Josh Lewandowski’s Year of Pointless Architectural Diagrams

International
Monday, November 4, 2013
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JOHN LEWANDOWSKI - PARALLAX IN TEAL AND PINK (COURTESY POINTLESS DIAGRAMS)

JOHN LEWANDOWSKI – PARALLAX IN TEAL AND PINK (COURTESY POINTLESS DIAGRAMS)

Josh Lewandowski, Minnesota-based architect and founder of furniture design firm Nordeast Industries, is on a mission to create beautifully complex, yet utterly meaningless architectural diagrams. He has started a blog where he will post one meaningless diagram each day for a year. On September 7th, he launched Pointless Diagrams, where he publishes his most eccentric sketches inspired by his own perceptions of architecture, furniture, engineering, Legos, cereal boxes, and more.

Continue reading after the jump.

On View> Urban Visions: American Works on Paper, 1900-1950

Midwest
Wednesday, April 4, 2012
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(Courtesy IMA)

Night Shadows by Edward Hopper, 1921. (Courtesy IMA)

Urban Visions: American Works on Paper, 1900-1950
Indianapolis Museum of Art
4000 Michigan Road
Indianapolis, IN
Through September 30

An upcoming exhibition at The Indianapolis Museum of Art’s Alliance Gallery will explore the ways in which artists dealt with the rise of industrial modernization and urbanity. In the first half of the 20th century, rapidly changing cities served as inspiration for new portrayals of human expression within these new environments. “The spectacle of metropolitan life” is presented through 25 works from IMA’s print collection, including lithographs, etchings, and engravings from well-known artists such as George Bellows, Childe Hassam, Edward Hopper, Reginald Marsh, and Isabel Bishop. The exhibition will display the art alongside vintage construction photos from the Chicago and New York skyscraper boom, providing context for these early interpretations of the city. Pieces from lesser-known artist and architect Gerald Kenneth Geerlings, whose aquatinted technical drawings of the emerging cityscape highlight the juxtaposition of emotional romanticism and technological progress, will be on display at IMA for the first time since 1970.

On View> Carlo Scarpa: The Architect at Work

Art, East, On View
Thursday, March 22, 2012
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Palazzetto Site Plan. (Courtesy Cooper Union)

Palazzetto Site Plan. (Courtesy Cooper Union)

Carlo Scarpa: The Architect at Work
The Arthur A. Houghton Jr. Gallery
The Cooper Union
7 E. 7th Street
Through April 21

A collection of hand drawings and photographs of work by renowned postwar Italian architect Carlo Scarpa is on view for the first time in New York.  The exhibition depicts the conception and realization of two major works, the renowned Villa Ottolenghi (Bardolino, Verona, 1974–79) and the Il Palazzetto series of imagined interventions in a 17th-century villa (Monselice, Padua, 1969–78).

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Highlight> Louis I. Kahn: Building A View

East
Thursday, June 9, 2011
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(Courtesy Lori Bookstein Fine Art)

(Courtesy Lori Bookstein Fine Art)

Lori Bookstein Fine Art
138 Tenth Ave., New York
Through June 25

The architect Louis Kahn drew inspiration from his travels, both in foreign lands and closer to home. A new exhibition brings together drawings, watercolors, pastels, and oil paintings Kahn made between the late 1920s and the early 1950s during trips around the United States, Canada, Europe, and Egypt. From New England churches to Egyptian rock quarries, the collected works offer Kahn’s interpretation of diverse landscapes and cityscapes, like Coastal Village, No. 2, Isle Madame, Nova Scotia (1936), above. In the exhibition, Kahn’s artwork is contextualized with his postcards and other travel ephemera.

Thinking By Hand

West
Friday, April 23, 2010
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A selection of Architect Frederick Fisher‘s  watercolors—which he often creates while developing designs for his houses, galleries, and other commissions— is on display through May 22 at Edward Cella Art + Architecture, 6018 Wilshire Blvd, LA, across the street from LACMA.  Minimal yet sensual, these abstractions of a house he is designing for himself in Ojai and of recent academic buildings explore the relationship of mass and void. His buildings grow from these soft blocks of pigment, and the subtlety of the wash expresses the care with which he crafts his forms. Read More

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