This year’s Art Basel/Design Miami was a wash. The tallest stilettos could not save feet from floodwaters that inundated streets and forced partygoers under small tents. Even when it’s not raining, water bubbles up through stormwater grates and sewers, a result of the city’s porous limestone bedrock.
One of the great joys of art and art and architecture fairs is the energy they create for specialized focused architecture exhibitions at alternative sites away from the main venues. This is true for all Venice Art and Architecture Biennales and the Salone del Mobile in Milan, Italy. This week’s Art Basel/Design Miami, perhaps because it is still a relatively young event and focused on art and design and not architecture, is short on these sorts of serious ancillary events. But there is one small yet highly focused and detailed exhibit that stands out this week.
One of the early highlights of Miami Art and Design Week is the spectacular Larry Bell sculpture 6X6 An Improvisation at White Cube Gallery’s pop up space in the Wynwood Art District. Last night, Bell was interviewed by uber questioner Hans Ulrich Obrist in the gallery next to the piece.
Day one of the 2015 Miami Art Week of nineteen various fairs scattered around Dade County opened today. Design Miami is up first and staged in a large tent with a broken air conditioner with humidity and rain lurking outside.
The Architect’s Newspaper will be in Miami this week for a slew of art and design events including Art Basel, Unbuilt, Design Miami, the Salone del Mobile preview, and launches of the new Institute of Contemporary Art and limited edition Ducati motorcycle. We have received a huge digital and paper file of official press releases but there may be scattered events and launches that have not landed on our desk. Is there anything the AN audience should know about on the edges of the official events? What are we missing? Let us know here in the comments below or tell us about your design highlights of the week!
The Chicago based Design With Company have been commissioned by Airbnb to design an installation for Design Miami/. Conceived as a large space of familiar building fragments, the so-called belong. here. now. will be an interactive space to be programmed throughout the week-long festival, with performances, events, and exhibitions.
At the recent Design Miami fest, artist Naihan Li exhibited her work-of-art wardrobe, which is helpfully—or confusingly—titled I AM A MONUMENT. (Apologies, and a tip of the chapeau, to Robert Venturi, Denise Scott Brown, and Steven Izenour.) The monument in question is, of course, Rem Koolhaas‘ CCTV building.
At Design Miami, Chicago-based architect Jeanne Gang has teamed up with nature photographer James Balog on an installation called Thinning Ice. Produced for the haute crystal manufacturer Swarovski, the walls of the enclosure comprise a seventy-foot-long LCD screen that displays Balog’s documentary images of the Solheimajokull glacier in Austria.
Design Miami/, the annual global design forum, has announced that Minneapolis-based designer Jonathan Muecke has been selected to design its pavilion for next month’s show. For the coveted commission, Muecke created a cylindrical space accessible through two entrance points. The structure is finished in primary colors: red and green on the inside and blue and yellow on the outside. Within the circle is “seamlessly shaped seating” designed to “allow visitors a moment of quiet reflection.”
(Editor’s Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.)
Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality.
What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.)
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The designer’s most recent collaboration with Milgo/Bufkin explores mass customization
Architect-morphologist Haresh Lalvani is continuing his longtime relationship with Brooklyn-based fabricator Milgo/Bufkin with the Morphing Fruit Platter 1D Series 300, which was unveiled at this year’s Design Miami as part of the Moss exhibit, Mass Customization of Emergent Designs. The 100 platters presented at Moss represent the designer’s latest thoughts about the intersection of mathematics and manufacturing based on a process he calls Lautomation.
Design Miami, the high-design fair that runs with the giant, Art Basel Miami Beach, exhibited two objets d’architecture over the Miami Art Week, and named an architect, David Adjaye, as its 2011 Designer of the Year. Both objets were sculptural pavilions: one is an installation by Adjaye, commissioned for the fair, and the other a restored modernist icon with a utopian agenda. Continue reading after the jump.