Studio Gang’s Wanda Tower may climb even higher than originally planned. New renderings revealed Monday night show the tower topping out at 93 stories instead of the previous 88. At 1,144 feet, the tower, whose development is being bankrolled by Beijing-based Wanda Group, would be the third-tallest tower in Chicago (provided it fits the standards of the Council on Tall Buildings and Urban Habitat, who arbitrate such matters.)
The first-ever Los Angeles Facades + conference, organized by The Architect’s Newspaper and Enclos, held in the shadow of Bunker Hill’s glassy towers, showcased the city’s technical and creative talent while introducing participants to the building envelope field’s latest technologies and trends.
Keynote speaker James Carpenter set a sophisticated tone, showing off richly complex work that explores both the “cinematic” and “volumetric qualities of light.” His World Trade Center 7 base, he pointed out, uses a subtle shift in plane to create an ethereal glow, while another project for Gucci in Tokyo uses prismatic light to recreate the qualities of a Japanese lantern. Other highlights included his louvered Israel Museum and his new exploration of optical aluminum, thin glasses, and computer etched glass.
Thanks to our friends at Glass magazine for attending the recent Facades+ LA conference. They’ve provided an excellent wrap-up of the event, which they called “invigorating and exciting.” Editor Katy Devlin identified ten key themes from the conference: net zero building, net zero ready, material transparency, durability and sustainability, preservation, value, updatability, dynamic and integrated facades, human health, and water conservation. This variety and depth of subjects are precisely what makes the Facades+ conferences so important to the A/E/C industry. Next up, Facades+ AM in Washington, on March 5. Join the conversation!
In the fast-paced world of building design, hands-on instruction in new methods can be hard to come by. Next month, attendees at Facades+ LA can take advantage of a unique opportunity for one-on-one guidance in digital tools at tech workshops intimately connected to the themes of the conference. “The tech workshops are a great way to learn cutting edge methods that are regularly at the core of what is presented in the symposium and dialog sessions,” remarked Thornton Tomasetti‘s Matt Naugle, a veteran Facades+ tech workshop instructor.
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Monday, January 12, 2015
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To learn more, visit crl-arch.com/balanced-doors or see CRL-U.S. Aluminum at Facades+ in Los Angeles, Feb. 5
[Editor’s Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered Species” AN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email firstname.lastname@example.org. ]
Pamela Jerome’s thoughtful comment on mid-century modernist curtain walls raises a number of important issues that deserve further study.
Having successfully redeveloped two major twentieth century commercial buildings, I believe that those buildings are probably the least understood in all of preservation theory. They were built by unsentimental men in pursuit of trade, commerce, and wealth. There was never a moment’s hesitation to alter them time and again as tastes changed, neighborhoods evolved, and tenants came and went. Those commercial cultural issues are just as important as the aesthetic issues inevitably associated with any building, and they are very hard to reconcile.
In a recent interview, Diller Scofidio + Renfro Senior Associate Kevin Rice told AN that the “veil” at Los Angeles’ Broad Museum—a facade made of hundreds of molded Glass Fiber Reinforced Concrete (GFRC) panels, had been delayed by over a year. “Some of the things took longer to make than they thought, but there aren’t really problems with it,” Rice said.
But now it looks like the issues with the museum’s facade are more severe than initially thought.