More

On View> “Tacita Dean: JG” at the Hammer Museum in Los Angeles

Art, On View, West
Friday, January 10, 2014
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(Courtesy Hammer Museum)

(Courtesy Hammer Museum)

Tacita Dean: JG
Hammer Museum
10899 Wilshire Boulevard
Los Angeles
Through January 26, 2014

JG, the latest work in film from British-born, Berlin-based artist Tacita Dean, is inspired by her correspondence with British author J.G. Ballard and the connections between his short story, “The Voice of Time,” and Robert Smithson’s landmark earthwork, Spiral Jetty.

Continue reading after the jump.

Sunday> Special Screening of “The Human Scale” Announced

Design, East
Wednesday, January 8, 2014
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This Sunday the Tribeca Grand Hotel will be hosting a screening of Andreas Dalsgaard’s documentary, The Human Scale.  Sponsored by the Tribeca Trust, the film will be followed by commentary from architectural critic and author Michael Sorkin. The movie examines human happiness within the context of urban life and was screened in New York last year as part of the Architecture and Design Film Festival.  Tickets for the event can be purchased here with all proceeds benefiting Tribeca Trust’s public space initiative.

 

Now Playing at a Theater Near You: Five Los Angeles Landmarks

Preservation, West
Thursday, January 2, 2014
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johnies

JOHNIE’S COFFEE SHOP (JOEINSOUTHERNCA/FLICKR)

In November, the Los Angeles City Council named Armet & Davis’ Johnie’s Coffee Shop, the restaurant at the corner of Wilshire and Fairfax, a historic cultural landmark. That’s a win for preservationists concerned with the legacy of the Googie style, the auto-oriented, steel-and-neon aesthetic that spawned diners and coffee shops across Southern California from the 1940s through the 1960s.

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