BALANCED DOORS BY CRL-U.S. ALUMINUM SOLVE PROJECT AVAILABILITY DILEMMAS WITH DELIVERY IN UNDER 30 DAYS
Monday, January 12, 2015
|Brought to you by:|
Meeting tight project deadlines and remaining on budget with custom high performance entrance systems can be difficult to coordinate, as high-grade commercial doors with short lead times are not easily obtainable. CRL-U.S. Aluminum has solved this issue with its line of Balanced Doors, which can be crafted and delivered in less than 30 days and competitively priced compared to traditional swing doors. These performance-driven systems are not bound by common availability delays or premium costs that often hinder the architectural community’s confidence in specifying balanced doors.
Whether it’s Chicago’s high wind pressures or the nearly 300,000 daily riders at New York City’s redesigned Fulton Center, CRL-U.S. Aluminum Balanced Doors are precision-engineered and tested to withstand maximal wind and traffic applications while effortlessly accommodating A.D.A. accessibility needs. CRL-U.S. Aluminum’s advanced manufacturing capabilities and innovative engineering approaches have allowed architects to design confidentially without compromising aesthetic vision in the interest of budget or lead time – an assurance no other manufacturer can offer.
To learn more, visit crl-arch.com/balanced-doors or see CRL-U.S. Aluminum at Facades+ in Los Angeles, Feb. 5
Even in four-season climates, the allure of outdoor living endures. Meticulously engineered for ease of operation, structural soundness, and weather-tightness, large-scale openings offer a seamless transition between indoors and out. Sliding, telescoping, or rising mechanisms give designers—and their clients—a choice of access that complements their architecture.
This sliding curved window can be double- or triple-glazed. Multiple curves can be combined, or integrated with straight runs.
In an ongoing endeavor to blend public art, architecture, and urbanism by artists Siyuan and Hwee Chong, The Doors Project subversively projects a series of doors onto public spaces in Singapore, reflecting the struggles of the urban poor and underprivileged. But while commenting on despair, the real message is one of faith, hope and empowerment. “We wanted to make a statement about life, and jolt people to think,” the artists said in an interview at Yolo. “Instead of following the light at the end of the tunnel, why not carry our own lights, and create our own doors! It’s really about rolling up our sleeves, and creating the opportunities we want for ourselves.”
This surreal construct is one of the many public art projects by South Korean artist Choi Jeong-Hwa, whose love of found objects and anti-institutional approach to art is known internationally (he once hung strings of sparkling garbage around Seoul Olympic Stadium). The 10-story tall installation called Doors is comprised of 1,000 reused, brightly colored doors transformed into a rustic and visually indulgent object evoking a pixelated and painterly effect from afar, perhaps reminiscent of an abstract Klimt painting. Alternatively, the installation can also be read less glamorously as a mirror to Seoul’s increasingly ad-dominated cityscape where Doors resembles a jarring collection of ads to the point of irony. (Via Colossal.)