Gabriel Dawe’s Plexus A1 in the Newly Renovated Renwick Gallery

Art, East
Thursday, January 14, 2016
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Gabriel Dawe's Plexus A1. (Courtesy Conduit Gallery, Ron Blunt)

Gabriel Dawe’s Plexus A1. (Courtesy Conduit Gallery, Ron Blunt)

Until July 2016, Plexus A1, an art installation comprising of nearly 60 miles of handwoven threads by Mexican artist Gabriel Dawe, will be exhibited in the Smithsonian American Art Museum’s newly renovated Renwick Gallery. Dawe’s installation consists of 15 hues to mimic the full spectrum of visible light.

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Pantone can’t decide, names two Colors of the Year for 2016: Serenity and Rose Quartz

Design, National, Product
Wednesday, December 9, 2015
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Courtesy American Flat and Pantone

Courtesy American Flat and Pantone

For the first time ever, Pantone has chosen two signature colors for its annual Color of the Year selection: Serenity and Rose Quartz. The combination of both colors creates a calm and relaxing palette that promotes tranquility and inner peace, the color gurus at Pantone explain.

More after the jump.

Pictorial> Step inside Selgascano’s psychedelic Serpentine Pavilion

(Iwan Baan)

(Iwan Baan)

The 2015 Serpentine Pavilion has opened to the public in London‘s Kensington Gardens. The psychedelic, worm-like structure was designed by SelgasCano, a husband-and-wife team based in Madrid, and features translucent ETFE panels that are wrapped and woven like webbing. The architects said the pavilion’s design is partially inspired by the chaos of passing through the London Underground.

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You’ll want to stop by the Dia in New York City to see LaMonte Young’s “truly immersive” Dream House

Art, East, On View
Friday, April 17, 2015
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(Courtesy Dia Art Foundation)

(Courtesy Dia Art Foundation)

In New York in the 1960s and ’70s, a movement against pictorial, illusionistic, or fictive art began to favor more direct and literal figurations. This movement—now called Minimalism by many—was often spatial in nature as it was drawn on flat surfaces, sculpted, and displayed in white box galleries.

Continue reading after the jump.

Spanish architects unveil a colorful, tangled web for the 15th Serpentine Pavilion in London

Architecture, Art, Design, International
Wednesday, March 25, 2015
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© Steven Kevin Howson / SelgasCano

(Steven Kevin Howson / SelgasCano)

The Serpentine Galleries has unveiled renderings for its 15th summer pavilion which it described as an “amorphous, double-skinned, polygonal structure.” The interactive and certainly bright installation is designed by the Madrid-based SelgasCano and comprises translucent, rainbow-colored panels woven into a webbing system. Visitors are encouraged to enter the pavilion and explore its “secret corridor” and “stained glass-effect interior.”

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The color experts agree: 2015 is coming up roses

Interiors, News
Tuesday, December 9, 2014
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Marsala (Courtesy Pantone)

Marsala (Courtesy Pantone)

According to the trend-setting powers at Pantone and Sherwin Williams, we’ll be looking at the world through rose(ish)-colored glasses in 2015. To combat the cold, dreary winter months—goodbye Seasonal Anxiety Disorder!—two new colors belonging to the warm and vibrant palette of pinks, reds, and oranges are expected to saturate 2015. So what’s next year’s official color of the year?

More after the jump.

Somewhere Over the Rainbow: The Pantone Hotel opens in Brussels

pantone-hotel

(Courtesy Pantone Hotel)

Winter months in the Benelux countries are not known for blue skies and bright sun. So perhaps there’s an altruistic underpinning to the design of the new 59-room Pantone Hotel in Brussels. Did architect Olivier Hannaert and interior designer Michel Pennemann seek to lift the seasonally-depressed spirits of the populace through the colorful palette? We’d like to think so, although the relentless branding campaign by the client raises a smidgen of doubt.

Continue reading after the jump.

Architect Elena Manferdini Completes the Colorful, Laser-Cut “Nembi” Installation in South Los Angeles

Architecture, West
Thursday, December 12, 2013
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(Atelier Manferdini)

(Atelier Manferdini)

Until recently, talented Los Angeles–based architect Elena Manferdini had practiced all over the world, but barely  in her own city. That has definitely changed. Earlier this year she worked on two shops in Venice, and her latest project is an art installation at the entry way of the Hubert H. Humphrey Comprehensive Health Center in South Los Angeles. The colorful project is part of the LA County Art Commission’s Civic Art project, a one percent program for county facilities.

Read more after the jump.

Pantone’s 2014 Color of the Year is Radiant Orchid

Product
Thursday, December 5, 2013
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Pantonen's 2014 Color of the Year, 18-3224 Radiant Orchid (courtesy Pantone)

Pantonen’s 2014 Color of the Year, 18-3224 Radiant Orchid (courtesy Pantone)

De facto color authority Pantone announced the 2014 Color of the Year is 18-3224 Radiant Orchid, a shade of purple with undertones of pink and fuchsia. The Color of Year is determined through popular culture and socio-economic research. The institute recommends Radiant Orchid for interiors as the anchor color, as well as accents and detailing.

Continue reading after the jump.

Product > Finds from the Floor at NeoCon 2013

Midwest, Newsletter, Product
Wednesday, June 19, 2013
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Cliffy 6000 from SIXINCH.

Cliffy 6000 from SIXINCH.

Nearly 42,000 architects, interior designers, facilities planners, furniture dealers, and distributors converged on NeoCon, the A&D industry’s largest exhibition of office, residential, health care, hospitality, institutional, and government design products. Held from June 10–12, the show included education components and keynote presentations from Bjarke Ingels, founder of BIG; Michael Vanderbyl, principal of Vanderbyl Design; Holly Hunt, president & CEO of Holly Hunt; and Lauren Rottet, interior architect and founder of Rottet Studio. AN was present to cover a handful of educational seminars and sessions (see our live tweets from Ingels’s presentation on our Twitter feed), and we scoured the showrooms in search of 2013’s new product trends. Following are a few we saw at the show.

Check out AN’s top picks after the jump.

On View> Sharing Space: Creative Intersections in Architecture and Design

Midwest
Thursday, May 9, 2013
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(Courtesy Art Institute of Chicago)

(Courtesy Art Institute of Chicago)

Sharing Space: Creative Intersections in Architecture and Design
The Art Institute of Chicago
111 South Michigan Avenue
Through August 4

This new exhibition at The Art Institute of Chicago explores the influential impact that color inevitably has on our perception of geometry. It presents an extensive collection of modern and contemporary works ranging from the 1940’s to 2012 created by architects, urban planners, graphic designers, and industrial designers. One of the works prominently featured in the exhibit is Camouflage House (above), Doug Garofalo and David Leary’s theoretical project in which the pair “colored-in” the contours of a building, blurring the rigid lines and sharp angles of the structure and causing it to blend in with the surrounding natural landscape. The exhibition underlines the contrasting relationship between color and geometry and highlights the effect this relationship can have on architecture and design.

CTC Helps Piano Give LA’s Resnick Pavilion the Pompidou Treatment

Fabrikator
Friday, February 15, 2013
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Brought to you with support from:
Fabrikator
Fabrikator
lacma_vent_06

The bright red cladding calls attention to the mechanical systems as the “lungs of the building.” (Courtesy CTC)

CTC realized Piano’s design concept by designing and fabricating a cladding system of a structural steel tube framework covered by extensive FRP panels.

For his design of the Resnick Pavilion at the Los Angeles County Museum of Art (LACMA), Renzo Piano revived an idea he first explored with Richard Rogers in their design of the Centre George Pompidou in Paris: the idea of the building as an organic breathing machine. At Pompidou, the architects turned the museum’s mechanical systems into expressive elements, color coding the pipes, ducts, gantries, and escalators and pulling them to the exterior of the structure. At the Resnick Pavilion, Piano located the mechanical rooms and air handling units prominently outside the four corners of the 45,000-square-foot building, applying cladding to the ductwork in a bright red color used in circulation corridors throughout the LACMA campus.

Piano turned to Capastrano Beach, California-based design/build firm CTC (Creative Teknologies Corporation) to realize his design concept. “We took in data from three parties,” said CTC president Eric Adickes. “Piano gave us perspective sketches of how he wanted the air handling units to look, the air conditioning contractor, Acco, gave us Revit drawings, and the general contractor, MATT Construction, gave us 2D Autocad documents of the building and concrete foundation.” From those sources, CTC developed 3D models of a cladding system for the ventilation ducts using CATIA.

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