Among the Windy City’s most well-known assets are its universities, from DePaul in Lincoln Park and the Loop to the University of Chicago in Hyde Park. Many of these campuses, in turn, are characterized by heavy brick and stone architecture in the Neo-Gothic style. The dominance of a single architectural style—a feature of many institutions of higher learning, not just Chicago‘s—presents a challenge to contemporary architects, who must combine a sensitivity to the existing campus fabric with the imperatives of contemporary college life.
For much of its early history, architecture was more than a pragmatic response to the problem of shelter. It was infused by craft. “Craft has existed in all kinds of industry, especially architecture, for a long time,” said Simpson Gumpertz & Heger (SGH) principal Matthew Johnson. “But I feel it it lost its way in the twentieth century as we chased efficiency over quality.”
Miami is a place of sunshine and gloss, bronzed bodies and signature cocktails. But for architecture critic and author Alastair Gordon, the underlying dynamics—including the harsh realities of income inequality and rising sea levels—are what make the city truly interesting.
When it comes to navigating Miami’s zoning codes, Tecela principal Andrew Frey brings an experience-based advantage to the table. Before transitioning to the business side of development in early 2011, he spent six years as a zoning lawyer. “I always wanted to be a developer, and I learned a lot from my developer clients,” recalled Frey.