Hot Tub Design Machine: New York’s Van Alen Institute launches its annual auction of out-of-the-box architectural experiences
If you have ever longed to explore nature with your favorite architect or discuss the built environment in your bikini, now you’ll have the chance. Well, for a few bucks, but in the good name of architecture. The Van Alen Institute has launched its online auction of Art + Design Experiences to coincide with its Spring Party, going down this Wednesday in Lower Manhattan.
The architecture social calendar in New York includes a bewildering array of benefits, parties, fundraisers, and charity auctions. But the yearly event that brings out the most party loving architects is the Storefront for Art and Architecture‘s benefit and art auction. The Storefront always gets the most fabulous venues for its events and this year’s was beyond spectacular: the 1893 Bowery Savings Bank.
The Woolworth Building just a few short blocks from Zuccotti Park—the spiritual home of the Ocuppy movement—was itself bathed in radical red last night to celebrate the iconic “red” work of Barbara Krueger and Bernard Tschumi. The two celebrated figures were being honored by the Storefront for Art and Architecture at their annual Spring fundraiser.
“Banality,” the theme of Storefront‘s Critical Halloween costume fundraiser, was manifested in an array of clever–and occasionally perplexing–forms on Saturday evening at the 3-Legged Dog in Manhattan. Blizzard-like conditions did not deter a group of over 250 design-o-philes and at least one (in)famous party crasher from getting decked out in spandex, foam, plush, rubber, tulle, and acres of cardboard. The weather did prevent Liz Diller from arriving to judge the costume contest, but her fearless partner Charles Renfro stepped into the breach, and channeling Damien Hirst in a rhinstone-studded skull mask (“Greed”), took his place alongside judges Wangechi Mutu (embodying Pantone’s “Bluebird”) and Justin Davidson (dressed as an architecture critic).
With the High Line getting the lion’s share of attention lately, Hudson River Park feels more neighborhoody then ever. Last night’s opening of public art installation by artist/performer Jon Morris of Windmill Factory felt pretty down home with everyone sprawling out on the grass around Morris, who explained the inspiration for his light show which sits out in the water.
Growing up in Beria, Kentucky, Morris could see the stars, but in New York light pollution made the experience impossible. His idea was to sprinkle a little stardust onto the Hudson in the form of solar powered LEDs attached to the tops of pilings from a long departed pier.