Vitra—Design, Architecture, Communication: A European Project with American Roots
Philadelphia Museum of Art, Perelman Building, Collab Gallery
2525 Pennsylvania Avenue, Philadelphia, PA
Through April 26, 2015
In its new exhibition, Vitra—Design, Architecture, Communication: A European Project with American Roots, the Philadelphia Museum of Art explores the history of the famous Swiss furniture company from its early licensing partnership with Herman Miller to new collaborations with world-renowned contemporary designers, such as Verner Panton, Antonio Citterio, and Jasper Morrison.
Charles and Ray Eames designed their Pacific Palisades home in 1949 as part of the Case Study Program, which was begun by John Entenza, editor of Arts & Architecture Magazine. The program invited some of the best architects of the day to share their ideas for using new materials and methods to construct well-designed, mass-producible housing. The two-part, rectangular house was constructed of prefabricated materials and off-the-shelf products. Now, the Getty Conservation Institute (GCI) has made the mid-20th century modern architecture landmark a subject of its Conserving Modern Architecture Initiative.
Herman Miller launched their Select Program in 2008 to offer their customers an extra way to connect with the brand and enhance their collections with limited edition pieces. As part of their 2012 program, Herman Miller is offering the Eames Wire Base Low Table (also referred to as the LTR table) in three special colors on sale now until Spring 2013, when production will end. Read More
Eventually Everything: The 2012 D-Crit Conference
Wednesday, May 2, 12:30–7:00 p.m.
Visual Arts Theatre
333 West 23rd Street
No charge for admission; Registration required
On May 2 the School of Visual Arts Design Criticism MFA program, a.k.a. D-Crit, presents its third annual thesis conference, and this year’s line-up promises to be intriguing, covering an array of subjects–“Main Street, USA and the Power of Myth,” “Graphic Ornament in Interior Architecture,” “Towers to Town Homes: Public Housing, Policy, and Design in the US” to “Missing the Modern Gun: Object Ethics in Collections of Design,” to name a few. The list of thesis topics alone makes a statement about the possibilities of design criticism and how D-Crit aims to push its limits.