Until July 2016, Plexus A1, an art installation comprising of nearly 60 miles of handwoven threads by Mexican artist Gabriel Dawe, will be exhibited in the Smithsonian American Art Museum’s newly renovated Renwick Gallery. Dawe’s installation consists of 15 hues to mimic the full spectrum of visible light.
For the first time ever, Pantone has chosen two signature colors for its annual Color of the Year selection: Serenity and Rose Quartz. The combination of both colors creates a calm and relaxing palette that promotes tranquility and inner peace, the color gurus at Pantone explain.
You’ll want to stop by the Dia in New York City to see LaMonte Young’s “truly immersive” Dream House
In New York in the 1960s and ’70s, a movement against pictorial, illusionistic, or fictive art began to favor more direct and literal figurations. This movement—now called Minimalism by many—was often spatial in nature as it was drawn on flat surfaces, sculpted, and displayed in white box galleries.
The Serpentine Galleries has unveiled renderings for its 15th summer pavilion which it described as an “amorphous, double-skinned, polygonal structure.” The interactive and certainly bright installation is designed by the Madrid-based SelgasCano and comprises translucent, rainbow-colored panels woven into a webbing system. Visitors are encouraged to enter the pavilion and explore its “secret corridor” and “stained glass-effect interior.”
According to the trend-setting powers at Pantone and Sherwin Williams, we’ll be looking at the world through rose(ish)-colored glasses in 2015. To combat the cold, dreary winter months—goodbye Seasonal Anxiety Disorder!—two new colors belonging to the warm and vibrant palette of pinks, reds, and oranges are expected to saturate 2015. So what’s next year’s official color of the year?
Winter months in the Benelux countries are not known for blue skies and bright sun. So perhaps there’s an altruistic underpinning to the design of the new 59-room Pantone Hotel in Brussels. Did architect Olivier Hannaert and interior designer Michel Pennemann seek to lift the seasonally-depressed spirits of the populace through the colorful palette? We’d like to think so, although the relentless branding campaign by the client raises a smidgen of doubt.
Architect Elena Manferdini Completes the Colorful, Laser-Cut “Nembi” Installation in South Los Angeles
Until recently, talented Los Angeles–based architect Elena Manferdini had practiced all over the world, but barely in her own city. That has definitely changed. Earlier this year she worked on two shops in Venice, and her latest project is an art installation at the entry way of the Hubert H. Humphrey Comprehensive Health Center in South Los Angeles. The colorful project is part of the LA County Art Commission’s Civic Art project, a one percent program for county facilities.
De facto color authority Pantone announced the 2014 Color of the Year is 18-3224 Radiant Orchid, a shade of purple with undertones of pink and fuchsia. The Color of Year is determined through popular culture and socio-economic research. The institute recommends Radiant Orchid for interiors as the anchor color, as well as accents and detailing.
Sharing Space: Creative Intersections in Architecture and Design
The Art Institute of Chicago
111 South Michigan Avenue
Through August 4
This new exhibition at The Art Institute of Chicago explores the influential impact that color inevitably has on our perception of geometry. It presents an extensive collection of modern and contemporary works ranging from the 1940’s to 2012 created by architects, urban planners, graphic designers, and industrial designers. One of the works prominently featured in the exhibit is Camouflage House (above), Doug Garofalo and David Leary’s theoretical project in which the pair “colored-in” the contours of a building, blurring the rigid lines and sharp angles of the structure and causing it to blend in with the surrounding natural landscape. The exhibition underlines the contrasting relationship between color and geometry and highlights the effect this relationship can have on architecture and design.
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CTC realized Piano’s design concept by designing and fabricating a cladding system of a structural steel tube framework covered by extensive FRP panels.
For his design of the Resnick Pavilion at the Los Angeles County Museum of Art (LACMA), Renzo Piano revived an idea he first explored with Richard Rogers in their design of the Centre George Pompidou in Paris: the idea of the building as an organic breathing machine. At Pompidou, the architects turned the museum’s mechanical systems into expressive elements, color coding the pipes, ducts, gantries, and escalators and pulling them to the exterior of the structure. At the Resnick Pavilion, Piano located the mechanical rooms and air handling units prominently outside the four corners of the 45,000-square-foot building, applying cladding to the ductwork in a bright red color used in circulation corridors throughout the LACMA campus.
Piano turned to Capastrano Beach, California-based design/build firm CTC (Creative Teknologies Corporation) to realize his design concept. “We took in data from three parties,” said CTC president Eric Adickes. “Piano gave us perspective sketches of how he wanted the air handling units to look, the air conditioning contractor, Acco, gave us Revit drawings, and the general contractor, MATT Construction, gave us 2D Autocad documents of the building and concrete foundation.” From those sources, CTC developed 3D models of a cladding system for the ventilation ducts using CATIA.